Title Information
Title
After the Earthquake: Literary Responses to Catastrophe in Mexico City, 1985-2000
Name: Personal
Name Part
Garner-Prazeres, Julia Hilary
Role
Role Term: Text
creator
Origin Information
Copyright Date
2012
Physical Description
Extent
vii, 212 p.
digitalOrigin
born digital
Note
Thesis (Ph.D. -- Brown University (2012)
Name: Personal
Name Part
Ortega, Julio
Role
Role Term: Text
Director
Name: Personal
Name Part
Mazzucchelli, Aldo
Role
Role Term: Text
Reader
Name: Personal
Name Part
Pastor, Beatriz
Role
Role Term: Text
Reader
Name: Corporate
Name Part
Brown University. Hispanic Studies
Role
Role Term: Text
sponsor
Genre (aat)
theses
Subject
Topic
Mexico City
Subject
Topic
catastrophe
Subject (FAST) (authorityURI="http://id.worldcat.org/fast", valueURI="http://id.worldcat.org/fast/900899")
Topic
Earthquakes
Subject (FAST) (authorityURI="http://id.worldcat.org/fast", valueURI="http://id.worldcat.org/fast/894782")
Topic
Disasters
Subject (FAST) (authorityURI="http://id.worldcat.org/fast", valueURI="http://id.worldcat.org/fast/1108566")
Topic
Science fiction
Subject (FAST) (authorityURI="http://id.worldcat.org/fast", valueURI="http://id.worldcat.org/fast/1206137")
Geographic
Mexico--Mexico City
Record Information
Record Content Source (marcorg)
RPB
Record Creation Date (encoding="iso8601")
20121023
Language
Language Term: Code (ISO639-2B)
eng
Language Term: Text
English
Abstract
The dissertation examines the representations of catastrophe that emerge in Mexico City following the devastating 1985 earthquake and the upheaval of the nineties. The study focuses on novels published between 1987 and 1997: Cristóbal Nonato by Carlos Fuentes; Casas de encantamiento by Ignacio Solares; La leyenda de los soles and ¿En quién piensas cuando haces el amor? by Homero Aridjis; and Cielos de la Tierra by Carmen Boullosa. <br/> The dissertation explores how the fantastical conjoining of distinct temporalities and the fragmented narrative structures in these novels of catastrophe permit a critical perspective on Mexico’s path towards development. I argue that these writers make use of science fiction techniques to deconstruct temporality and to prompt the reader to contemplate whether Mexico’s trajectory could have been otherwise. These novels of catastrophe fit within the conceptual framework of contemporary speculative fiction; and two theorists of the science fiction genre, Jean Baudrillard and Frederic Jameson, have provided support for my line of analysis. In contrast to the testimonial and journalistic accounts of the earthquake, centered on a realistic portrayal of the immediate aftermath of the disaster, the novels by Fuentes, Solares, Aridjis and Boullosa present an exaggerated version of the possible, interweaving a more distant “before” and “after” of the catastrophe. Science fiction time in these novels creates free-flowing connections between historical moments and includes a longer, more associative causal chain of events through devices such as time travel, dystopian futurescapes, the existence alternative realities that unfold from a single moment in time, and the displacement of historical or mythical elements. <br/> I contend that the novels give a comprehensive depiction of the complexity of the disaster because they are close to the free associations that form the popular imaginary of Mexico City as the site of catastrophe. They draw on Mexico’s unique template for narrating disaster through myth and the story of the Conquest. The writers reveal their political engagement by suggesting that ultimately the present is the only time and space in which fulfillment can happen and in which the potential for social change exists.<br/>
Identifier: DOI
10.7301/Z05Q4TDP
Access Condition: rights statement (href="http://rightsstatements.org/vocab/InC/1.0/")
In Copyright
Access Condition: restriction on access
Collection is open for research.
Type of Resource (primo)
dissertations