<?xml version="1.0" encoding="utf-8"?>
<?oxygen RNGSchema="../../schemas/periodicalsTei.rnc" type="compact"?>
<TEI xmlns="http://www.tei-c.org/ns/1.0" xmlns:xmp="adobe:ns:meta/" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:xap="http://ns.adobe.com/xap/1.0/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xapMM="http://ns.adobe.com/xap/1.0/mm/" xmlns:pdf="http://ns.adobe.com/pdf/1.3/" xml:id="mojp000390">
   <teiHeader>
      <fileDesc>
         <titleStmt>
            <title>The Weekly Tale-Teller</title>
         </titleStmt>
         <publicationStmt>
<idno type="cdi" n="mojp000390"/>
<idno type="metsid" n="1236707428296875"/>
            <p>An Electronic transcription from the Modernist Journals Project</p>
         </publicationStmt>
         <sourceDesc>
            <p>From OCR'd text using taggedpdf2tei.xsl</p>
         </sourceDesc>
      </fileDesc>
   </teiHeader>
   <text>
      <body>
         <div type="issue">
         <!--xmp:xmpmeta found here.-->
            <div type="front">
         <ab>ONE PENNY </ab>
         <ab>COMPLETE TALES. </ab>
         <ab>The Adventures of Mr. Banyard </ab>
         <ab>By MAX RITTENBERG </ab>
         <ab>The Pigeon's Blood </ab>
         <ab>Rubies By HEADON HILL </ab>
         <ab>One New Year's Eve </ab>
         <ab>By ELLIOTT O'DONNELL </ab>
         <ab>The Dagger </ab>
         <ab>By OLIVER CAY </ab>
         <ab>Gaining the Whole World </ab>
         <ab>By W. DOUGLAS NEWTON </ab>
         <ab>Storm </ab>
         <ab>By J. KENDRICK WYNNE </ab>
         <ab>Thanks to Theodora </ab>
         <ab>By LESLIE THOMAS </ab>

         <ab>The Magazine for a Happy New Year. </ab>
            </div>
            <div type="advertisements">
         <ab>ARE YOU </ab>
         <ab>ANXIOUS </ab>
         <ab>to become a Steward on a Liner, a Prison Warder, a Chauffeur,a Bank Messenger, or a Hospital Nurse? D o you wish to join the Canadian Police, the Cape Mounted Rilles, the Life Guards, the Hong Kong Police, or the Metropolitan Police? Would you l.kc to know how you can go to sea in either the Royal Navy or the Merchant Service? Do you want to become a Sanitary Inspector, or an Inspector of Weights and Measures, or a Factory Inspector, or are you anxious to appeir on the Stage? These callings are very different, are they net ? but you will find full particulars of each and of many others in 1 4 Smart Hints." Th e advize there given is plain and practical and in every instance has been specially wr.tten by those who have earned their living in the special ca.lings dealt with. Therein lies the value of this unique work. There are many ether wa; s of wage-earning described in its pages besides those mentioned above, together with an article on Prospects in Other Lands, dealing with South Africa, Australia, the Australian Gold Fields, New South Wales, New Zealand, and Canada. A list of Emigration Societies is given, </ab>
         <ab>with full particulars as to fares, etc., while there are some spec'ally useful hints as to what </ab>
         <ab>should be taken for use on a voyage by a third clas; passenger. All who ihink of </ab>
         <ab>Crossing the Sea should read this. If you are interested in any of these subjects you should send six stamps to The Publishing Manager, "Smart Hints" Office (G.P.O. Box No. C69) , 2 &amp; 3 , Hind Court, Fleet Street, E.C., for a copy of </ab>
         <ab>SMART HINTS, </ab>
         <ab>l20th THOUSAND), </ab>
         <ab>W$e finest ffiook of Reference in tfie "World. </ab>
            </div>
            <div type="fiction">
         <ab>The Adventures oi Mr. Banyard/ </ab>
         <ab>By Max Rittenberg* </ab>
         <ab>It is with great pleasure that I introduce Mr. Banyard to you. He is a gentleman whose adventures deserve to be followed with interest, and I venture to predict he will make many friends during the six weeks he is to stay with us. In introducing him I also present his creator, Mr. Rittenberg, who thus makes his first appearance in the "Tale-Teller," Of all types of stories the humorous is the jnost difficult to secure, and the humour which is never vulgar or offensive is the most rare of all. But you will find it here, I can assure you, and know you will be ready to appreciate it </ab>
         <ab>I.—A Honeymoon in Ostend. </ab>
         <ab>HAT the juice am I to do? " </ab>
         <ab>thought Mr. Banyard </ab>
         <ab>dolefully. </ab>
         <ab>Five minutes ago he </ab>
         <ab>had been perfectly certain that the number of his bathing-box was 94, but No. 94 had proved to be tight-closed when he tried to reenter it from the Ostend waves. " Allez-vous-en ! " cried some indignant voice when he had hammered at the door. </ab>
         <ab>Then he tried 84, and 104, and 74, and 74 had been opened to him by a lady who had preceded her husband out of the water. </ab>
         <ab>Had it not been for Mr. Banyard's professional experience at Overend and Remington's, he might have been shocked at the scantiness of the lady's costume. His professional eye, however, was noting that it was a straight-fronted model of size twenty-one inches, with attachments of— when a hairy arm yanked him round the neck from behind and cast him into the waves. </ab>
         <ab>"Cochon!" hissed the lady's husband, and slammed the door of bathing-box No. 74 at him. </ab>
         <ab>"What the juice am I to do?" thought Mr. Banyard dolefully. He </ab>
         <ab>No. 88. </ab>
         <ab>had lost his box; he had left,his eyeglasses! there—for one can't go bathing in glasses—not to mention the rest of his attire. His wife of one week only was. waiting for him upon the "digue," probably with impatience, and his French was rudimentary. </ab>
         <ab>The door of No. 74 opened, and the bearded Belgian appeared at the threshold. </ab>
         <ab>For a moment Mr. Banyard had a wild hope that he was going to apologise for having taken the box in mistake. But no; he merely aimed a dirty towel at the shopwalker and again slammed the door at him. Judging from the sounds inside the box there appeared ta be a quarrel in progress between husband and wife. </ab>
         <ab>"Serves him jolly well right!" thought Mr. Banyard angrily. "Ill make him jealous, see if I don't." </ab>
         <ab>After a while a lady's hand waved at him from on© of the windows of 74, and he felt a trifle comforted in spirit. But there was still the problem of finding his rightful dressing-place and clothes. </ab>
         <ab>So he clutched at one of the men on </ab>
         <ab>* Cinematograph and all rights rcasrvefl by Author. </ab>
         <ab>The Adventures of Mr. Banyard </ab>
         <ab>horseback, -who pulled the boxes in and out of the waves, and said, " J'ai perdjou mong box." </ab>
         <ab>These men, in the height of the bathing season, are much too busy for explanations. They merely hold out their right hand with a gesture of international significance. This man promptly held out his hand.. </ab>
         <ab>But Mr. Banyard, in, his present attire, had no trouser-pocket nor small change. </ab>
         <ab>" Qr-r-rh 1 " said the man on horseback, or words to that effect, and jerked on his horse. </ab>
         <ab>Mr. Banyard began to search dis-spiritedly for his box. If it wasn't 94, 84, 104, or 74, what the juice was it? Inspiration I It must have been 49. </ab>
         <ab>Shortsightedly he searched for 49, and found it finally amidst the jumble of bathing-boxes at the water's edge. The door opened to his hand and he went in. A man's clothes—civilised </ab>
         <ab>' English clothes—were there right enough. </ab>
         <ab>But they Were not his clothes. So he sat on the steps of the box, shivering, and waited for someone to come along and claim them. </ab>
         <ab>Nobody came. The waves began to rise round the box. A man on horseback pulled it farther up the sands. </ab>
         <ab>Then Mr. Banyard. made a bold move. "By Jingo!" said he. "If he's taken my clothes, I'm dashed if I don't take his 1 Serve him jolly well right.. 'Sides, the wife will be getting 'ratty* if I keep her waiting much longer." </ab>
         <ab>Behold, then, some five minutes later, Mr. Banyard striding over the sands in a check suit of passable fit, swinging somebody else's cane jauntily in one hand. Without his eye-glasses it was difficult to distinguish faces at a distance, but* he thought he recognised Jessie on the digue, and waved a hand to her as he started to ascend the inoline to the promenade. </ab>
         <ab>Then a hand was laid on his shoulder. </ab>
         <ab>"Go away," said Mr. Banyard, thinking if was a vendor of picture postcards. </ab>
         <ab>"But no, my friend," was the reply </ab>
         <ab>in English of a Continental brand. </ab>
         <ab>Mr. Banyard turned and peered at </ab>
         <ab>the man. He. was soberly dressed and </ab>
         <ab>had an air of authority about him. </ab>
         <ab>"Who the juice are you?" inquired </ab>
         <ab>Mr. Banyard. </ab>
         <ab>The man passed him over a card: </ab>
         <ab>"Leverrier, of ze police, at your </ab>
         <ab>service." </ab>
         <ab>" I don't want you." </ab>
         <ab>"No, my friend, but I want you." </ab>
         <ab>"Here, look here," said Mr. Ban</ab>
         <ab>yard, " are you trying to be funny ? " </ab>
         <ab>"'Opkinson, I want you. Come," </ab>
         <ab>said the detective, deftly slipping an </ab>
         <ab>arm, jiu-jitsu fashion, inside, the </ab>
         <ab>shopwalker's. </ab>
         <ab>Mr. Banyard struggled unavailingly </ab>
         <ab>to free himself. </ab>
         <ab>"Here, lemme got" he panted. </ab>
         <ab>" My name's not Hopkinson—it's Ban-</ab>
         <ab>yard ; everyone knows that. Tou just </ab>
         <ab>ask in the silks at Overend and </ab>
         <ab>Remington's. Oh, dash it, I wish I </ab>
         <ab>had my glasses—or you just ask my </ab>
         <ab>wife.'.' </ab>
         <ab>"Which wife?" </ab>
         <ab>"Mrs. Banyard, of courser—who d'you think?—Jessie. Dash you, lemme go!" </ab>
         <ab>."Now, my friend 'Opkinson," said the detective, "if you struggle you make a crowd. Allons, zat is not pleasant. Come quietly, or I put on ze 'andouffs." </ab>
         <ab>Indeed, a crowd of idlers was already beginning to gather upon the digue. Amongst them Mr. Banyard caught sight of the .hairy Belgian and his wife, both in cycling costume. Mr. Banyard recognised her by the twenty-one-inch waist. Also he noted with his professional' eye that her cycling knickera must have required at least two and a quarter yards of double-width material. </ab>
         <ab>"Cochonl" hissed the hairy Belgian, rushing down the incline to shake a fist in Mr. Banyard's face. *Tu crois m'faire cocu? " </ab>
         <ab>"Already he.has three wives," whispered the detective to the Belgian in his own language. Up the incline rushed the latter to fling the news in his wife's face. "Already he has five wives, that pig of an Englishman 11 he cried. </ab>
         <ab>9</ab>
         <ab>By Max Rittenbei-g; </ab>
         <ab>But his spouse merely laughed, and said, "Oh, là-là 1 " </ab>
         <ab>* * * * # </ab>
         <ab>Apparently Hopkinson of the check suit was "wanted " for bigamy and attempted arson. So Mr. Banyard gathered from his captors when they had him safely in the gendarmerie. </ab>
         <ab>An accusation of arson might have left him cool, but to be accused of bigamy—he, Mr. Banyard, a model of respectability, on his honeymoon— was beyond the limit of human 23atience. </ab>
         <ab>" Here, look here ! " said he angrily. "What d'jou think I'd want to commit bigamy for? I'm in the silks at Over-end and Remington's. I'd good as lose my place for a thing like that. D'jou think I'd be such a silly fool? He ran off with my clothes. Oh, dash it ! I wish I had my glasses ! My name's not Hopkinson—it's Banyard ; any fool would know that. You just ask my wife." </ab>
         <ab>"Where is she? "asked the detective, with ulterior motive. "On the parade, of course, waiting for me. Here, lemme go ! " . "What does she look " "She has a blue dress on, if you mean that." </ab>
         <ab>"Which is your 'otel? " </ab>
         <ab>"Hotel d'Angleterre; it's just round the corner. He ran off with my clothes, I tell you. He's got my glasses, too. Why the juice don't you collar hold of him?" </ab>
         <ab>But just as a gendarme started off for the Hotel d'Angleterre, into the gendarmerie rushed Mrs. Banyard, frantic with anxiety about her missing husband. </ab>
         <ab>" I've lost him ! I've lost my husband! He's drowned or murdered! Oh, why did we ever come over to Ostend? " she cried. </ab>
         <ab>"Does monsieur call 'imself Ban-yard? " asked the detective. "Yes, of-course. Have you got the murderer ? " </ab>
         <ab>The detective dramatically threw open a door. "Behold, then, monsieur your 'usband," said he. </ab>
         <ab>With a cry of emotion Jessie wrapped herself round Mr. Banyard's neck and hugged him tight. </ab>
         <ab>The detective looked on sardonically. When the embraces began to subside, he asked her how long she had been married. </ab>
         <ab>"Only a week. It's our honeymoon. Oh, what a honeymoon! " was the answer, disentangled from a mixture of tears and laughter. </ab>
         <ab>"Madame Banyard," said the detective, with professional pride at his astuteness, "ze evidence you 'ave just given will be of ze great importance. Know, zen, zat monsieur your 'usband is already twice married; wiz you zat makes ze tree times." </ab>
         <ab>" How dare you? " flared the indignant Jessie. "How dare you?" and boxed his ears lustily. </ab>
         <ab>Never before had detective Leverrier had his ear boxed by a lady. ', He staggered back, and rushed out of the room to bring up reinforcements. Over his shoulder he called: " Wait one instant, and to prison you go, all ze both I" </ab>
         <ab>He had left the door open, and Jessie pulled her husband by the arm. "Quick! Let's run home before he gets back. We'll pack up and leave at once. Oh, this hateful Ostend!" </ab>
         <ab>Now, Mr. Banyard, as before inferred, was not at that period in the state of normal coolness and urbanity </ab>
         <ab>,in which he inquired of his lady customers, " And what can I have the pleasure of showing you, madam?" On his own ground—near the street door, in the silks department—lie would have been ready for any emergency, but here, in a foreign environment, within a few yards of a prison door, wrongfully accused of a most improper crime, with his wife of one week only liable to be torn from his side and sent to another prison cell—well, Mr. Banyard lost his head and flew after a phantom safety into the Rue Flamande. </ab>
         <ab>Which was very imprudent. </ab>
         <ab>* * * # * </ab>
         <ab>A small boy gave the alarm. A gendarme gave chase. After him came the detective. -, Then came the crowd, magically </ab>
         <ab>collecting like butter in the churn. Jessie dai'ted into the Hotel d'Angleterre like a rabbit into a burrow, but </ab>
         <ab>3 </ab>
         <ab>the Adventures of Mr. Banyard </ab>
         <ab>Mr. Banyard—I raise my hat to him —gallantly ..drew off the pursuers from his wife by continuing on down the Rue Flamande. </ab>
         <ab>It is a long, narrow street, and it ends on the quays of the local shipping harbour. Mr. Banyard ran on, on, on, without a clear idea of how it was going to end. Perhaps he had a vague notion of escaping over the harbour swinging bridge to the railway station. Panting, he arrived at the open space by the quays just as the swinging bridge began to move slowly outwards to give passage to a </ab>
         <ab>tx%' </ab>
         <ab>" What the juice am I to do ?" thought Mr. Banyard, exhaustedly. "It's all U.P., that's what it is! " ** </ab>
         <ab>But in this he was wrong. It was not all U.P. Providence, garbed as the lady of bathing-box JNo. 74 and riding a bicycle, was at hand. Mr. Banyard recognised her by the two and a quarter yards double width. On the cycle by her side he recognised the hairy husband. </ab>
         <ab>" Cochon!" hissed the latter at him. Apparently it was his favourite figure of speech. </ab>
         <ab>But Providence, with a tenderness of heart for the panting fugitive—or perhaps desirous of provoking a jealous husband—jumped off her bicycle and pressed it into Mr. Ban-yard's-hands, with a "Vite! Montez done J * </ab>
