Title Information
Title
Interview-Work: The Genealogy of a Cultural Form
Name: Personal
Name Part
Sarlin, Paige
Role
Role Term: Text
creator
Origin Information
Copyright Date
2012
Physical Description
Extent
vii, 217 p.
digitalOrigin
born digital
Note
Thesis (Ph.D. -- Brown University (2012)
Name: Personal
Name Part
Rosen, Philip
Role
Role Term: Text
Director
Name: Personal
Name Part
Joyrich, Lynne
Role
Role Term: Text
Reader
Name: Personal
Name Part
Rooney, Ellen
Role
Role Term: Text
Reader
Name: Corporate
Name Part
Brown University. Modern Culture and Media
Role
Role Term: Text
sponsor
Genre (aat)
theses
Subject
Topic
Marxism
Subject
Topic
Documentary
Subject
Topic
Form
Subject (FAST) (authorityURI="http://id.worldcat.org/fast", valueURI="http://id.worldcat.org/fast/870421")
Topic
Communism
Subject (FAST) (authorityURI="http://id.worldcat.org/fast", valueURI="http://id.worldcat.org/fast/922671")
Topic
Feminism
Subject (FAST) (authorityURI="http://id.worldcat.org/fast", valueURI="http://id.worldcat.org/fast/989798")
Topic
Labor
Subject (FAST) (authorityURI="http://id.worldcat.org/fast", valueURI="http://id.worldcat.org/fast/1787007")
Topic
Media studies
Subject (FAST) (authorityURI="http://id.worldcat.org/fast", valueURI="http://id.worldcat.org/fast/1083449")
Topic
Publicity
Subject (FAST) (authorityURI="http://id.worldcat.org/fast", valueURI="http://id.worldcat.org/fast/997183")
Topic
Liberalism
Record Information
Record Content Source (marcorg)
RPB
Record Creation Date (encoding="iso8601")
20121023
Language
Language Term: Code (ISO639-2B)
eng
Language Term: Text
English
Abstract
This dissertation provides a critical and materialist account of the history of the media interview. Starting with Henry Mayhew’s use of the interview to investigate and publicize the living and working conditions of London’s poor in the newspaper, The Morning Chronicle, in 1849, this study traces how this form of representation has migrated from newspapers to television, documentary film, and the Internet. Paying close attention to the significance of the form’s adaptation to different media, this dissertation demonstrates how the interview is not just a neutral instrument for various modes of research and media-work, but that the form is centrally implicated in the production of “value,” understood in both economic and semiotic terms. Investigating the relation between specific representations of the interview and more general formal conventions, this thesis treats the development of the commodity form of the interview on American television in the 1970s, the relation of feminist consciousness-raising to the use of group interviews in political documentaries in the 1960s and 1970s, and the contradictory relation between this media form and the production of political critique on the Internet in 2012.<br/> <br/> Looking specifically at the use of the interview as a tool for social analysis and the circulation of personal experience and opinion, this dissertation considers the media interview as a historically determined and ideologically laden form that does not simply instantiate asymmetries of power but rather enacts and represents the fundamental contradictions of social relations that are evident in class and gender divisions as well as the conceptualization of the private and the public. Aligned with the function of the mass media within the liberal bourgeois public sphere, the history of the interview indexes changes in the social function of media over time. In addition, its role in the production of images of the social registers a structuring limitation that animates both the form itself and liberal thought more generally: the category of the individual. <br/>
Identifier: DOI
10.7301/Z0TB1563
Access Condition: rights statement (href="http://rightsstatements.org/vocab/InC/1.0/")
In Copyright
Access Condition: restriction on access
Collection is open for research.
Type of Resource (primo)
dissertations