Title Information
Title
Artful Visions: Aesthetic Possibility and Social Transformation in Zizek, Hardt and Negri, Foucault, and the New Relational Art
Name: Personal
Name Part
Oliver, Lisa Ann
Role
Role Term: Text
creator
Origin Information
Copyright Date
2011
Physical Description
Extent
vii, 262 p.
digitalOrigin
born digital
Note
Thesis (Ph.D. -- Brown University (2011)
Name: Personal
Name Part
Doane, Mary Ann
Role
Role Term: Text
Director
Name: Personal
Name Part
Nickel, Douglas
Role
Role Term: Text
Reader
Name: Personal
Name Part
Dean, Carolyn
Role
Role Term: Text
Reader
Name: Corporate
Name Part
Brown University. History of Art and Architecture
Role
Role Term: Text
sponsor
Genre (aat)
theses
Abstract
This dissertation brings together the work of a group of contemporary social theorists, art critics, and artists, including Slavoj Zizek, Michael Hardt & Antonio Negri, Jacques Rancière, critic Nicolas Bourriaud, and artist Rirkrit Tiravanija, who explore the potential of the aesthetic to address the social and subjective fragmentation and the cultural nihilism of contemporary capitalist modernity. Placing their output within the tradition of the "philosophical discourse of modernity" as formalized by Jürgen Habermas, the dissertation investigates the ways in which these theorists and artists attempt to harness the aesthetic as a form of praxis and thus a force of social and subjective intervention and change. Charting the ways in which these thinkers propose to rewrite the contemporary symbolic order through aesthetic means, the dissertation reveals that while all wish to move beyond capitalism, they are fundamentally divided in their visions of a post-capitalist social system: Zizek, Hardt & Negri, and Rancière wish to maintain a Marxist vision of social antagonism and class struggle, while Bourriaud and Tiravanija advocate for a form of relationality which would repair the social bond broken in modernity. The dissertation demonstrates, however, that both sets of thinkers envison post-capitalist socialities and subjectivities that are modern, albeit radicalized or reconciled. Calling this vision into question, the dissertation suggests that a move beyond capitalism will require a move beyond modernity, particularly its structural formations of desire and radical contingency. It is here that the dissertation turns to the work of Michel Foucault in The Order of Things, which, in its willingness to think both ontology and epistemology beyond the limits of what is possible for modernity--particularly in its theorizations of the "end of man" and the "mode of being of language"--provides an inventive and thus powerful model for radical, postmodern social and subjective change. Reading Foucault's early theories of language and subjectivity in combination with the world-generating work of contemporary "relational" and digital artists, the dissertation argues that such an intersection might help bring about a new aesthetic theory, one that may lead us beyond not only capitalism but modernity itself.
Subject
Topic
modernity
Subject
Topic
post-modernity
Subject
Topic
Michel Foucault
Subject
Topic
The Order of Things
Subject
Topic
J?rgen Habermas
Subject
Topic
Slavoj Zizek
Subject
Topic
Michael Hardt
Subject
Topic
Antonio Negri
Subject
Topic
digital art
Subject
Topic
re-enchantment
Subject
Topic
Jacques Ranci?re
Subject
Topic
Nicolas Bourriaud
Subject (FAST) (authorityURI="http://id.worldcat.org/fast", valueURI="http://id.worldcat.org/fast/863073")
Topic
Civilization, Modern
Subject (FAST) (authorityURI="http://id.worldcat.org/fast", valueURI="http://id.worldcat.org/fast/846425")
Topic
Capitalism
Subject (FAST) (authorityURI="http://id.worldcat.org/fast", valueURI="http://id.worldcat.org/fast/891351")
Topic
Desire
Subject (FAST) (authorityURI="http://id.worldcat.org/fast", valueURI="http://id.worldcat.org/fast/1136568")
Topic
Subjectivity
Subject (FAST) (authorityURI="http://id.worldcat.org/fast", valueURI="http://id.worldcat.org/fast/1790999")
Topic
Relational art
Subject (FAST) (authorityURI="http://id.worldcat.org/fast", valueURI="http://id.worldcat.org/fast/872033")
Topic
Computer art
Subject (FAST) (authorityURI="http://id.worldcat.org/fast", valueURI="http://id.worldcat.org/fast/1427415")
Name
Name Part
Foucault, Michel
Name Part: Date
1926-1984
Subject (FAST) (authorityURI="http://id.worldcat.org/fast", valueURI="http://id.worldcat.org/fast/28860")
Name
Name Part
Habermas, Jürgen
Subject (FAST) (authorityURI="http://id.worldcat.org/fast", valueURI="http://id.worldcat.org/fast/161373")
Name
Name Part
Žižek, Slavoj
Subject (FAST) (authorityURI="http://id.worldcat.org/fast", valueURI="http://id.worldcat.org/fast/1717566")
Name
Name Part
Hardt, Michael
Name Part: Date
1960-
Subject (FAST) (authorityURI="http://id.worldcat.org/fast", valueURI="http://id.worldcat.org/fast/42055")
Name
Name Part
Negri, Antonio
Name Part: Date
1933-
Subject (FAST) (authorityURI="http://id.worldcat.org/fast", valueURI="http://id.worldcat.org/fast/1448479")
Name
Name Part
Rancière, Jacques
Subject (FAST) (authorityURI="http://id.worldcat.org/fast", valueURI="http://id.worldcat.org/fast/1528098")
Name
Name Part
Bourriaud, Nicolas
Record Information
Record Content Source (marcorg)
RPB
Record Creation Date (encoding="iso8601")
20111003
Language
Language Term: Code (ISO639-2B)
eng
Language Term: Text
English
Identifier: DOI
10.7301/Z0X34VQR
Access Condition: rights statement (href="http://rightsstatements.org/vocab/InC/1.0/")
In Copyright
Access Condition: restriction on access
Collection is open for research.
Type of Resource (primo)
dissertations