         <ab>Mr. Banyard did not waste precious moments on polite ceremony. Jumping on, he found the pedals and dashed for the swinging bridge, just getting 'over in time. </ab>
         <ab>'Three seconds later the hairy Belgian dashed for it too, with a terrific bump as his cycle negotiated the gap between bridge and quayside. But he got over. </ab>
         <ab>After them, shouting and gesticu</ab>
         <ab>lating, came the gendarme. The detective. Some mongrels. The crowd. </ab>
         <ab># * # # # It is an established fact that if you draw a chalk-line on thefloor, and put a fowl with its beak on the chalk-line, that fowl will only move in the direction chalked out for it. This is at</ab>
         <ab>4 </ab>
         <ab>tributed to hypnotic suggestion, or auto-hypnosis, or something of that • order. </ab>
         <ab>In the case under consideration -the chalk-line was the line of Ostend's electric coastal tramway, which has its terminus, as perhaps you know, just on the other side of the swinging bridge. </ab>
         <ab>The fowl was Mr. Banyard. </ab>
         <ab>He followed it over the big canal bridge and out into the country: After him scorched the husband of the twenty-one-inch waistj swearing great scalding oaths. And presently an electric car, with the gendarme, the detective, and the lady of the bathing-box on board—a " special," with right-of-way over all common cars— skooshed after them in the distance. </ab>
         <ab>The cycle was three sizes too small for him, and his knees were in danger of bumping his chin, but Mr. Banyard pedalled on like a Bath Road champion. Not for him to question why— his but to keep the metals and ride on till Doom was ready for its Giant Cement. </ab>
         <ab>Out past Ostend's mean suburbs, out by the golf-links of Le Coq, scaring dogs, chickens, and farmside cats, scorched eyele No. 1, pursued by cycle No. 2, and, gaining steadily on them, by the electric special. </ab>
         <ab>Mr. Banyard's heart began to thump like a marine engine. </ab>
         <ab>"I'm dashed if I can keep this up much longer," thought Mr. Banyard. " What the juice am I to dot" </ab>
         <ab>A turn of the road showed him that he was running into a small seaside townlet—a place of wooden villas, gaily decked out in red and green for the allurement of summer visitors. </ab>
         <ab>. Wenduyne is its name. As he reached it the electric .special, skooshing up behind him, clanged out a brazen warning, and Mr. Banyard, like a frightened fowl, turned sharply off the line of the metals, up an incline that led to Wenduyn'e's digue, and on to the promenade itself. And as he did so, Providence on his ' side, he ran plump into a man who was wearing his own tourist suit. Riding a yard or so behind, the hairy Belgian ran into the two of them and spilled them on the ground. </ab>
         <ab>By Max Rittenbei-g</ab>
         <ab>"Hopkinson!" shouted Mr. Ban-hairy Belgian. "He tried to steal yard, with mingled joy and anger, it!" clutching at the man in the tourist "Be silent, thou! " interrupted his suit. " What the juice d'jou mean by wife. "The bicycle—it is mine." stealing my clothes? " "Accuse him, then, thyself." </ab>
         <ab>" Pig of an Englishman f" shouted "That brave man? Never of my the Belgian, in his own tongue, clutchlife ! " ing at Mr. Bunyard. "So first you "Here, look here," said Mr. Ban-would tiy to steal my wife and now yard hospitably: "don't let's quarrel. my bicycle!" You and your wife come and have a </ab>
         <ab>Up rushed the detective, the bit of dinner with me and my wife. gendarme, and the lady of No. 74. Venney diney, vous comprenny?" </ab>
         <ab>"Who is zis? " asked the detective, "Sacrrré nom d'un nom!" hissed assuming command and pointing to the Belgian about an inch and a half the man in Mr. Banyard's clutches. away from Mr. Banyard's face. </ab>
         <ab>"It's him ! It's him! " was Mr. Ban-" Jamais ! " </ab>
         <ab>yard's joyful answer. "It's Hopkin" Oh, là-là ! Tu es jaloux I " mocked son ! He's got my clothes ! You can his wife. see he's Hopkinson—any fool could "Jealous? I? Art thou in thy see that!" senses to imagine that I could be </ab>
         <ab>The detective looked at the man jealous of a ninny who has not even keenly, then studied a paper from his hair to his face? Bah ! Clémence, at pocket-book, then advanced to the once we ride away." shopwalker with outstretched hand. But,as the couple rode off the lady </ab>
         <ab>"Monsieur Banyard," said he of the twerity-one-inch waist waved a generously, "you are right. Permit dainty hand in most friendly fashion me to shake ze 'and of a brave and to Mr. Banyard. gallant gentleman. Nevare, nevare "When I tell the wife about all 'ave I seen such a splendid ride! " this," reflected Mr. Banyard, "I don't </ab>
         <ab>"Don't mention it, old man," reknow that I need mention much about plied Mr. Banyard, meeting generher." osity with generosity and taking the outstretched hand. Next Week: "Between the Devil " But my bicycle! " shouted the and the Deep Sea." </ab>
         <ab>THE VIKING'S NEW YEAR. </ab>
         <ab>Each age has deem'd the new-born year The fittest time for festal cheer! Even—heathen yet—the savage Dane At lol more deep the mead did drain; High on the beach his galleys drew, And feasted all his pirate crew; Then in his low and fine-built hall, 'Where shields and axes deck'd the wall, They gorged upon the half-dressed steer, Caroused in seas of sable beer; While round, in brutal jest, were thrown The half-gnawed rib and marrow-bone; Or listen'd all, in grim delight, While Scalds yell'd out the joys of fight. Then forth in frenzy would they hie, While wildly loose their red lochs fly, And dancing round the blazing file They make such barbarous mirth the while, As best might to the mind recall </ab>
         <ab>The boisterous joys of Odin's hall.—SCOTT. </ab>
         <ab>5 </ab>
         <ab>Storm. </ab>
         <ab>By J* Kendrick Wynne. </ab>
         <ab>Mr. Wynne is always a strong writer, and here you find him at his strongest The story in itself is so horrible that commonplace treatment would have made it revolting, but Mr. Wynne is never commonplace', thus he has given us a touch of sunshine amid the storm, and the grip and warmth of real human interest throughout. </ab>
         <ab>I. IJYLECOTTE tossed his palI ette down on to the rub^ " bish-littered top of an old sea  chest that stood against the studio wall, </ab>
         <ab>and, walking to the window, looked out over the grey, white-flecked waters and weed-covered rocks. </ab>
         <ab>He ceased work, only because the light was bad, heavy clouds covering the sky and bringing down upon land and sea. a premature dusk. </ab>
         <ab>Tylecotte was a tall, &lt; spare man </ab>
         <ab>' with a strong, determined face, black hair, and dark eyes with a queer light at the back of them that hinted at some strong emotion held in check; chafing, struggling to be free, yet ever firmly and relentlessly curbed. One could not help feeling that should that hidden force break loose it must convulse the man, and, in one's ignorance, wonder*. </ab>
         <ab>There was a sombre strength about the picture on which he had impatiently turned his back. </ab>
         <ab>Storm J There were few painters living who could depict storm as did Lewis Tylecotte. Once he had painted calm sunsets and moonlight peace, but now it was always storm—storm,1 and something more. A man expresses himself in his work, unconsciously, perhaps, but inevitably. On the canvas was shown a grey sea, with great white breakers rolling in upon high black rocks that stemmed their impetuous advance. In the foreground a wave had already broken into a foam of wrath, and, in falling back to gather itself for another vain onslaught, met an oncoming breaker and tossed high in wild confusion. And the black rock, wet and glisten</ab>
         <ab>ing, frowned down impregnable upon the lashing waters, while stooping seafowlflouted the angry wave-crests. </ab>
         <ab>Revolt 1 Anger . that would have been magnificent save that in its impotence it degenerated into vapid fury. And it was something of this vain revolt that raged at the back of Tylecotte's eyes. </ab>
         <ab>Over at St. Laze, a few miles down the coast, lived Hilda Moore. She was a- painter because she loved the wild beauties of land and sea, and the clear blue depth of the sky that was reflected in her eyes. So she painted upon canvas what she loved to look upon, and the joyful enthusiasm with which she did her work gave it strength. </ab>
         <ab>When Tylecotte and Hilda Moore were together they found the world a very wonderful place, while when they were apart an essential force was lacking in their lives. </ab>
         <ab>Yet he must not speak the words that sprang to his lips when she was beside him. Neither might he take to himself any credit for his restraint, because somewhere, though none of his present friends suspected the fact, TvJecotte had a wife. </ab>
         <ab>He had been a young art student in London when he met her, and had married her because he thought her very beautiful. It must have been quite three months before he discovered that his wife was a thief whose crimes had been more remarkable for their treachery than their daring. </ab>
         <ab>They had parted, he allowing her an ample income. It was eight years since he had seen her, and nearly three since he had heard of her. </ab>
         <ab>So Tylecotte's love for Hilda Moore must be kept in subjection, yet it raged in its confinement even as the </ab>
         <ab>sea raged against the rocks, a vast force in .prison. </ab>
         <ab>The bungalow where Tylecotte lived, seeing no one except the woman who came daily to attend to his needs, stood on a high bank surrounded by tamarisk. There was a path below the bank, on the edge of a ten-foot cliff, and then shingle, rocks, and sea. On either hand long, low headlands, like a giant's arms outstretched, formed a wide bay. </ab>
         <ab>The tide was now low, and reaching far out into the sea was a reef of rock which at high tide was a dark shadow under shallow water. It now rose rugged and ugly, brown with a smother of seaweed save where it was blue-black with clinging mussels. It was Tylecotte's habit to fish from the end of the reef for the bass that came into the surf to feed, and in the deep, cavernous pools he would hunt for lobsters and crabs. Such were his simple diversions; and from the end of the reef one could see the lights spring into being under St. Laze Head. </ab>
         <ab>He took a long bamboo with a. hook at the end of it from a corner of the studio, and swung a fishing-basket over his shoulder. </ab>
         <ab>A few minutes later he was picking his way between the broad, brown bands of seaweed, and now and again leaping a narrow gulley that crossed the reef, till he found firmer footing where the clinging mussels roughened the rocks. </ab>
         <ab>In a little while he was climbing the far end of the reef, on the seaward side of which was a deep pool running far back under a shelving roof of rock till it was lost in black shadows. Clambering down to the brink of the pool, Tylecotte splashed the hook-end of his pole into the still water, and a score of small fish flashed in panic to their weedy covert? He pushed the hook far into the dark recesses of the rock, and moved it gently till he felt a tremor of life vibrate in his hand. He then withdrew it cautiously, and out of its obscure abode came a large crab, its claws angrily clutching at the bamboo. A few seconds later Tylecotte held it powerless, its red-brown back </ab>
         <ab>By J. Kendrick Wynne </ab>
         <ab>in the palm of his hand, while it </ab>
         <ab>clicked its claws fiercely together and </ab>
         <ab>bubbled at its door-like mouth. He </ab>
         <ab>dropped it into the basket and again </ab>
         <ab>drove the pole under the rock, </ab>
         <ab>groping about till he thought he felt </ab>
         <ab>the movement of life once more. </ab>
         <ab>No crab adorned the hook this time, </ab>
         <ab>but—what the deuce had he got hold </ab>
         <ab>of? </ab>
         <ab>At the end of the bamboo was some</ab>
         <ab>thing that looked like a round stone </ab>
         <ab>with a slime of weed about it. ' Tyle</ab>
         <ab>cotte lifted it on to the rock and, </ab>
         <ab>loosening it from the hook, stooped </ab>
         <ab>and picked it up. Next moment he </ab>
         <ab>almost dropped it in his astonishment. </ab>
         <ab>He was holding in his hand a human skull! He stared at it with a feeling half of fascination, half of repugnance. </ab>
         <ab>A skull was no curiosity in the neighbourhood, where ancient British burying-grounds were not uncommon. But how came this skull at the end of the i-eef? Doubtless, he reflected, when there was flesh upon these bones the reef had been a grassy headland, long since worn away by the encroaching waters. A curious sense of mystery enthralled him as he looked at the grim relic. He must keep it as a curiosity. </ab>
         <ab>A little tongue of water crept between his feet, gently stirring the smooth surface of the rock pool and warning him that the tide was rising. </ab>
         <ab>It was now nearly dark. He turned involuntarily towards the west, where the lights of St. Laze now glowed warm and ruddy through the autumnal haze. </ab>
         <ab>. Over yonder were men and women laughing, and gossiping in idle content ! No; over there was one woman, and perhaps her face was set towards the sea. </ab>
         <ab>He stood still with the skull in his </ab>
         <ab>hands, staring at the red home-lights </ab>
         <ab>in the distance, while a sudden sense </ab>
         <ab>of his desolation chilled him. Then </ab>
         <ab>he turned and hastened homeward </ab>
         <ab>over the rocks, about which the waves </ab>
         <ab>were splashing, while the waters </ab>
         <ab>surged strongly through the narrow </ab>
         <ab>gullies. </ab>
         <ab>In his studio Tylecotte lighted a lamp, and, clearing the skull of the </ab>
         <ab>Storm </ab>
         <ab>slime of weed, examined it closely. It was crusted in parts with tiny rock barnacles. The lower jaw was missing, but in the upper jaw a number of teeth still remained—-small, white, even teeth. Suddenly Tylecotte started, and bent closer over the grim object in his hand. </ab>
         <ab>One of the teeth was tipped with gold. </ab>
         <ab>Was it the custom of the ancient Britons to gild their teeth? he wondered. </ab>
         <ab>On -the mantelpiece stood an old clock of dark wood inlaid with lighter wood. On the arched top of this clock Tylecotte balanced the skull, and there he left it. </ab>
         <ab>It was never far from his thoughts during the next few days. When he had forgotten it for a little while his attention would be suddenly drawn towards it in one way or another. There would come to him a curious feeling that somebody was watching him intently, and turning his head suddenly he would look into the eyeless sockets of the skull. Again, the ticking of the clock would seem to become, unduly, almost aggressively, loud, and on looking round he would see, not the face of the clock, but the faceless bones of the skull. </ab>
         <ab>It began to get on his nerves. One morning, while he was working, his attention. was three times distracted in a few minutes by the sensation of watching eyes. </ab>
         <ab>It was then that the impulse came to him to take the skull, and send it bowling and leaping over the rocks back to the sea from which it had come. </ab>
         <ab>But he did not do so. </ab>
         <ab>One morning he received a letter from his friend Garth, of St. Laze, accusing him of deserting his friends. On an impulse Tylecotte laid aside his work, and, disentangling his bicycle from a corner of the studio, started with- energy to pump up the flabby tyres. </ab>
         <ab>II. Tylecotte's. spirits rose'as he sped </ab>
         <ab>swiftly along lane and high road, through sleepy, white-walled villages,. </ab>
         <ab>and on through moorland wilds, now catching a glimpse of the sea, now. spinning along between heather-clad tors; and as the sun was weakening in the west he coasted down the long hill into St. Laze. </ab>
