Title Information
Title
Embracing the Digital: Expressive Artifice in the SoundCloud Digital Underground
Abstract
This thesis explores what I call the SoundCloud digital underground, a flourishing online music scene which fuses hyperpop and SoundCloud rap. I argue that artists in the SoundCloud digital underground dispute authenticity and experiment with the digital and artificial in order to express themselves, and in doing so highlight the constructedness of all media. I borrow and reinterpret the term “expressive artifice” from subculture scholar Dick Hebdige to define and interrogate this process of digitally-enabled creation. My two case studies are vocal modulation in SoundCloud digital underground artists’ songs themselves and visual styles in artists’ music videos. In examining techniques of vocal manipulation, primarily glitch and AutoTune, I find that these artists derive their practice from traditions like the “vocal queering” used by trans and nonbinary hyperpop artists as well as Black R&B artists’ experimentation with digital technology and virtuality in their vocals. I follow new media scholars Jay David Bolter and Richard Grusin’s notions of hypermediacy and remediation to think SoundCloud digital underground artists’ visual aesthetics in terms of what I call “hyperrremediation,” the incorporation of contemporary media forms into each other in a manner that disrupts immediacy and transparency. I conclude the thesis by taking stock of the state of the SoundCloud digital underground today, bringing in its newest incarnations and questioning what its future holds in the face of the vicissitudes of technocapitalism.
Name: Personal
Name Part
Fleissig, Leo
Role
Role Term (marcrelator) (authorityURI="http://id.loc.gov/vocabulary/relators", valueURI="http://id.loc.gov/vocabulary/relators/cre")
creator
Name: Personal
Name Part
moore, madison
Role
Role Term (marcrelator) (authorityURI="http://id.loc.gov/vocabulary/relators", valueURI="http://id.loc.gov/vocabulary/relators/ths")
thesis advisor
Name: Personal
Name Part
Weheliye, Alexander G.
Role
Role Term
reader
Name: Corporate
Name Part
Brown University. Modern Culture and Media
Role
Role Term: Text
sponsor
Origin Information
Copyright Date
2024
Type of Resource (primo)
text_resources
Physical Description
digitalOrigin
born digital
Language
Language Term: Text (ISO639-2B) (authorityURI="http://id.loc.gov/vocabulary/iso639-2.html", valueURI="http://id.loc.gov/vocabulary/iso639-2/eng")
English
Note: thesis
Senior thesis (AB)--Brown University, 2024
Note (displayLabel="Concentration")
Modern Culture and Media
Genre (aat)
theses
Subject (Local)
Topic
media studies
Access Condition: use and reproduction (href="https://creativecommons.org/licenses/by/4.0/legalcode")
Attribution 4.0 International (CC BY 4.0)
Access Condition: logo (href="https://licensebuttons.net/l/by/4.0/88x31.png")
Access Condition: rights statement (href="http://rightsstatements.org/vocab/InC/1.0/")
In Copyright
Identifier: DOI
10.26300/18dc-tt24