<mods:mods xmlns:mods="http://www.loc.gov/mods/v3" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" ID="etd1493" xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd">
	<mods:titleInfo>
		<mods:title>Four-Color Creatures: Japanese Monstrosity in American Comic Books, Manga, and Popular Culture, 1938-1970</mods:title>
	</mods:titleInfo><mods:name type="personal">
		<mods:namePart>Fujioka, Brent Akio</mods:namePart>
	<mods:role>
		<mods:roleTerm type="text">creator</mods:roleTerm>
	</mods:role>
	</mods:name>
<mods:originInfo>
	<mods:copyrightDate>2015</mods:copyrightDate>
</mods:originInfo>
<mods:physicalDescription>
        <mods:extent>XV, 394 p.</mods:extent>
        <mods:digitalOrigin>born digital</mods:digitalOrigin>
</mods:physicalDescription>
<mods:note>Thesis (Ph.D. -- Brown University (2015)</mods:note>
<mods:name type="personal">
<mods:namePart>Lee, Robert</mods:namePart>
<mods:role>
<mods:roleTerm type="text">Director</mods:roleTerm>
</mods:role>
</mods:name>

<mods:name type="personal">
<mods:namePart>Rodriguez, Ralph</mods:namePart>
<mods:role>
<mods:roleTerm type="text">Reader</mods:roleTerm>
</mods:role>
</mods:name>

<mods:name type="personal">
<mods:namePart>Shibusawa, Naoko</mods:namePart>
<mods:role>
<mods:roleTerm type="text">Reader</mods:roleTerm>
</mods:role>
</mods:name>
<mods:name type="corporate">
		<mods:namePart>Brown University. American Studies</mods:namePart>
		<mods:role>
			<mods:roleTerm type="text">sponsor</mods:roleTerm>
		</mods:role>
		</mods:name>
	<mods:genre authority="aat">theses</mods:genre>
	<mods:abstract>This dissertation examines the role of monstrosity in the construction of Japanese identity within the American cultural imagination. It asserts that a discursive formation founded on a constellation of established historical, literary, and theoretical knowledge about the “East” defines Asia as an exotic locale for Americans, populated by monstrous others. Monstrosity complicates our understanding of race, theoretically breaking down binaries by showing that monsters are in actuality a mixture of self and other that unsettles established boundaries. 

To interrogate this subject, this study analyzes representations within American comic books and Japanese manga. As one of the most popular visual mediums of the twentieth century, comic books are a predominant form of working class visual culture, built on an established narrative tradition that often reflects dominant representational modes and social values. By examining them, we see how ideas about the Japanese are shaped by monstrosity, particularly during World War II, and how these notions have been reinforced, refined, and recrafted in a variety of ways over time. It also shows how the Japanese themselves have engaged with this discourse, shaping it through the exercise of cultural agency in filmic and manga production, functioning as active agents within the representational process. 

This project doubles as a transpacific history of comic books, demonstrating how a series of dynamic cultural influences and exchanges between the United States and Japan have shaped the output of these industries. The first of its kind, this study links the evolution of popular genres and archetypes in comics, like contemporary superheroes, with transnational cultural flows between these two countries, illustrating how these ubiquitous elements of the medium are not simply a product of American origin, but are an outgrowth of a much larger global culture. By tracing the evolution of the comic form through space and time, this project contributes to our understanding of the complex processes of adaptation, appropriation, and reinscription that define the cultural relationship between the United States and Japan.
</mods:abstract>

    <mods:subject>
        <mods:topic>Comic Books</mods:topic>
    </mods:subject>

    <mods:subject>
        <mods:topic>Cultural Studies</mods:topic>
    </mods:subject>

    <mods:subject>
        <mods:topic>Monstrosity</mods:topic>
    </mods:subject>

	<mods:subject xmlns:xlink="http://www.w3.org/1999/xlink" authority="FAST" authorityURI="http://id.worldcat.org/fast" valueURI="http://id.worldcat.org/fast/1423722"><mods:topic>Comic books, strips, etc.</mods:topic></mods:subject><mods:subject xmlns:xlink="http://www.w3.org/1999/xlink" authority="FAST" authorityURI="http://id.worldcat.org/fast" valueURI="http://id.worldcat.org/fast/1726630"><mods:topic>Graphic novels</mods:topic></mods:subject><mods:subject xmlns:xlink="http://www.w3.org/1999/xlink" authority="FAST" authorityURI="http://id.worldcat.org/fast" valueURI="http://id.worldcat.org/fast/885086"><mods:topic>Culture--Study and teaching</mods:topic></mods:subject><mods:subject xmlns:xlink="http://www.w3.org/1999/xlink" authority="FAST" authorityURI="http://id.worldcat.org/fast" valueURI="http://id.worldcat.org/fast/981441"><mods:topic>Japanese Americans</mods:topic></mods:subject><mods:recordInfo>
		<mods:recordContentSource authority="marcorg">RPB</mods:recordContentSource>
		<mods:recordCreationDate encoding="iso8601">20150601</mods:recordCreationDate>        
	</mods:recordInfo>
<mods:language xmlns:xlink="http://www.w3.org/1999/xlink"><mods:languageTerm type="code" authority="iso639-2b">eng</mods:languageTerm><mods:languageTerm type="text">English</mods:languageTerm></mods:language><mods:identifier xmlns:xlink="http://www.w3.org/1999/xlink" type="doi">10.7301/Z0765CQ5</mods:identifier><mods:accessCondition xmlns:xlink="http://www.w3.org/1999/xlink" type="rights statement" xlink:href="http://rightsstatements.org/vocab/InC/1.0/">In Copyright</mods:accessCondition><mods:accessCondition type="restriction on access">Collection is open for research.</mods:accessCondition><mods:typeOfResource xmlns:xlink="http://www.w3.org/1999/xlink" authority="primo">dissertations</mods:typeOfResource></mods:mods>