         <ab>Garth's florid, genial face and boisterous welcomes affected' him pleasantly, and it was good to feel the friendly grip of a man's hand after, weeks of solitude. </ab>
         <ab>" So we've managed to drag you out of your lair at last, old man. Louie said you wouldn't turn up. Gome in, and I'll lead you to her in triumph. </ab>
         <ab>"By the way," said Garth presently, "there is a 'hit up' at the club to-night. A dance—impromptu affair. Do you care to come, or would you rather be quiet? The Moores w.ill be there and—oh, everyone 1" </ab>
         <ab>Garth handed his cigar-case and watched Tylecotte's face. Tylecotte selected a cigar without apparent emotion. " Thanks," he said. " I should like to be there." ' </ab>
         <ab>The St. Laze Arts Club consisted of a single - large room, open to the rafters and crossed by heavy beams. Small, square windows looked down on to the water that washed the granite wall on which the wooden, structure was built. </ab>
         <ab>• To-night the beams were hung with fairy-lamps, beneath which were gathered a throng of men and women who had drifted to the sleepy little fishing town from all parts of the British Isles, and even from across the Atlantic, bound together by the common link of painting. The hum of conversation - sounded merrily to the accompaniment of clinking coffee-cups, and already the smoke of cigarettes streaked the air. </ab>
         <ab>Tylecotte and Hilda Moore were together, hardly conscious of the throng s about them. Hilda was tall, with a grace of poise and figure that told of a free life in the open. As she talked to the man who looked down at her, her eyes bright and her cheeks slightly flushed, she was a picture of magnetic vitality. Her hair was very dark, with a warmth of hue that hinted of auburn. </ab>
         <ab>A few minutes later the piano in </ab>
         <ab>the corner sounded, and presently Tylecotte was steering Hilda through the press of the dance, longing the while to be with her out of doors in the open, yet well knowing that wisdom was not in harmony with his wish. </ab>
         <ab>He danced with half a dozen different partners before they came together again. </ab>
         <ab>"I wish someone would open the windows," said Hilda, fanning herself. </ab>
         <ab>Tylecotte glanced round the room and up at the skylight. </ab>
         <ab>"They are open—every one," he said. " What do you say to a breath of fresh air on the pier? " </ab>
         <ab>"It would be delicious," said Hilda. "And we can talk there. Let us go." </ab>
         <ab>So they descended the wooden stairs-and took their way through the narrow, roughly-paved streets till they came to the stone pier. </ab>
         <ab>They walked to the end, and Hilda leaned upon a granite capstan, inhaling the soft sea-breeze that blew in their faces. </ab>
         <ab>" Delightful! " she murmured. </ab>
         <ab>The night was very still, the fishing village had gone to sleep, and the white cottages were in darkness. The square windows of the club alone glowed ruddy on the night, and through them came the sound of music ever the water. Out to sea a lighthouse streaked the black, polished waters with pale fire that gleamed and died and gleamed again. </ab>
         <ab>"Why have you kept away for so long?" asked Hilda suddenly. "You know that we like to see you. Do you like being always alone?" </ab>
         <ab>"I have my work," said Tylecotte evasively. </ab>
         <ab>"Yes, of course; but"—there was the faintest trace of petulance in her voiee—"but do you care for nothing else?" </ab>
         <ab>He almost laughed at the unconscious irony of the question. </ab>
         <ab>"Yes," he answered; " but you know one has to concentrate on one thing if one means to be any good." </ab>
         <ab>" Are you painting another of those splendid seascapes? They remind me of magnificent tragedies." </ab>
         <ab>"I would gladly exchange and be </ab>
         <ab>By J. Kendrick Wynne </ab>
         <ab>able to paint its you do," he said,.recalling her heather-clad slopes glowing with warmth and colour. "You paint life and freedom, while I " </ab>
         <ab>"Yes? " she said expectantly, watching his face. " Oh, I paint things as I see them," he laughed. </ab>
         <ab>She was silent. His absurd constraint puzzled her, for she was not unconscious of his feelings towards her. He, too, was silent, while his thoughts "fled swiftly to his lonely studio and pictured it clearly in every detail of its desolation. There, perched upon the clock, was the skull that was always watching him, and it was watching him steadily—noio. A keen sense of horror gripped him. </ab>
         <ab>He turned to the girl at his side, and her presence drove away the eerie feeling that had stolen over him. He seemed to stand between life and death. A word, and he believed that she would come to him. </ab>
         <ab>Ho set his teeth as a man does to endure physical pain. The water rippled faintly on the steps of the pier, and Hilda's shoe tapped softly on the stones. Twice the lighthouse cast its pale streak upon the water, and he did not speak. </ab>
         <ab>Then, ere he knew it, he was telling her the story of hia life. It came harsh and broken from his lips, and as Hilda heard she knew that his tragedy was hers also, though they had only met and talked as friends. </ab>
         <ab>Yet when he ceased abruptly she gave to him in few words the quiet, warm sympathy of a comrade. </ab>
         <ab>A little later they returned to the crowded room, where the fairy-lamps showed warm patches of colour in a blue haze of cigarette smoke. Hilda's arm pressed against his almost imperceptibly for a moment, and then dropped to her side. As her touch left him he felt that a link had broken. </ab>
         <ab>Next day he returned to his solitude. </ab>
         <ab>III. </ab>
         <ab>Back again at his studio, with no companions but his thoughts and his work, Tylecotte tried to kill the </ab>
         <ab>9 </ab>
         <ab>Storm </ab>
         <ab>former with the latter, but they </ab>
         <ab>merged and became one. </ab>
         <ab>Again he painted the sea—the con' stout mirror of his moods. But now the storm had gone, and the waters stretched in a soft,. unbroken swell into the distance, grey save where a </ab>
         <ab>•· shaft of light, slanting from behind &amp; cloud, streaked them with a livid gleam. There was no stir of life upon the waste. Not a gullfluttered in the air, and the sullen peace, of the </ab>
         <ab>' waters told that even the wind was </ab>
         <ab>f</ab>
         <ab> still. It was a portrayal of creation in complete, inadequate. </ab>
         <ab>•' And stronger and stronger as he worked grew the impression of the watching eyes. It was so perpetual now. that he rarely glanced at the skull, except when there came to him the idea that someone was on the brink of laughter. He half expected to hear a sudden ripple of mirth behind him, and had he done so it would have "been almost a relief. </ab>
         <ab>The skull alternately repelled and fascinated him. He fell to speculating as to whom it had once belonged; </ab>
         <ab>• when there were bright eyes in those now empty sockets, behind which the light of intelligence had gleamed; when the small, white teeth, with their impertinent speck of gold, had 'flashed through parted lips that could </ab>
         <ab>whisper and smile and kiss. </ab>
         <ab>It is not well for a man to live alone when pleasant thoughts are forbidden fruit—when his brain is active and his imagination strong. Tylecotte never went to the reef now nor watched the lights of St. Laze glow ruddy through the 'mist. He walked moodily along the cliff s, covering more miles than he dreamed of; frequently forgot to eat; and during a whole rainy week got soaked to the skin. </ab>
         <ab>Then the rain ceased and a great gale raged along the coast, when the rocks vanished under white cascades, the 'breakers boomed upon the shore, and the shingle ground sullenly in the surge. </ab>
         <ab>Clots of jellied foam as big as a man's head quivered on the grass or flew high in the whirl of the wind. </ab>
         <ab>Late, very late, that night Tylecotte stood outside his studio. He staggered under the force of the gale, </ab>
         <ab>and yet it could not .cool his fevered </ab>
         <ab>head. To breathe hurt Sim, and de</ab>
         <ab>spite the heat of his body he shivered </ab>
         <ab>as with cold. </ab>
         <ab>He stood watching the white lather </ab>
         <ab>of foam glimmer below him through </ab>
         <ab>the dark, while the wind came revel</ab>
         <ab>ling over the water, shrieking an ex</ab>
         <ab>ultant song of sunken wrecks out </ab>
         <ab>there in the blackness. The salt spray, </ab>
         <ab>drenched him where he stood, and a </ab>
         <ab>branch of wet tamarisk clawed his </ab>
         <ab>burning face like a drowning hand. </ab>
         <ab>He turned into the studio at last', </ab>
         <ab>and forcing the door back upon the </ab>
         <ab>wind lit a lamp and sat down. • Doors </ab>
         <ab>and windows rattled, the light </ab>
         <ab>wavered, and the cocoanut matting </ab>
         <ab>floated upward from the floor. Tyle</ab>
         <ab>ootte sat very still, because he was </ab>
         <ab>vaguely conscious that it was wise to </ab>
         <ab>remain so, for he did not know what </ab>
         <ab>he would do if he got up. The storm </ab>
         <ab>made monotonous music in his ears, </ab>
         <ab>and a ship's rocket, sounding faintly </ab>
         <ab>out at sea, seemed to be a very proper </ab>
         <ab>accompaniment and did not rouse </ab>
         <ab>him. </ab>
         <ab>Twice more thè rocket boomed and </ab>
         <ab>he did not stir, but turning his head </ab>
         <ab>slowly looked at the skull. </ab>
         <ab>The flickering lamplight cast </ab>
         <ab>strange shadows in the sockets, really </ab>
         <ab>wonderfully like eyes—steadfastly </ab>
         <ab>watchful eyes. </ab>
         <ab>He was not conscious of getting up, </ab>
         <ab>yet presently he found himself lean</ab>
         <ab>ing against the chimneypiece, hold</ab>
         <ab>ing the skull in his hands. </ab>
         <ab>He stood thus in a dream, and presently it seemed that his fingers were lost in a soft mass of red-gold hair, and that two eyes, like pale blue fire, looked into his from a face of childlike beauty—beauty that had spoiled his life.</ab>
         <ab> 9 </ab>
         <ab>He remained very still under' the spell of that lovely, upturned face, Í while a voice began to speak, with a soft melody that lulled him deeper into his dream. </ab>
         <ab>The voice welcomed him as the man who could see, who had rent the veil of reason and looked into the eyes of truth. · There was a mockery in its mellow music, a honeyed irony in its tender tones as it murmured a strange </ab>
         <ab>story in his ear, It told of a ship that had struck and gone down out yonder where the breakers roared upon the reef, and of a woman who had sunk and been drowned in the depths. A pang of horror and pity clutched the man's heart as he looked down into the eyes of the wife of whom the tale was told, and yet who told the tale, and who, ending, laughed. </ab>
         <ab>" Dear, how hot your head is! " murmured the drowsy voice, and it seemed that there were flames about his brow. - "Come, cool it where the waters have the cold blue of the iceberg. I will show you the caves where tall white lilies bud, and, blooming, break into snow-white flakes of foam. Come to the cool caves of silence, deep, deep down under the spirit of storm. Come " </ab>
         <ab>A little band of men, on their way home from the wreck of a French barque a few miles to westward, were fighting their way against the wind in the grey dawn. </ab>
         <ab>Suddenly from the high bank on their right a man jumped down in their path, staggered forward, and sprang over the low cliff on to the shingle below. They drew back for a moment and stared at the strange figure that pressed knee-deep into the surf. One at least of them had seen and recognised the face of Tylecotte, and even in that swift glimpse had realised that things were not as they should be with him. </ab>
         <ab>"Come 'ee on, lads I" he cried hoarsely. "It's clean daft he do be. We shan't let 'un drown." </ab>
         <ab>Tylecotte pressed fiercely on, as to some urgent goal—-on till he met the great curve of a breaking wave that lifted him and bore him backward into strong hands that gripped and held him. His captors swayed and staggered in the surge, but maintained their ground, and something round and yellow-grey dropped from Tylecotte's grasp and was swallowed up in the foam. He swung the men who gripped him back to the length of his long arms for a moment, and his chest bowed out in his efforts to shake off their hold. Then, as they </ab>
         <ab>By J. Kendrick Wynne </ab>
         <ab>closed in upon him again, his neck strained forward towards the sea and a dry, strangled voice came from between his parched lips. </ab>
         <ab>" Let m© go to her—let me go " </ab>
         <ab>"Don't 'ee be foolish, my dear," said one of the men, as though speaking to a little child, and they drew him back to where a mess of froth and weed marked the limit of the tide. </ab>
         <ab>But Tylecotte's face was still set towards the sea, and his glazed eyes seemed to follow something that moved over the water. And the men who held him, pursuing the direction of his gaze, saw what may have been a wisp of spray whirled up and twisted in the wind that carried it to the head of the reef, where it was lost in the boiling surf. But they shivered as they looked, for they were men of a fanciful race. </ab>
         <ab>The doctor found Tylecotte suffering from pneumonia, and as Hilda Moore had once been trained as a nurse, and as the doctor knew a capable woman when he saw one, he was glad that she should tend his patient. Garth and his wife also took up their quarters at the bungalow— Garth because there were times when Tylecotte had strange ideas as to what was good for him, his fevered body yearning for the white waters of the reef. </ab>
         <ab>And in his delirium Tylecotte said all the things that he had taken great trouble not to say when he had his senses, so that Hilda became fully aware of his affection for her. He talked much nonsense besides of white lilies that bloomed in sea caves which he thought would give him comfort. </ab>
         <ab>Once when the doctor was present he leaned towards Hilda, and said very gravely: </ab>
         <ab>"It was out yonder she died, when the Spartan went down two years ago —out there on the reef." </ab>
         <ab>He stretched out his arm for a moment, and then it dropped limply with' its own weight. The doctor's fingers dropped lightly on his wrist, and he gave the patient some stuff out of a bottle. </ab>
         <ab>"It's a curious thing," said the </ab>
         <ab>II </ab>
         <ab>Storm </ab>
         <ab>dootor quietly when Tylecotte slept, strong enough to get about again he " but the*"° ivas a woman on board the sought out and found the sole survivor Spartan wheu she struck. I reof the Sparton. What he heard led member there was a fuss about it at him to make further inquiries, and he </ab>
         <ab>the time, because the boat was not subsequently learned that the wife licensed to carry passengers." who for so long had been to him as </ab>
         <ab>Hilda strove hard for Tylecotte's dedd had indeed died two years ago. life, and by-and-by he came to his senses, very weak and surprised, and There came to Tylecotte a great hor</ab>
         <ab>ror of the bungalow and of the reef, </ab>
         <ab>babbled no more of love and lilies. Sometimes he would wonder what had And of the things that he had said become of the skull that had once he heard nothing; but when he was stood upon the clock, but he was glad </ab>
         <ab>getting strong Mrs. Garth, perhaps 'that it had gone. urged by curiosity, mentioned the One day he turned his back upon wreck of the Sparton and the woman the .grey solitude and went to St. who had been on board when she went </ab>
         <ab>Laze, where was the woman who'had down. And while she spoke there kept death at arm's length en his be</ab>
         <ab>seemed tofloat across Tylecotte's mind half, and who held the warmth and a story that he had been told a very </ab>
         <ab>long time ago, by whom he could not colour of life in her keeping. And he </ab>
         <ab>remember. The story took such firm found her waiting for him. hold upon his mind that when he was THE END. </ab>
         <ab>THE SCOTS NEW YEAR. </ab>
         <ab>New Year's Day, the great national festival,- is a time of family expansions and of deep carousal. • Sometimes, by a sore stroke of fate, the year's anniversary falls upon a Sunday, when the pubUe-kouses are inexorably closed, when singing, and even whistling, is banished from our homes and highways, and the oldest toper feels called upon to go to church. Currant loaf is now popular eating in all households. For weeks before the great morning, confectioners display stacks of Scots butt, and full-moons of shortbread adorned with mottoes in peel or sugar-plums, in honour of the season and Vie family affections. uFrae Auld Reekie," "A Guid New Year to ye a*," "For the Auld Folk at Hame," are among the- most favoured of these devices. Can you not see the carrier, after half a day's journey-on pinching hill roads, draw up before a cottage in Teviotdale, or perhaps in Manor Glen among the rowans, and the old people receiving the parcel with moist eyes and a prayer for Jock or Jean in the city ft </ab>
         <ab>For at this season, on the threshold of another year of calamity and. stubborn conflict, men feel a need to draw closer the links that unite them; they reckon the number of their friends, like allies before a war; and the prayers grow longer in the morning as- the absent are recommended by name into God's keeping. </ab>
         <ab>—STETENSON. </ab>
         <ab>•eon	 s-By Headon Hill. </ab>
         <ab>This is a* detective yarn concerning a jewel rabbery, just as so many other detective yarns have been before it, and doubtless will be in the time to come. But Mr. Hill is a past-master in the art of writing this kind of fiction, and his denouement comes as a surprise. Even a hardened old reader like myself did not guess what the explanation was, and to keep me in the dark is something of a feat on which I can honestly congratulate Mr. HSU. </ab>
         <ab>HEN Lord Tintagel was lose them altogether. I desire to shown into my office in enlist your—er—trained acumen, the Strand, I knew before Mr. Zambra, to counteract the crass he opened his month what incompetence—the blind folly—of "business had brought him. the official executive." </ab>
         <ab>All the world had been made aware I shot an unobtrusive glance at through the daily press of the my visitor. His last words were robbery which, four days earlier, had uttered with a growing heat that deprived Lady Theo Wymark, while somehow clashed with his natural a guest at Tintagel Towers, of her repose. Was this warmth entirely celebrated " pigeon's-blood" rubies. due, I wondered, to a chivalrous His lordship entered my plainly-anxiety for restitution "to be made to furnished bureau with the assured his guest, or was there some under</ab>
         <ab>dignity of a great nobleman who was lying current of feeling ? In other also one of the wealthiest men in words, did his annoyance at the </ab>
         <ab>England. Tall and rather spare of failure of the police spring from dis</ab>
         <ab>frame, with aquiline features	 and a appointment that they had nob </ab>
         <ab>arrested some particular individual, </ab>
         <ab>general air of haughty aloofness, he and, if so, was his disappointment </ab>
         <ab>was patrician to the finger-tips, due to a knowledge of gtiilt or to </ab>
         <ab>though perhaps, for a peer who could personal antipathy ?not be much over forty, he was a trifle old-fashioned in the pomposity I put to him a tentative question, </ab>
         <ab>of his manner. covering, as I hoped, all the points. "Possibly," I said, "your lordship "You are,Mr. Zambra?" he said has a cause of suspicion which has </ab>
         <ab>in his high-pitched tones, elevating been withheld from the police-officer his eyebrows a little. " I wish to conin charge of the case ? " sult the principal of the detective For some reason my interrogatory </ab>
         <ab>agency in person—not a subseemed to disconcert my noble client. ordinate." He hemmed and hawed a little in a </ab>
         <ab>" I am Sebastian Zambra, my manner I could not as yet understand, lord," I replied, motioning him to the for he could hardly wish to bring the client's chair. " In what way can I robbery home to some person whom serve your lordship ?—though I think at the same time he desired to shield. that I can guess." "No," he finally replied. "I </ab>
         <ab>" That is not improbable," he said think that the police are in possesas he sat down in a stately fashion, sion of all the available information. draping his frock coat in correct My complaint is that they have not folds about his knees. "Those made use of it—have gone off after infernal newspapers think that they the red herring trailed across the are omniscient nowadays, and tney scent by the newspapers," lead everyone by the nose. That is I remembered that the press why I am here. They have led the theory was that the rubies had been poliee by the nose, with the result stolen by a professional criminal, that the lady who has been robbed of probably from London, who had her jewels under my roof is likely to gained access to the mansion during </ab>
         <ab>No. 88. 	13 </ab>
         <ab>the Pigeon's-siood Rubles </ab>
         <ab>the evening while the house-party Were all downstairs playing bridge or billiards. From a cursory perusal of the accounts I had been inclined to take this view myself, with the addition that there had possibly been collusion by one of the servants, </ab>
         <ab>" Then I am to understand, my lord, that you. are of opinion that the thief did not come from outside— was, in fact, resident at the Abbey either as a guest or servant," I said, bending forward and inviting his confidence with a significant glance. </ab>
         <ab>fie fidgeted a little under my gaze, and I thought that I discerned a twitching of the nostrils. Somehow he reminded me of a thoroughbred horse resenting the touch of the spur from an under-bred jockey. </ab>
         <ab>;/T *'I had better tell you the story of the night," be said stiffly. " And it .Will not be necessary to dwell upon Retails which I See that you have gathered from the published accounts. Broadly, you will have learned that Lady Theo Wymark, on going up to her bedroom an hour after midnight, discovered that the rubies, which, </ab>
         <ab>.according to .her careless custom, she had left upon her dressing-table, were gone, that she raised, an instant alarm, and that the police were telephoned for. </ab>
         <ab>" Naturally, as a host, I assumed charge till the arrival of the police. At the moment of the alarm I was in the hall bidding good-night to the men of the party, among whom was Mr. Wymark, Lady Theo's husband. After instructing my butler to send the telephonic message, and to go </ab>
         <ab>round the house and examine all the windows and doors, I accompanied Mr. Wymark to his wife's room and heard her story, which, as the reports are fairly accurate, I need not repeat. It tallied with that of her maid, who was present, and who had been present when the discovery was made. On taking off the jewellery which she had worn during the evening to put it away, Lady Theo. h ad found that the case had been rifled/' </ab>
         <ab>"She was greatly distressed ?" I-hazarded. ; ^ She was nearly hysterical." Lord </ab>
         <ab>Tintagel frowned at the reminiscence, and his brows took a still deeper crease as he added: " I could wish that her husband had treated the matter more seriously, but he is an irresponsible creature, who thinks it funny to turn everything into a joke. Not quite a gentleman, I fear, and only tolerated because the fortune he made on the Stock Exchange enabled him to marry an earl's daughter. However, I did my best. I insisted that nothing should be moved in the room till the police had seen it." </ab>
         <ab>" A wise precaution on your lordship's part,0 was my comment. </ab>
         <ab>• "Yes,but it—er—bore no fruit," came the testy rejoinder. " Tou have reason to believe that your order was not obeyed ? " I hinted. </ab>
         <ab>My visitor fell "to ruminating, stroking the nap of his glossy hat. " I will ,not commit myself," he replied after a lengthy pause. "Of course I did not myself make an exhaustive examination of a bedroom occupied by a lady guest." </ab>
         <ab>" When the police came, you again visited -the room, and to all appearances nothing-had been moved ? " I asked, and he answered with quite a show of eagerness that that was so. </ab>
         <ab>What was I to make of this curious blend of reluctance- and keenness? To my trained, experience it seemed clear that my noble visitor was not perfectly frank with me, but what was it that he was keeping back ? Reviewing rapidly my questions and bis answers, I came to the conclusion that he had noticed something on his first visit to Lady Theo's room, which he had expected would furnish the police with a clue, but that though the clue had still been there when they arrived, they had failed to grasp its significance. Yet, if this was so, why on earth should </ab>
         <ab>he want to call me in to remedy the official failure, and allow me to remain in the dark as to the object, whatever it was, that had aroused his suspicions ? </ab>
         <ab>It is a rule of mine, and one to whioh I owe much of my success as a detective agent, never to undertake a case when, at the initial interview, I have reason to think that a client is </ab>
         <ab>14 </ab>
         <ab>not giving rae his full confidence. I was not going to break that rule because the present applicant was a peer of the realm and good for any fee I chose to ask him. I tried a chance shot. </ab>
         <ab>. " Before I go into this, my lord, you will have to tell me what it was you saw in Lady Theo Wymark's bedroom which ought to have inspired the police and didn't," I said bluntly. </ab>
         <ab>My shot hit the mark plumb centre. The dignity of Lord Tintagel dropped from him as by magic. He stared foolishly at me, and in his confusion began to smooth the nap of his hat the wrong way. Then with an effort he pulled himself together, covering his confusion with an unnaturally hearty laugh. </ab>
         <ab>" You are too sharp for me, Mr. Zambra," he said. " I had hoped that you would find that out for yourself, but if it is a condition I suppose that I must satisfy you, though it goes against the grain to—er—inculpate a gentleman who was, and is, also my guest. When I went up to the room on the raising of the alarm I saw, lying under the dressing-table, a silver cigarette-case which I recognised as the property of Captain Cyril Meade. It was still there when I took Inspector Reynell to the scene of the robbery." </ab>
         <ab>"Wh o had been in the room during the interval ? " I asked. </ab>
         <ab>" No one," his lordship replied. " I had it locked up, and placed another room at Lady Theo's disposal." </ab>
         <ab>" And you are sure that the inspector noticed the cigarette-case ? " </ab>
         <ab>" He cannot have helped doing so. It was—er—fairly conspicuous. I was not present when he searched the room, as I thought that he would have a better chance if he was left to himself." </ab>
         <ab>I glanced again at the applicant for my services, and noticed about him a certain air of satisfaction and relief, as though he was glad that 1 had dragged from him the vital detail which he had withheld. There was nothing inconsistent in this. It was quite conceivable that he might have been loth to take the initiative </ab>
         <ab>By Headon Hill </ab>
         <ab>in accusing a man with whom he had been on sufficiently friendly terms to invite him to his house, and that at the same time he might rejoice that, in spite of these hospitable instincts, he had been forced into a disclosure which justice demanded of him. Yet there were points in the case, based as much on his behaviour as on his narrative, which puzzled me, anddo not like being puzzled. </ab>
         <ab>" Very well, my lord, as you have given me a clear lead I will take up the matter," I said. "It will be necessary for me to come down to the Abbey, and I had better not come in my proper capacity. Can you suggest any pretext which will give me the run of the house and enable rae to meet your guests ? A very short visit ought to be enough for my purpose." </ab>
         <ab>He favoured me with a prolonged scrutiny, as.though to assure himself that I was presentable. " Come ta the managing clerk of my solicitors, Partridge and Partridge, of Lincoln's Inn," he replied at last. "I can say that your business makes it necessary for you to dine and sleep at the Abbey. I travelled up by the night mail in order to consult you, and am going back in an hour's time. When will you come down ? " </ab>
         <ab>I replied that I would go by the same train but in a different compartment; and so it was arranged—also that while at the Abbey I was to be known as "Mr. Wallace." </ab>
         <ab>* * * * * </ab>
         <ab>That evening at dinner I had my first opportunity of meeting Lord Tintagel's house-party in full assembly. The moment I entered, the drawing-room I saw that they were much too casual and frivolous, a.lot to speculate on my personality, and I was further helped in the preservation of my incognito by being told off to " take in " an elderly spinster who was stone deaf—the aunt and duenna of a merry, sloe-eyed maiden, who seemed.to be in great request.. It </ab>
         <ab>was not till later, in the billiard-rpom, </ab>
         <ab>that I learned that this girl was the </ab>
         <ab>rich Miss Carstairs, the best hunted </ab>
         <ab>heiress of the last London season. </ab>
         <ab>If my noble host and client had been stately in my dingy office here </ab>
         <ab>r</ab>
         <ab>5 </ab>
         <ab>The Pigeon's-Blood Rubies </ab>
         <ab>in his own splendid banquet-ball— you couldn't call it a mere dining-room—die was truly, magnificent. All traces of tbe nervousness wbich I had discerned earlier in the day had vanished. His manners were those of an emperor who demands, but at the same time knows how to concede, deference to all who may be entitled to it. Easily and gracefully, yet always with a note of aloofness, he did .the honours of his table to what in the depths of my mind I designated a " scratch pack." And it was the more wonderful because, as a bachelor, he had no hostess to help him. </ab>
         <ab>In calling the guests at Tintagel Abbey a &lt;k scratch pack," I do not mean that they.were ill-bred or disreputable. On the contrary, they were most of them of good family and social position. But they belonged, with some notable exceptions, to the smart, set—a set with which Lord Tintagel was well known to have nothing in common. In vulgar parlance, I began to smell a rat in the motive which could have been strong enough to ask this gay and irresponsible crowd to the Abbey, It was possible that in that motive, if I could hit upon it, I should find the key to the puzzle. </ab>
         <ab>For during the interval between my arrival and dinner I had assured myself that the thief had not come from outside, but had been an inmate of the house. And, by judiciously pumping Tompsett, the confidential butler, I had come to an equally sure conviction that none of the servants were implicated, all their movements being accounted for during the hours when the robbery must have been effected. The guilty party was to be looked for among the chattering, laughing folk in whose company I was enjoying an excellent dinner* </ab>
         <ab>Naturally I paid particular attention, to the' man at whom, with so much apparent reluctance, Lord Tintagel had pointed an accusing finger, as well as to the victim of the unknown depredator. The late owner of the pigeon's-blood rubies may be dismissed in a sentence. Lady Theo Wymark was a rawboned, shrill-voiced, ostensibly-rouged, middle-aged woman who might safely have a gentleman's cigarette-case found in her apartments without having unkind things said about herself in connection with it. Captain Cyril Meade, the suspect, does not merit a much longer description. </ab>
         <ab>He did not look like a thief. Young, well-knit, and possessed of good looks of the square-jowled manly type, he was every inch the soldier. And I had not studied him for long before I observed that his fearless grey eyes rested often and wistfully on the piquant face of pretty Miss Cars'tairs. </ab>
         <ab>It was not till later in the evening, in the billiard-room, that I made the acquaintance of Mr. Anthony Wymark, Lady Theo's husband, and " Tony" to his intimates. At the end of a pool he put away his cue and sat down beside me on the lounge whence I had been watching the game. He waited till a new game had been started before . he addressed me, and then he made me </ab>
         <ab>jump. "Spotted the thief yet, Mr, Zambra ? " he chuckled under his breath. Concealing my chagrin, I turned and looked at him—a plump little fair man, with a twinkle in each of his shrewd eyes. " I am too modest," I said in an undertone. " If I had thought that there was the remotest chance of my being recognised I should have altered my appearance.'.' </ab>
         <ab>" You would have done a silly thing if you had," Mr. Wymark replied. " I am the only one likely to recognise you-^—saw you in court over that Temperly affair, don't you know. I am also the only one possessed of really valuable information as to the chap who prigged my wife's rubies." </ab>
         <ab>" Then where do I come in ? " I said. " For I presume that you have given your valuable information to the police?" </ab>
         <ab>" Never you mind," rejoined the little man. " I'm not telling you anything yet, and I'm not telling yon anything at all unless you come to </ab>
         <ab>6 i </ab>
         <ab>By Headon Hill </ab>
         <ab>me before you take your results to entrance-hall, I caught a glimpse of that inspector man and advise him Lord Tintagel describing with pondwhom to arrest. See ? If you take erous gallantry to Miss Carstairs the my tip and confide in Tony Wymark family portraits that adorned the you won't perhaps make a sensational walls, while from one of the bridge success, but you'll save yourself a tables near the huge open fireplace considerable set-back. I didn't steal Captain Meade was annoying his the things myself, if that's what partner by inattention to his cards. you're thinking." I found Mr. Tompsett enjoying a </ab>
         <ab>The clack of the billiard balls glass of port in his cosy sanctum, drowned our voices, and I decided to and was at once invited to join him. pursue the opportunity. " I will In my earlier interview with this promise not to do anything in a excellent retainer I had gathered the hurry," I half assented to his proimpression that he had been apprised </ab>
         <ab>position. " But without trenching by his noble master that I was a detecupon that exclusive information of tive, and that he had to some extent yours, Mr. Wymark, I should like to been primed with what he was to get a few general particulars from say to me. He was a large, loose-you—details, I mean, which I can jointed man of sixty, who had caught quite easily extract from the servants, something of his employer's manner. but which I should prefer to get We had two glasses of port, and from you." then I suddenly poked him in the </ab>
         <ab>He did not answer all my quesribs. </ab>
         <ab>tions by any means, but he shed " Now, Mr. Tompsett," I said, " you </ab>
         <ab>quite a lurid light on the reason for have already whitewashed your </ab>
         <ab>our noble host's rather mixed house-domestic staff. Let's sort the guests </ab>
         <ab>party. It seemed that Lord Tintagel, over a bit. Which of those bright following the precedent of solemn, butterflies of fashion lifted Lady pompous men who have escaped Theo Wymark's rubies ? " matrimony till late middle-age, had "Really, Mr.—er—Wallace," he cast elderly eyes of longing on a girl began, affecting a spluttering indigyoung enough to be his daughter. nation beneath which I perceived The amused opinion of the smart that he hailed the opening with </ab>
         <ab>people whom he had invited was eagerness, " I am at a loss to " that they owed their entertainment " Oh, stow that," I cut him short. to Lord Tintagel's desire to show his " And don't call me Wallace. My ancestral seat to the object of his name is Zambra—a fairly well-known adoration, not having the pluck to name, as you will admit. His lordask her and her chaperon alone. It ship left me the discretion to disclose was expected that he would take myself to anyone likely to be useful, advantage of the visit to lay his and I am sure that you can be of coronet at her feet. assistance." </ab>
         <ab>" At the feet of Miss Carstairs," I He gave me a sly smile. " But </ab>
         <ab>i-emarked quietly. what a question to ask! " he reTony Wymark favoured me with a sponded. "If I had known who glance of simulated disgust. " I stole the rubies there would have </ab>
         <ab>didn't mention any names," he been no call for your services, Mr. replied. "But, by jingo, I believe Zambra. I know no more than you've hit the trail. I mustn't be Adam." seen chinning with you any more." " No, but you can help to find out," He strolled away and joined a I persisted. "What I am chiefly </ab>
         <ab>group at the other end of the room, concerned with is the movements of leaving me free to slip out and make the people in the house—whether my way to the pantry of Mr. any of them, and if so who, left the </ab>
         <ab>Tompsett, the butler. I should have billiard-room or card tables to go upto get from him certain facts at stairs during the evening of the which Mr. Wymark had shied. robbery ? " Passing through the great vaulted Mr. Tompsett pursed up his lips </ab>
         <ab>i7 </ab>
         <ab>The Pigeon's-Blood Rubies </ab>
         <ab>and scratched his chin, affecting to </ab>
         <ab>consider. " I can remember one," he </ab>
         <ab>said. " Captain Cyril Meade. I was </ab>
         <ab>serving coffee in therhall, and noticed </ab>
         <ab>him on the grand staircase. Two </ab>
         <ab>for the matter of that," he added, </ab>
         <ab>repeating the sly smile. " Though </ab>
         <ab>you wouldn't count the other, I- sup</ab>
         <ab>pose, Mr. Zambra, since it was his </ab>
         <ab>lordship himself." </ab>
         <ab>"They went upstairs together?" </ab>
         <ab>I asked. </ab>
         <ab>" No ; Lord Tmtagel went np first </ab>
         <ab>—directly after they left the dining-</ab>
         <ab>room. But I only mentioned him so </ab>
         <ab>as to be accurate. Captain Meade </ab>
         <ab>went up half an hour later." </ab>
         <ab>" Thank you, Mr. Torapsett," I said </ab>
         <ab>warmly. " I believe that you have </ab>
         <ab>given me a very useful clue, confirm</ab>
         <ab>ing a suspicion that already existed, </ab>
         <ab>I must return to the billiard-room </ab>
         <ab>now, if I am to keep up my character </ab>
         <ab>of a harmless solicitor's clerk received </ab>
         <ab>on sufferance amongst the quality," </ab>
         <ab>But it was not to the billiard-room </ab>
         <ab>that I at first bent my steps, after </ab>
         <ab>exchanging winks with the portly </ab>
         <ab>butler. My business took me to the </ab>
         <ab>upper regions of the mansion, and I </ab>
         <ab>reached them by way of a secondary </ab>
         <ab>staircase which I had located before </ab>
         <ab>dinner, thus avoiding the entrance-</ab>
         <ab>hall, whence my ascent would have </ab>
         <ab>been observed. My goal was the </ab>
         <ab>august lair of my noble client—to </ab>
         <ab>put it plainly, Lord Tintagel's bed</ab>
         <ab>room—my only fear was that his </ab>
         <ab>lordship's valet might be there, wait</ab>
         <ab>ing to put his master to bed. But a </ab>
         <ab>little reconnoitring reassured me, </ab>
         <ab>and, tip-toeing into the magnificent </ab>
         <ab>apartment, I found myself alone </ab>
         <ab>with my own devices. </ab>
         <ab>***** </ab>
         <ab>It was an hour later when I descended the grand staircase. The bridge players were still hard at it in the hall, but among the guests themselves a slight shuffling of the pack had taken place in the interval. Lord Tintagel was seated at one of the card tables, and Miss Carstairs was nowhere to be seen. 1 went on into the billiard-room, and was greeted by Tony Wymark with a mischievous grin. As luck wcu'd have it he was not playing. </ab>
         <ab>" Well ? " he said, as he made room for me on the lounge at his side. "Have you come to claim my-assistance before reporting your discovery to Inspector Beynell ? I can seo that you have made one." </ab>
         <ab>" I don't stand in need of your assistance," I replied. "I have got down to bed-rock without it, Mr. Wymark. But we can't talk in this crowd—come somewhere else." </ab>
         <ab>Finishing his whisky and soda, he led the way through a glass door opening into a vast palm-house. As we entered two shadowy figures flitted out by another door leading back into the drawing-room. We both recognised them—Miss Carstairs and Cyril-Meade. </ab>
         <ab>" A bit of a coincidence, eh ? " chuckled Tony. " I don't take your point," I said quietly. </ab>
         <ab>" Oh, come ! don't keep it up with me," was the rather irritable reply. " You have got it up for Captain Meade, I know. You have been posted up about the cigarette-case, and have found out that he went upstairs that evening ? " </ab>
         <ab>" I have found something better than that, Mr. Wymark," I retorted. " I have found your wife's rubies. Allow me to restore them to you." </ab>
         <ab>And taking from my poeket the necklet of splendid gems I gave it into his hand. How they gleamed and sparkled even in the dim light of the great conservatory ! </ab>
         <ab>"Well, I'm hanged!" Tony exclaimed when he had mastered his astonishment. " So you have pulled it off aftei* all. I wasn't going to put you on the scent unless you had been misled by the clue to Cyril Meade." </ab>
         <ab>"You would have submitted to the-loss of the jewels rather than make a fuss ? " </ab>
         <ab>" We shouldn't have lost them for long," rejoined Mi*. Wymark. "He would have sent them back anonymously when he found that the little gun he had loaded up for Meade had missed fire." </ab>
         <ab>"JBnt would it have missed fire ? " I asked. " That is the one point sot clear to me—why the police did not pursue the matter of the cigarette-case found in your wife's room. You heard of that ? " </ab>
         <ab>"Heard of it!" laughed Tony. " Inspector Reynell isn't a Zambra, but neither is he quite a fool. He didn't pursue the clue because I knocked the stuffing out of it directly he showed me the case. It was my own property, my friend. There's nothing to incriminate anyone in a man's cigarette-case being found in his wife's bedroom. I didn't tell the inspector that I had lent the case to Cyril Meade—for the good i-eason, that its being found there proved to me that Cyril was the real victim, rather than the author, of the robbery. Here are the facts." </ab>
         <ab>And he went on to relate that on the evening of the robbery, having two days before lent Captain Meade his cigarette-case, he had reminded him of the loan. The young officer had blamed himself for his forgetfulness and had insisted on going up to his room to fetch it. On his return to the billiard-room he had announced that he could not find it, though he was sure that he had left it on his dressing-table. Wymark had told him not to worry, as it was certain to turn up, and had thought no more about it till the inspector, after searching the room, had questioned him about the case. </ab>
         <ab>Wymark had at once suspected that the case had been placed there by someone who believed that it belonged to Cyril Meade, in order to implicate him in a theft which was ' due to a desire, not for plunder, but to bring a rival to disgrace. More than that, ho had a pretty shrewd notion as to who had taken the case from Meade's dressing-table before * visiting Lady Theo's room. He conferred with his wife, and disgusted as they were with such an act of treachery to a guest, they made allowance for the vagaries of an elderly lover, and they decided to keep their suspicions to themselves unless Cyril Meade was accused. </ab>
         <ab>Not being informed that the case had ever been in Cyril's possession, the inspector had never connected him with the robbery, bat on my </ab>
         <ab>By Headon Hill </ab>
         <ab>appearance on the scene their apprehensions had been revived, as they guessed that I would have been apprised of the false clue. </ab>
         <ab>" Hence my warning to you," Tony concluded. "But it does not seem to have been needed. You had spotted the culprit already." </ab>
         <ab>"Yes," I replied. "I had gained a certain impression at our first interview. It was confirmed by observation of Captain Meade at dinner, and by your subsequent revelation of our host's matrimonial hopes. I fancied, too, that Tompsett had been primed to tell me of the captain's visit to the bedroom floor when he went to fetch your case." </ab>
         <ab>" Where did you find the things ? " asked Wymark after a pause. </ab>
         <ab>" I searched his bedroom because I did not think he would risk bringing them downstairs to hide, with the lower rooms full of people. The rubies were behind the register of the empty grate." </ab>
         <ab>" The old fox! " chuckled Tony. " I should like to let him down without a scandal, though he ought to be made to feel a bit sick." </ab>
         <ab>"I'll tell you how," said I. </ab>
         <ab>***** </ab>
         <ab>When I came down to breakfast next morning the long table was crowded with a laughing, chattering, throng, and Lord Tintagel was doing the honours in regal style. He gave me a nod and · a sharp glance of inquiry as I took my seat next Tony Wymark, but I flatter myself that my face told him nothing in return. Tony was already busy with a devilled kidney and took no notice of me. Of Lady Theo there was as yet no sign, but a minute later she sailed in, bubbling with excitement. A good actress was lost in her. </ab>
         <ab>"Oh, you dear people I Oh, Load Tintagel! How shall I ever forgive myself for upsetting you all ? " she gushed. " My rubies were never lost at all. I have just found them in my writing-desk, where I must have locked them up instead of in the jewel-case as I thought. Wasn't it stupid of me ! " </ab>
         <ab>A chorus of congratulations went </ab>
         <ab>19 </ab>
         <ab>Dougal Talks about 1911 </ab>
         <ab>up, in which Lord Tintagel's voice was drowned, though I could imagine that his stately periods were less convincing than usual. He avoided my eye, and suddenly looked ten years older. Fortunately, before he was called upon to make himself heard individually, a diversion occurred. </ab>
         <ab>Cyril Meade was speaking. "A s good news is the order of the day," his manly tones rang out, " let me add another item. Sybil Carstairs has consented to grace a certain graceless captain in the Coldstreams by accepting his most unworthy hand." </ab>
         <ab>" The hand that didn't prig the rubies," murmured the irrepressible Tony in my ear. </ab>
         <ab>Dougal Talks About 191 1 </ab>
         <ab>To W. Harold Thomson. </ab>
         <ab>Dougal Is always worth reading, and I have seldom liked him better than in his present vein. Read it, and you should find food for serious thought about the New Year and the Old even while you </ab>
         <ab>smile. </ab>
         <ab>tHEN I heard that Dougal </ab>
         <ab>was waiting for me in the </ab>
         <ab>study, I put down my book </ab>
         <ab>at once, and rose. </ab>
         <ab>"If anyone else should call while he is here," I said, "you might just ask them to wait, will you?" </ab>
         <ab>I had no wish to be interrupted in my short New Year talk with the </ab>
         <ab>6hepherd. </ab>
         <ab>As I entered the room I saw him standing with his back to the fire and staring down at Bob the collie who lay at his feet, and from whose wet, shaggy coat a suggestion of steam was rising slowly. The shutting of the door roused Dougal, and he strode forward to meet me with hand out-held. </ab>
         <ab>" A guid New Year," he- said " an' mony o' them." </ab>
         <ab>I would that more of the wishes that are expressed at this time were spoken in a tone as sincere as Dougal's. </ab>
         <ab>" And a good New Year to you," I returned as I gripped his hand. </ab>
         <ab>After a moment or two we moved towards the chairs on either side of the fire. Dougal indicated the dog with a jerk of his large thumb. </ab>
         <ab>"I couldna help him comin' in," he explained, "an' onyhow he's less trouble here than he would ha' been ootside. He'd ha' roared hissei' tae bits if I'd left him on the steps. But a' the same, I apologise for his bein' here. He's no' a lap dug, ye ken, or ee'd have a lot o' tricks an' be able tae get up an' shake yer hand. But—if ye'11 pardon me for gettin' poetical he's sort o' shakin' hands wi' ye in his hert." </ab>
         <ab>I glanced at Bob, and thought that I saw the tip of his tail move slightly —as though to , corroborate his master's remarks. </ab>
         <ab>"I don't doubt that," I said, "for Bob's a friend who never changes. But now, sit down, Dougal, and give us your crack. How are things with you, eh ? " </ab>
         <ab>He laid his cap upon the fender and seated himself with quite unnecessary care in the big arm-chair. </ab>
         <ab>"Things," he said, "isjist much the same as they were afore. At a time like this, ye see, there's no' much doin', an' there's nobudy wantin' tae do it. I mean onything in the nature o' work. There's some high jinks goin' on of course; but then it's New Year an there's a lot o' folk in the village as havena been here since this time last year. D'ye mind," he tilted his head a little to one side and regarded me reminiscently, " hoo last New Year you an' me met up at the end o' Loch </ab>
         <ab>20 </ab>
         <ab>Vennacher an' had a hit talk aboot nineteen hunner an' ten ? '' I nodded. </ab>
         <ab>" Of course," I told him. " I was thinking; of - that talk only yesterday. It doesn't seem so long ago either, and now—why,- here we are at the beginning of nineteen hundred and eleven! " </ab>
         <ab>Dougal shook his head. "It's an </ab>
         <ab>awfu' thing," he remarked soberly, </ab>
         <ab>" the way the time flees by. B'jings ! </ab>
         <ab>ye meet a man one day, maybe, as is </ab>
         <ab>goin' away for a couple o' months, </ab>
         <ab>an' afore ye've time tae be sure that </ab>
         <ab>he's really oot of sight, ye're shakin' </ab>
         <ab>hands wi' him again, an' sayin' </ab>
         <ab>'How d'ye do!'" </ab>
         <ab>Bending forward, I picked up the </ab>
         <ab>poker and began to stir the coals. </ab>
         <ab>" That's so," I agreed; " and now </ab>
         <ab>that nineteen hundred and ten is </ab>
         <ab>gone, Dougal, what-d'you think about </ab>
         <ab>it—looking back ?." </ab>
         <ab>He mumbled something; stared at </ab>
         <ab>the fire, then at me. </ab>
         <ab>" Mr. Ness," he said, " despite what </ab>
         <ab>a lot o' learned folks say, I think it's </ab>
         <ab>a dash silly game tae start lbokin' </ab>
         <ab>back on a day like this. A lot o' </ab>
         <ab>things happened in nineteen ten no </ab>
         <ab>doot, but at the moment o' speakin' </ab>
         <ab>it's no' nineteen ten we've got tae </ab>
         <ab>worry aboot but nineteen eleven. </ab>
         <ab>There ye are ! Dinna think aboot the </ab>
         <ab>twelve months as is gone:—think </ab>
         <ab>aboot the twelve months as is waitin' </ab>
         <ab>ahead. Mon, but it's a gey solum </ab>
         <ab>business when ye come tae consider </ab>
         <ab>it in a sober spirit. A year looks a wee, </ab>
         <ab>wee while when ye take a keek back </ab>
         <ab>at it; but it's anither thing when ye </ab>
         <ab>look forward^ at it. Mind ye, there's </ab>
         <ab>a terrible lot o' things can happen in </ab>
         <ab>a year, an' that's why I took a bit </ab>
         <ab>walk up here tae wish ye luck. If </ab>
         <ab>everybudy wishes ye well as sin— </ab>
         <ab>as sin—dam'd! I've lost "the word." </ab>
         <ab>I suggested " sincerely." </ab>
         <ab>With dignity he nodded his thanks. </ab>
         <ab>"Ay, that's it-—sincerely. Well,, </ab>
         <ab>as I was sayin' when ye interrupted </ab>
         <ab>me, if everybudy wishes ye well as </ab>
         <ab>sincerely as I do, then nineteen </ab>
         <ab>eleven'il be a flamin' fine time for </ab>
         <ab>you." -i' I did not answer him for a moment </ab>
         <ab>By W. HaroSd Thomson </ab>
         <ab>or two; I, was gazing into the fire. </ab>
         <ab>Then: </ab>
         <ab>" Dougal," I said, somewhat slowly—for both he and I are wont to get uncomfortable if anything in the nature of a compliment passes between us—" I think that you are the sincerest, honestest man I know. And because of that and because—· well, I suppose just because you're Dougal, I'd rather have your good wishes at the beginning of a year than the good wishes of almost any other man Lknow." </ab>
         <ab>Dougal growled rumblingly into his beard and buttoned his coat only" to unbutton it again. -</ab>
         <ab>"I'm no' wantin' tae be rude," he told me, frowning very sternly at a lump of coal which I was trying to turn with the poker, " but a* the same Fd like tae say that I think that was a daft speech o' yours. I'm sure! A budy canna say a simple wee wish, wi'oot bein' called names an' maiief tae feel kind o' ashamed o' himsel"|^l </ab>
         <ab>"But," I protested, " I never called you names, Dougal. I only said " </ab>
         <ab>" Oh, a' right," he broke in, " we'll let it pass. I wished ye well at the beginnin' o' last year, I wish ye well at the beginnin' o' this year, an' I'm sure I hope as I'll wish ye well at the beginniu' o' next year, though that's owerfar away' yet tae trouble aboot." _ </ab>
         <ab>He sighed, and bending forward began to fondle Bob's ears with a-kindly hand. </ab>
         <ab>" When the New Year · comes roond," he went on thoughtfully, " I canna help wonderin' what's goin' tae happen in it. Three hunner an' sixty-five days, ye'll note, lyin' spread oot one after the ither for you tae walk through, an' ye canna jink one o' them—onless, of course, ye jink a' the succeedin' ones as well. Mon, what a lot o' meeting an' guid-byes there'll be in that procession o' days ! Ye'll- make new friends like enough, an- like enough ye'll say guid-bye tae some auld ones. It's an onpleasant subject—the guid-bye caper. I wish I hadna said onything aboot it; hut sometimes at night when I'm </ab>
         <ab>sittin' havin' a bit draw at my *p"ipe </ab>
         <ab>Dougal Talks about 1911 </ab>
         <ab>by the fire, I get rememberin' the </ab>
         <ab>lads as I used tae hobnob wi' long </ab>
         <ab>ago. There's gey few o' that crowd </ab>
         <ab>left. for me tae bob-nob wi' noo. </ab>
         <ab>Some went tae work in the toons ; </ab>
         <ab>some o' them are away ower the sea </ab>
         <ab>in Australia an' America an' them </ab>
         <ab>heathen places, an' some o' them—" </ab>
         <ab>He raised his head suddenly, and I </ab>
         <ab>thought that I heard him sigh. </ab>
         <ab>V " I don't know why on earth," he </ab>
         <ab>said, " ye wanted tae get me started </ab>
         <ab>óñ that sort o' haverin' talk. I said </ab>
         <ab>a wee while back that at New Year </ab>
         <ab>timé a budy should look in front o' </ab>
         <ab>him, and no' ahint. That was true, </ab>
         <ab>too. When ye-get lookin' ahint ye, </ab>
         <ab>then as likely as no' ye'll start tae </ab>
         <ab>get sentimental, an' that's a silly </ab>
         <ab>sort o' thing for a grown-up man. </ab>
         <ab>What's the use o' snivellin' ower the </ab>
         <ab>days that are gone ? The days waitin' </ab>
         <ab>ahead'll be every · bit as guid—ay, </ab>
         <ab>an' maybe a long way better. I </ab>
         <ab>wouldna be surprised. It's mostly in </ab>
         <ab>a- man's own hands—nut that I'm </ab>
         <ab>wantin' tae preach. By no means </ab>
         <ab>whatever." </ab>
         <ab>"There's such a thing as luck," I reminded him cautiously. </ab>
         <ab>- He nodded as he rose from the chair and picked up his cap. </ab>
         <ab>" There is," he agreed, " an' there's such a thing as pluck. But," he paused, wagging his head dubiously, " here's a tricky thought for ye: Hoes the luck maybe no' come first ? " </ab>
         <ab>Not quite understanding him I put a question. </ab>
         <ab>" Do you mean," I asked, " that </ab>
         <ab>good luck when it comes to a man </ab>
         <ab>gives him courage that he might </ab>
         <ab>otherwise not have had ? " </ab>
         <ab>" No, no, no, ye're aff the track ! </ab>
         <ab>What I mean is, is a man no' lucky </ab>
         <ab>tae be plucky ? It's a caution o' a </ab>
         <ab>thought that!" </ab>
         <ab>" It's deep," I admitted gravely. </ab>
         <ab>He stirred the slumbering Bob </ab>
         <ab>gently with his foot. ' </ab>
         <ab>" It's so dash deep," he responded, " that I'm no' going to think aboot it ony more. I'm going tae get along the road now. I'm goin' tae say ' A. guid New Year' a few times afore I get movin' hame. D'ye ken," he looked at me sideways as he has a pleasant trick of doing, "the better I like the budy I'm speakin' too, the harder I find it tae put my wishes into words. Now supposin' I met somebudy awfu', extra-special nice, I'd like tae say more than ' A guid New Year.' I'd like tae say something like this: ' I hope as nineteen eleven'Jl be abetter year for you than ony year that ye've ever known yet. I hope ye'll have always plenty o' friends roond ye, always plenty o' sunshine aboot ye, an' a fair road tae walk on: always plenty o' health an' </ab>
         <ab>happiness an'—an' love an' that.' That's what I'd like tae say; but no, nut me! I'm ower auld, I'm afraid, tae start lettin' mysel' go." </ab>
         <ab>He moved to the door then, andlooked around for my boots. " One moment," I said, " I'll come to the gate with you." </ab>
         <ab>THE YEAR THAT'S AWA'. </ab>
         <ab>Here's to the year that's awa' I We will drink it in strong and in sma' ! And here's to ilk bonnie young lassie we lo'ed, While swift flew the year that's awa'. </ab>
         <ab>Here's to the sodger who bled, And the sailor who bravely did fa'; Their fame is alive though their spirits are fled On the wings of the year's that's awa'. </ab>
         <ab>Here's to the friends we can trust, When the storms of adversity blaw; May they live in our song and be nearest our hearts, Nor defart like the year that's awa'.—DUNLOP. </ab>
         <ab>The Dagger. </ab>
         <ab>By Oliver Gay. </ab>
         <ab>Here Is a yarn about a mystery in a different vein from Mr. Gay's usual stories, it is a far cry from his adventures In the Wild West and in wilder New Guinea, and is doubly interesting as showing him . </ab>
         <ab>in another mood. </ab>
         <ab>pFpflHE thing was getting beyond | J J a joke. First of all, I J noticed it when sitting in Ftt5sPJ&gt;§l| the garden waiting for </ab>
         <ab>Yvonne. </ab>
         <ab>I had been away from home for a long time, and Yvonne meant for me not only Yvonne, but my own beloved people. Her family was an old family in our part of the Border, as, I had always understood, was mine. </ab>
         <ab>But it is not of Yvonne I would </ab>
         <ab>write. It is of the Dagger. </ab>
         <ab>I saw it first as I sat waiting; her not improbable coming through the garden. It was January. The year was quite usual, so that there were, still three Jacobite roses in the bush opposite · me, looking out at me and telling their old stoiy. </ab>
         <ab>I tapped with my oak stick in the gravel, and there I saw, drawn there, the Dagger. Somehow it seemed familiar.' That, you must understand, was the first time I became alert at seeing it. I began then to wonder where I had seen it befox*e. And then —yes, I was almost positive. I rose and wandered through the shrubbery to the next seat, and looked in the gravel there. Feet had passed since the time I Seemed to remember—my mother's, Yvonne's, Yvonne'smother's, oh, lots of feet doubtless—and the gravel was a little disturbed. But, yes, there was a Dagger drawn there as with the end of a walking-stick, and drawn deeply too, and very neatly </ab>
         <ab>done. </ab>
         <ab>There was another seat—a stone one—-where we seldom sat now despite the queer January; for though a coat oppressed one, there was a distinct raw chill that got into one's bones in the mild days and evenings. </ab>
         <ab>I looked at the gravel there. Yes, there was the Dagger sign again ! This stone seat looked down on what </ab>
         <ab>we called the Wilderness, a place where was a pond set round with rushes and willows and unkempt grass, and in the middle of it is a tangled islet. When we were young we used to punt out to the islet, and play " Swiss Family Robinson " there —Yvonne's brother (now in the Scots Greys), my brother (now gone from this planet), Yvonne, and I. </ab>
         <ab>I looked down on that little pond that lay sad and gloomy with its vestiges of what had been water-lilies a few short months before. It was a bit depressing on that grey, heavy dayc I noticed a bush wave on the far side-, and thought how that sight would have thrilled us once when we played there; thought how we would have stalked the bush, and, creeping forth, set to flight—a blackbird belike, and called it the phoenix. Ah, me! The days that were ! · Then a step sounded behind me, and I turned—and there was Yvonne. Ah, me! The glorious present! </ab>
         <ab>Yvonne, I thought, looked a little perturbed. We fell in step and wandered round the garden. For' my part, I was thinking how good it was to be home; and then I looked at her again, and—yes, she was, I was sure, troubled about something. </ab>
         <ab>"1 wish," she said, "that it would come really winter." "It would be more seasonable," I said. . </ab>
         <ab>Strange how commonplace one's words can be when one's heart is full to overflowing of love—love of one's land, of home, of a brief glimpse of it, the very brevity, the knowledge that we must go again, making the moment there all the more sacred. </ab>
         <ab>" A little sun, a little frost," said Yvonne, "would buck one up." " Do you feel run down 1" I asked. "You don't look it." </ab>
         <ab>The Dagger </ab>
         <ab>Her looks never pity Yvonne. </ab>
         <ab>"I don't know," she said. "I feel </ab>
         <ab>something in -the air. I am not </ab>
         <ab>usually like that."" </ab>
         <ab>"No, you are rtot a nervous </ab>
         <ab>woman." </ab>
         <ab>"Yet I feel that," she said, "and </ab>
         <ab>your coming to," she added. </ab>
         <ab>-"Whyl" I said. "Don't you believe in me? Are you not happy?" </ab>
         <ab>*·' Happy and sad," she said. " I can </ab>
         <ab>tell you now that I love you. But I </ab>
         <ab>feel—oh, I do not know! I feel </ab>
         <ab>afraid." </ab>
         <ab>"Afraid? "I asked. </ab>
         <ab>"Yes, afraid," she said, and looked </ab>
         <ab>round to the bushes. </ab>
         <ab>Then I also felt something very like </ab>
         <ab>fear. </ab>
         <ab>" Of what are you afraid? " I said. </ab>
         <ab>"I am afraid I shall lose you—lose </ab>
         <ab>everything." </ab>
         <ab>"You shall never lose me," I said. </ab>
         <ab>"For the hundredth time, Yvonne, </ab>
         <ab>you are far, far too good for me; and </ab>
         <ab>having won you—you shall never lose </ab>
         <ab>me! " </ab>
         <ab>She walked slowly, looking on the </ab>
         <ab>ground. </ab>
         <ab>"No," she said, "no, it is not that </ab>
         <ab>I think. When you speak so I feel it </ab>
         <ab>is not that. But something seems </ab>
         <ab>banging over us—I know not what. </ab>
         <ab>But I am afraid." </ab>
         <ab>She looked round to the Wilderness </ab>
         <ab>and shuddered. </ab>
         <ab>"If it would only snow," she said, </ab>
         <ab>'·' and freeze over, and be more season</ab>
         <ab>able ! " </ab>
         <ab>Then I looked round just as we passed from sight of the hollow and the pond, and I saw—or thought I saw—or was it but a survival of the imagination of youth?—a form stealing out from behind the bush that I had seen to move—a furtive, stealthy form. But I would not look again for fear of making Yvonne more timid. I had never seen her like this before. </ab>
         <ab>That aftarnoon, as the grey of the close came, there came also cold: it grew colder and colder. Also the wind veered and came biting out of the east, so that the fires were piled up, and burned brightly now in the cold air. There were a few guests with us, and we had a jolly time. </ab>
         <ab>They began talking about old </ab>
         <ab>names; then we got on to names of </ab>
         <ab>families. I wondered why, in my in</ab>
         <ab>terest in Yvonne, I had never thought </ab>
         <ab>what was the meaning of her surname. </ab>
         <ab>Delay was her surname. </ab>
         <ab>"It is really a French name," said </ab>
         <ab>Mrs. Delay. </ab>
         <ab>"What was the original form?" </ab>
         <ab>Cousin George asked; but he asked, I </ab>
         <ab>thought, as if he knew already. </ab>
         <ab>"De la Haie," said Mrs. Delay. </ab>
         <ab>I at once saw that what fascinated </ab>
         <ab>me in Yvonne was her blue blood. A </ab>
         <ab>surname such as that implies a won-1 </ab>
         <ab>drous ancestry. </ab>
         <ab>"De la haie," I said—"of. the </ab>
         <ab>hedge 1 What a glorious name!" </ab>
         <ab>And I imagined all sorts of things of </ab>
         <ab>how the ancestor had come by his </ab>
         <ab>name. "Do you know its history?" </ab>
         <ab>I asked. </ab>
         <ab>"No," said Mrs. Delay, "I do not know its origin. I only know that our family came to the Border in the Stuart times, and changed their name later to its present spelling." </ab>
         <ab>"But why change what was so beautiful? Why change the spelling?" I asked. </ab>
         <ab>Mrs. Delay seemed perturbed. She shnigged, and seemed at a loss for reply. </ab>
         <ab>I was sitting near the long front window. The heavy blind was drawn, but I heard a curious scraping sound outside. Somehow a feeling of dread, of something happening, something unknown—just such a dread as Yvonne had spoken of that very afternoon—gripped me. </ab>
         <ab>I saw that Mrs. Delay had no moro to say, and when the conversation changed I slipped out of it, and soon found opportunity to slip quietlv out of the room also. I felt impelled to discover the cause of that scraping sound outside. </ab>
         <ab>I went into the hall and to the front door, and opening it I was met by chill wind and driving snow. We had been granted the "seasonable weather " at last. I turned back and put a coat on, and wont out to the now white lawn. The lights of the house shone out and cast theii? oblongs and squares here and there on the white that lay in the darkness and made </ab><!--Page image found here.-->
         <ab>The Dagger </ab>
         <ab>turns*! the pages and found what he sought—a shield with three daggers and "Tonjours " beneath. </ab>
         <ab>Toujours" I thought. "I wonder why so, why always? I say," said I, turning to George, "this is a fascinating business." </ab>
         <ab>But though I was wondering what tiie Word signified, that was really a subconscious thought. The dominating thought was more gripping—for the shape of these daggers I knew 1 </ab>
         <ab>My mother sent for us then to see if the ladies' society had wearied us; and so we returned to the drawing-room, I not regretfully, despite this apparent clue, for Yvonne was there. </ab>
         <ab>There was enough of distraction in the drawing-room. We had a very homely, very happy evening—a kind of immortal evening—one of those evenings that we record in our memories with a special mark. </ab>
         <ab>Late at night, or very early in the black morning I should more rightly say, a servant came and whispered </ab>
         <ab>. some words to my father, and he went away quietly, controlling the sudden look of apprehension on his face. </ab>
         <ab>I felt I must follow, and did so. .. Then I found that, on going round </ab>
         <ab>.to see that all was safe, one of the servants had come upon a man lying in the fallen snow, and all flecked over with the driving flakes. As I told you, the cold had come suddenly, with almost, to us, Arctic severity, after the very genial weather. </ab>
         <ab>The man had been carried in. He had fallen in the garden, it would appear, near the house, or had lain down in the lee of a bush, and he was dead. </ab>
         <ab>And as we stood silent and wondering, a sound of wheels came outside the door. </ab>
         <ab>, The approach of the vehicle had been quiet because of the snow, and when the door was opened a gentlemanly, reserved man gave his card. He had come from Scotland Yard. </ab>
         <ab>The body of the dead man had been </ab>
         <ab>' carried to a couch in shadow, and the Scotland Yard man did not see it. He began his tale—a plain tale. He had come to introduce two gentlemen from an_ asylum for the insane in Paris, a doctor and a warder. </ab>
         <ab>A patient had escaped from that place, and a strangely interesting patient—a man with one idea.—a man who went about asking people their names and pondering over them. One patient, an Englishman named Hay, he had set upon. This, by the way, was told us later by the doctor. At once all were bidden to enter. The Scotland Yard man told how the patient had escaped the Parisian detectives, who had been told of his flight from the asylum. But they had traced him to St. Malo. Then Scotland Yard had got to work. He had been "clued" to Southampton, to London, here. And everywhere he acted sanely enough. But" everywhere, when he put up at hotels on his way, he had spent all his evening reading over the visitors' book. </ab>
         <ab>I listened to the whole thing with wonder—listened how he had gone to Carlisle, then to Edinburgh; how it had been discovered that there he was studying family names and Border family traditions. </ab>
         <ab>"Pardon my distraction," said my father, " but a very distressing thing has just happened here. A man has been found dead—I suppose of the sudden cold or of fatigue. He has just been brought in. I fear I seem to follow your narrative in a manner somewhat distraught." </ab>
         <ab>"Excuse me," I said, turning to the detective. "You say that your man has been traced to our station ?" </ab>
         <ab>"He took a ticket for it," said the detective. "We were fortunate in making up on him—gaining ground. You see, he was spending clays at libraries hunting up for his foible— hunting for names that bore any resemblance to the name of De la Haie. He had some " </ab>
         <ab>"Doctor," I said, "will you look at </ab>
         <ab>But at the same moment the detective's eyes brightened. </ab>
         <ab>"Can we see this body? " he asked. </ab>
         <ab>We all moved back to the rear of the hall. James turned on the light there. The doctor said, "That is he," and knelt and felt the man's heart. </ab>
         <ab>"Yes, he has been dead, I should say, two hours or more," said he. Then he rose, and in a very, queer voice said, "He was a very interesting patient." </ab>
         <ab>I remember all that affair very distinctly because, newly, home from wandering, and telling myself about the beauty of the people of our .old Border families, and considering how Yvonne was the very essence of all their charm, I was now to have a shock. You see, I married a Frenchwoman, after all. Funnier still, Cousin George tells me that my people </ab>
         <ab>By Oliver Gay </ab>
         <ab>came from France also, a little earlier than the Delays, or De la Haies; and;he has all the facts down in black and white. Perhaps that is one of the causes that brought Yvonne and me together. I hate saying farewell to my theories, and really there is an explanation for everything. </ab>
         <ab>But we shall hear no more of the old feud, I am sure. This of which I have been telling you is the last of it; and he was off his head, poor fellow J </ab>
         <ab>Thanks to Theodora. </ab>
         <ab>By Leslie Thomas. </ab>
         <ab>This is a delightful comedy about a very charming lady who was a matchmaker and a born diplomatist—as all very charming ladies are. </ab>
         <ab><!--Page image found here.-->
ELL, Harry, is Frank Silworth coming for the New Year?"* </ab>
         <ab>Henry Woo dburn passed the letter across to his wife. </ab>
         <ab>"Apparently, yes. But read it, Theo. He says he'd rather not if the Wyldes are here, and you can explain." </ab>
         <ab>"So I can." She smiled. "Poor </ab>
         <ab>Frank! Clarice Wylde's been thrown </ab>
         <ab>at his head all the season. I chaffed </ab>
         <ab>him about it in, town, I remember. </ab>
         <ab>It's her mother's fault, you know, and </ab>
         <ab>she's made it too obvious. He and </ab>
         <ab>Clarice detest meeting one another </ab>
         <ab>now. ' Still, she doesn't arrive till </ab>
         <ab>Sunday night. He could go back by </ab>
         <ab>the evening train if he liked." </ab>
         <ab>" Of course. I'll write to-night and tell him so. Let me see, it's on Tuesday he leaves for the Cape, isn't it? " </ab>
         <ab>"Yes. Mind you insist, Harry, that we must see him again before he goes." </ab>
         <ab>As her husband left the room Mrs. </ab>
         <ab>Woodburn returned to her own corre</ab>
         <ab>spondence. </ab>
         <ab>"Dearest Theo,—Can you pos... sibly put me up, and put up with </ab>
         <ab>me, for a few days? I don't want </ab>
         <ab>to stay in town just now. Could I arrive on Sunday evening and stop till Tuesday or so ?" </ab>
         <ab>The third sheet was signed "Yours affectionately, Kitty," and the inevitable postscript followed: "Do have me, please!" </ab>
         <ab>Mrs. Woodburn leaned back, wrinkling her pretty brows, and gazed out across the beautiful grounds of "Heronmere," their country house. She had guessed pretty accurately the state of affairs between Kitty Mansergh and Frank Silworth, but this she could not understand. </ab>
         <ab>"Till Tuesday or so." But Frank Silworth was leaving England on Tuesday for a year at least. That could only mean one thing—she wished to avoid him. They had evidently quarrelled. </ab>
         <ab>" And he'll just miss her. ' What a pity! " murmured Mrs. Woodburn regretfully. Then she began to write: </ab>
         <ab>" A friend of yours, Mr. Silworth, is coming for the week-end, but intended to leave on Sunday. However, I may possibly persuade him to stay longer." </ab>
         <ab>"That will give her a chance," she reflected, more cheerfully. "They're both veiy foolish people, and I've a good mind not to interfere." </ab>
         <ab>27 </ab>
         <ab>Thanks to Theodora </ab>
         <ab>This was not strictly time. Six months of marriage had only served to strengthen Mrs. Woodbum's matchmaking proclivities. </ab>
         <ab>She finished her letters presently </ab>
         <ab>and sat thinking. Then suddenly she </ab>
         <ab>clapped her hands and walked along </ab>
         <ab>to the library. A new " Bradshaw " </ab>
         <ab>lay on the table, but the old one had </ab>
         <ab>not yet been thrown away. She </ab>
         <ab>turned to corresponding pages in each </ab>
         <ab>and compared them closely. </ab>
         <ab>"Yes, it's altered," she commented </ab>
         <ab>triumphantly, "and I'm sure,-Harry </ab>
         <ab>doesn't know." </ab>
         <ab>A smile spread over her face as she carried the current number to her boudoir. Later in the afternoon she sought her husband. </ab>
         <ab>"Tell Frank he might catch the </ab>
         <ab>7.30 train on Sunday, Harry. That would get him to town by eleven. And remember he-is to come." </ab>
         <ab>" I should think so, indeed! What did you say, Theo? ' Can't take any risks ' ? " </ab>
         <ab>"I was talking to myself, dear," declared Mrs. Woodburn rather confusedly. </ab>
         <ab>The next morning brought a telegram: • </ab>
         <ab>"If Mr. Silworth leaving before I arrive, all right. You must not tell him I am coming. Promise. </ab>
         <ab>"KITTY." </ab>
         <ab>Mrs. Woodburn shook her head half despairingly. "Little silly!" she muttered, and wrote her reply: </ab>
         <ab>"He is determined to go by 7.30 train. Expect you eight o'clock. </ab>
         <ab>"THEODORA." </ab>
         <ab>The humour of this message was. not apparent, yet she regarded it amusedly. </ab>
         <ab>***** </ab>
         <ab>Mr. Frank Silworth had by no means proved a social acquisition to the house-party. Nothing his host and hostess could devise, served to banish his excessive gloom for more tfran half an hour at a time. Other guests began to eye him curiously. </ab>
         <ab>Mrs. Woodburn rallied him in vain. He would admit nothing. </ab>
         <ab>"By the way, have you met Kitty </ab>
         <ab>Mansergh in town lately? I haven't </ab>
         <ab>seen her for some time." </ab>
         <ab>" Indeed ? I thought you were great </ab>
         <ab>friends." </ab>
         <ab>"So we are. But you haven't an</ab>
         <ab>swered my question." </ab>
         <ab>" I beg your pardon. Have I met </ab>
         <ab>• Oh, well, I may have done, you know, at dances and places. One runs across so many people that one can scarcely remember them all." </ab>
         <ab>"Stubborn!" commented Mrs. Woodburn under her breath. "Yoii're sure you must go to-night?" she queried casually. </ab>
         <ab>"Yes, really. You see, Mrs. Wylde </ab>
         <ab>"Oh, I almost wish we'd asked her for next week instead." "Awfully good of you to want to keep me, anyhow." </ab>
         <ab>Presently his hostess excused herself and summoned Hilton^ their chauffeur, to her room. There she gave him certain instructions which doubtless caused him considerable surprise, although he betrayed none. </ab>
         <ab>"Go in the car, please, and see about it at once. . Every cart and conveyance in the village; there can't be very many. And if anyone has a spare horse that is to go, too." </ab>
         <ab>"Very good, madam." </ab>
         <ab>" The owners are simply to say they are in use. They mustn't mention my name. And—bicycles, Hilton?" </ab>
         <ab>"I'll get them out of the way, madam." "But there are some in the house here." </ab>
         <ab>"Three, madam. One is the butler's—Mr. Bent's, but the front wheel's buckled." </ab>
         <ab>"Good! And the others?" "Well, there's mine, madam, and Smithers, the footman, has " </ab>
         <ab>"I'll send him to Longhill, too. Take the valves out of your tyres and —er—lose them, Hilton." The chauffeur bowed. " Now listen. Before six o'clock the car must be out of order." </ab>
         <ab>"I quite understand, madam." </ab>
         <ab>"But you must be able to repair the damage in time to meet the evening train from town. I'll leave all details, to you." </ab>
         <ab>At half-past six Hilton begged leave </ab>
         <ab>28 </ab>
         <ab>to speak to Mr. Woodburn. • He was summoned to the library. Mr. Frank Silworth waited restlessly by the window. </ab>
         <ab>" Do you mean to say you can't take Mr. Silworth to the station ? " </ab>
         <ab>"Afraid not, sir. I'm very sorry." </ab>
         <ab>Silworth turned. </ab>
         <ab>"Never mind, Harry; I'll get there somehow. Under three miles, isn't it? And the train goes at 7.30, I believe you said." He picked up the time-table. "Hullo! This is last month's. I suppose there's no alteration?" </ab>
         <ab>Harry Woodburn stepped to his side. </ab>
         <ab>"Sure not to be. . Theo, isn't the new 'Bradshaw' in yet?" After a delay it was discovered and brought. "Now, then—good gracious, Frank, I'm awfully sorry! " </ab>
         <ab>"Why, what " </ab>
         <ab>" That train's an hour earlier on </ab>
         <ab>Sundays now. Yes, to-day's the </ab>
         <ab>second of the month." </ab>
         <ab>Mrs. Woodburn turned aside. "I made the mistake," said Mr. Woodburn. " It's my fault entirely." </ab>
         <ab>"My dear Harry, do you mean to say it has already gone—that I can't catch it?" </ab>
         <ab>"It—it seems so. Really, I apologise. You see " </ab>
         <ab>"I can't stop, anyhow," declared Mr. Silworth desperately. "Where's the nearest junction 1 " </ab>
         <ab>" Longhill. But that's fifteen miles. A nasty road, too—over the moor." </ab>
         <ab>"There's a train at nine; that's the last. I could do it in the car, if you'll please——" </ab>
         <ab>"But the motor's broken down." </ab>
         <ab>"So it is. But can't you let me have something else? Anything on wheels." </ab>
         <ab>"It sounds rather ridiculous, but I'm afraid we've nothing. Just got rid of our dog-cart, you see; going to get a small - runabout' instead. And our touring car's at the maker's, being upholstered." </ab>
         <ab>" A bicycle, then." </ab>
         <ab>"Ah, yes, that's easy." </ab>
         <ab>But upon inquiry bicycles proved to be out of the question. Mr. Silworth fumed. </ab>
         <ab>By Leslie Thomas </ab>
         <ab>"In the village, though, surely </ab>
         <ab>Mrs. Woodburn faced them quickly. </ab>
         <ab>"Yes, yes; I'll send a servant at once." </ab>
         <ab>" No, please. I'm putting you to no end of trouble. I'll go myself and come back for my luggage." </ab>
         <ab>He left the room hurriedly. </ab>
         <ab>" A stupid mistake of mine, Theo," remarked Mr. Woodburn regretfully. But his wife had slipped away. </ab>
         <ab>• Half an hour later Mr. Silworth was back again. His hostess, on the lookout, met him in the hall. </ab>
         <ab>"This is extraordinary! There scarcely seems to be a conveyance or vehicle of any sort left in the neighbourhood." </ab>
         <ab>"Oh, dear! What will you do? Please stay; that will be best." </ab>
         <ab>" Oh, I did manage to find just one —a little governess-cart and a pony— at the inn." Mrs. Woodburn started. " I'll have my things brought down at once, if you don't mind. Just about catch that train." </ab>
         <ab>He disappeared. Mrs. Woodburn stepped out and spoke to the man from the inn. A coin changed hands; he nodded and grinned. When Frank Silworth returned with his host she was patting the pony's neck. </ab>
         <ab>"Good-bye! I do wish you'd stayed, though. We shan't see you for ever so long. A pleasant voyage and good luck at the Cape! A year, isn't it? " . </ab>
         <ab>"May stop longer," replied Mr. Silworth, relapsing into gloom again. " Good-bye! " </ab>
         <ab>" Au re voir! " Mrs. Woodburn cried. Amid a chorus of farewells he drove off. </ab>
         <ab>***** </ab>
         <ab>The butler waited. </ab>
         <ab>"Well, Bent, what is it?" </ab>
         <ab>"Hilton's back again, madam, and wants your instructions." "Wiry, hasn't he brought Miss Mansergh, or Mrs. Wylde, or " </ab>
         <ab>Mrs. Woodburn showed some alarm. The evening train from town should have arrived an hour ago. </ab>
         <ab>" No madam." </ab>
         <ab>y</ab>
         <ab>"They haven't come?" "The train hasn't, madam. At least " </ab>
         <ab>Thanks to Theodora </ab>
         <ab>Harry Woodburn hurried up. </ab>
         <ab>"What do you mean, Bent? Is </ab>
         <ab>there anything wrong? " </ab>
         <ab>'.. "An accident, sir, Hilton was told. </ab>
         <ab>But only to a goods train, madam; </ab>
         <ab>don't be alarmed. The ' down ' line's </ab>
         <ab>blocked, though, and. it appears the </ab>
         <ab>passengers can't get past Longhill </ab>
         <ab>Junction. Hilton wishes to know, sir, </ab>
         <ab>if he shall drive there." </ab>
         <ab>: "Yes, certainly, Bent. How un</ab>
         <ab>fortunate ! Tell him to start at once." </ab>
         <ab>Mrs. Woodburn laid a hand on her </ab>
         <ab>husband's arm. * </ab>
         <ab>"No, there—there isn't any neces</ab>
         <ab>sity for that, Harry." </ab>
         <ab>" My dear Theo, how are they going </ab>
         <ab>to get here?" </ab>
         <ab>"There are plenty of conveyances. </ab>
         <ab>I—I happen to know that." </ab>
         <ab>"If you can laugh, Theo, I suppose </ab>
         <ab>it's all right." </ab>
         <ab>"Yes, dear, and I'll explain later </ab>
         <ab>on." </ab>
         <ab>An hour or so afterwards Miss Mansergh and her maid arrived in a nondescript kind of trap. Mrs. Wylde and her daughter were also on the way, she explained; but being only slightly acquainted with them, and not knowing they were also bound for "Ileronmere," she had not joined them. Her tone was so expressive as she mentioned Miss Wylde's name that Mrs. Woodburn. immediately suspected the truth. </ab>
         <ab>" But, Theo dear, how was it you knew about the accident so soon? " </ab>
         <ab>"I didn't, Kitty." </ab>
         <ab>"But you sent all those carts and things to meet us. Why were there so many, by the way? When I came out of the station people wore trying to hire them, but they all said they wei"e engaged. I went up to one of the men, though, and directly I mentioned yottr name he said you'd sent him and asked me to get in. I-—I can't quite understand." </ab>
         <ab>"They were there "for another purpose altogether," returned Mrs. Wood-burn indistinctly. " Wasn't it lucky V </ab>
         <ab>Miss Mansergh, still puzzled, agreed. Then she seemed to have a question to ask, but found some difficulty in putting it. </ab>
         <ab>"Who—who's staying here, Theo?" </ab>
         <ab>Mrs. Woodburn mentioned some </ab>
         <ab>names. "And Mr. Silworth, too." </ab>
         <ab>" But you said he would have gone. </ab>
         <ab>Theo, you promised not to say I was </ab>
         <ab>coming!" • </ab>
         <ab>"And I didn't, Kitty. Besides, he </ab>
         <ab>tried to go—started off to Longhill to </ab>
         <ab>catch a train, but—but the driver lost </ab>
         <ab>his way on the moor, so he had to </ab>
         <ab>come back again. Now he's in bed." </ab>
         <ab>"In bed?" </ab>
         <ab>" Neuralgia," explained Mrs. Wood-</ab>
         <ab>burn carelessly. " At least, he said so. </ab>
         <ab>I happen to know it was an excuse. </ab>
         <ab>He doesn't want to meet Miss Wylde." </ab>
         <ab>"Doesn't want to meet her? " </ab>
         <ab>"Kitty, please don't echo every</ab>
         <ab>thing I say." </ab>
         <ab>"But—but " </ab>
         <ab>"I really believe you've been </ab>
         <ab>imagining some nonsense about her </ab>
         <ab>and Frank Silworth. Haven't you ? " · </ab>
         <ab>"I heard " </ab>
         <ab>"Perhaps Mrs. Wylde has been </ab>
         <ab>spreading rumours. There's no foundation for them, Kitty, anyhow. Clarice is a dear girl, but she disapproves of her mother's schemes. In fact, she dislikes poor Mr. Silworth very much." </ab>
         <ab>"Dislikes him? Really?" </ab>
         <ab>"Loathes him," affirmed Mrs. Woodburn gravely. "They can't bear the sight of one another, so he's gone to bed. Come along up to your room, darling. He won't worry you if you don't wish to see him. He'll be oix by the first train in the morning." </ab>
         <ab>"W-willhe?" </ab>
         <ab>"Yes, he told me so. He was quite furious at having to stay. I complimented him upon his manners. Now., mind you come downstairs as soon as you can. I've arranged a special supper party in honour of you belated travellers.". </ab>
         <ab>Outside in the passage she deliberated for a few moments, then doscended and wrote a note : </ab>
         <ab>"Are you in love with anybody? If so, please recover from your neuralgia and come down to supper.' Urgent. "T, W." </ab>
         <ab>To the butler she instructed-: </ab>
         <ab>" Here, Bent, please take this at once to Mr. Silworth's room." </ab>
         <ab>Ilalf an hour, later she met the recipient hastily descending the stairs. In the distance she caught sight of Miss Mansergh's figure. </ab>
         <ab>" I g°t your message, but I couldn't quite What on earth did you mean, Mrs. Woodburn? " </ab>
         <ab>" Oh, I wanted your company, that was all. H'sh ! You must take somebody in to supper for me." </ab>
         <ab>She led him forward determinedly, but when he saw Kitty Mansergh he stopped and drew. away. The girl, too, rose, lifting her chin. They strove to appear unconscious of one another's presence. </ab>
         <ab>Mrs. Woodburn's love of mischief, suggested a plan. </ab>
         <ab>"Ah, here's someone. Allow me to introduce you, or have you met before? Mr. Silworth—Miss Mansergh." </ab>
         <ab>For a moment no one spoke. Mrs. Woodburn's lips quivered, then parted in a ripple of mirth. </ab>
         <ab>The others glared. She eyed them appealingly, laughing still, and gradually moving away. In. spite of themselves their glances met. Suddenly they discovered they were laughing, too. </ab>
         <ab>Mrs. Woodburn promptly vanished round a corner. </ab>
         <ab>* * * * * </ab>
         <ab>When he heard his wife's explanation Harry Woodburn in his turn was mightily amused. </ab>
         <ab>"But those carts and things—Avhat made you choose LonghiD?" </ab>
         <ab>"I had to send them somewhere, Harry, and what more natural place than the junction ? They were to wait there till ten and then drive back again." </ab>
         <ab>By Leslie Thomas </ab>
         <ab>" And do you mean to say that confusion about the time-tables -"' </ab>
         <ab>" I changed them—yes. Wasn't it a splendid scheme? I was determined to keep him in the house somehow till Kitty arrived, you know." </ab>
         <ab>"Well, Theo, I hope, after all this scheming, your matchmaking will turn out a success." </ab>
         <ab>"It has," affirmed Mrs. Woodburn triumphantly. "Look, here they come!'" . </ab>
         <ab>Miss Mansergh and her escort hesitated when they saw that they were observed. </ab>
         <ab>"How's your neuralgia, Frank?" Mrs. Woodburn laughed merrily at his discomfiture. Kitty Mansergh hurried forward.. </ab>
         <ab>"I must ask you, Theo. Those carts—was it because you wanted </ab>
         <ab>p </ab>
         <ab>"Kitty, I confess it was." </ab>
         <ab>" I mean, did you——" </ab>
         <ab>"Yes, I did—whatever it was." She faced them happily. " Now, what have you to say to that ? " </ab>
         <ab>Miss Mansergh flashed a. glance over her shoulder at Mr. Silworth, who waited. Then she turned to her friend again and whispered. </ab>
         <ab>Harry Woodburn clapped Silworth on the shoulder. His wife beamed upon them all. </ab>
         <ab>"Poor Mrs. Wylde! But I'm so glad, dears! What about Tuesday, though-—the Cape ? " </ab>
         <ab>"Oh, I needn't stop more than six months, I'm sure," stated Mr. Silworth rapidly. Kitty Mansergh blushed. » </ab>
         <ab>"And, Theodora," she murmured, "you're a darling!" </ab>
         <ab>NEW YEAR WEATHER SIGNS. </ab>
         <ab>// New-Year's Eve night winds blow south, </ab>
         <ab>It betokeneth warmth and growth; </ab>
         <ab>If west, much milk and fish in the sea; </ab>
         <ab>If north, much cold and storms there will be; </ab>
         <ab>If east, the trees will bear much fruit; </ab>
         <ab>If north-east—flee it man a/id brute. </ab>
         <ab>— A VERY OLD RHYME. </ab>
         <ab>Gaining the Whole World. </ab>
         <ab>A Complete Novel. By W. Douglas Newton. </ab>
         <ab>You will find this a very human story, and one that is surprising —considering it has been written by a man—by the sympathetic insight into a woman's soul that it displays. </ab>
         <ab>CHAPTER I. </ab>
         <ab>THE CALL OP AMBITION. </ab>
         <ab><!--Page image found here.-->
WINS CARRYL stared venomously out of the window on to that stunted, drab street that so adequately represented the </ab>
         <ab>stunted, drab suburb. "My God! " he cried, "don't I want to get away from all this? Don't I? I want to break free of it, expand., I'm so dead sick of it. It's dreary. It's mean. There's nothing big in it. And I mean to be big—big." The girl in the chair beside him stirred uneasily. She felt chilled. This moment was not so glowing and wonderful as she had dreamed it. She wondered whether she had been fair to dream it would be; she wondered if such moments really were extraordinary apart from romance. Carryl gave her no attention. He had turned, and he had proceeded with his talking. The uninspiring exterior, limned by that thread-curtain-draped window, fretted him. He took his mind from it and did his talking, walking. His hands were waving a good deal in the air and to the ceiling in an eminently characteristic mode. "We'll tear away from it,.you and I, and we'll go away and we'll work-— work—work tremendously. I know I can do it. I feel I can do it. There are big things in me, Grace, and they're only waiting for the chance to get out. With you I'll get that chance. Don't you feel that, Grace? Don't you?" The girl looked up at him with a tender, dwelling glance. "Yes, dear, yes, I do feel it very much," she told him. Her voice had a wistful infleption which corresponded with something, not alto</ab>
         <ab>gether happy, in her eyes. If he had been paying her greater attention he might have thought that she was asking for something for which a woman finds it impossible to plead, or to go without. But he did not notice. He was not in a condition to notice or to give; he was far too full of this great thing that was going to happen, of this great future that was about to open—for himself. </ab>
         <ab>"Of course you feel it," he jerked on." "Of course you do; you always do understand me. That's the splendour of you, Grace, you understand me—astonishingly." </ab>
         <ab>She looked up to him with an entreating raillery; the light playfulness in her voice was tinged with something deeper and more supplicating. </ab>
         <ab>"Is that all—my understanding? " she asked. . Ewins faced her with a flurry of enthusiasm. </ab>
         <ab>"All! " he cried; "all! Why, of course it is; and it's everything, I can tell you. It's invaluable to a man — invaluable — to be thoroughly understood. I can't tell you how much a man appreciates that. And that is what I felt this morning." </ab>
         <ab>He turned from her and went up the room and down again in savage strides. </ab>
         <ab>"This morning was the last touch, y'know, the last straw. I couldn't stand it any longer. You know exactly how I'm served at home; you know how I'm placed. Well—well, this morning was the last straw. It was the worst of any." </ab>
         <ab>The girl's hands clasped and unclasped softly; she was quite reposed, but the nervous motion of her fingers showed the strength of her emotions. </ab>
         <ab>38 </ab>
         <ab>"Oh, Ewins," she breathed, "another " </ab>
         <ab>"Another row? 'Gods, yes; and a </ab>
         <ab>bitter one. We had our vices and </ab>
         <ab>our virtues overhauled thoroughly. </ab>
         <ab>They pointed the finger of fat, </ab>
         <ab>bourgeois scorn at me; mouthed the </ab>
         <ab>old, damned silly, unoriginal things; </ab>
         <ab>asked me what was to become of me; </ab>
         <ab>told me I was lazy; asked me if I ever </ab>
         <ab>intended to settle down and work for </ab>
         <ab>a living—a living, b'God—they call </ab>
         <ab>humping over a dull desk in a </ab>
         <ab>miasmatic kennel called an office </ab>
         <ab>living I They told me that meddling </ab>
         <ab>with test-tube and stinking fluids was </ab>
         <ab>all right as the pastime of a boy, but </ab>
         <ab>for a man Oh, my God "-τ-he </ab>
         <ab>came and stood by her at the window </ab>
         <ab>-—"how crass people can make one </ab>
         <ab>suffer 1 " he groaned. </ab>
         <ab>The girl put out her hand and laid </ab>
         <ab>it softly upon his arm. </ab>
         <ab>"Dearest," she said, "you must re</ab>
         <ab>member that they have done a great </ab>
         <ab>deal for you—spent a great amount of </ab>
         <ab>money upon you " </ab>
         <ab>" Money 1" the man burst in. </ab>
         <ab>" Money 1 You're not going to talk </ab>
         <ab>about money, are you, Grace? " </ab>
         <ab>"No, dear," she said; "but I am </ab>
         <ab>trying to look at the matter as your </ab>
         <ab>aunt and uncle look at it. From your </ab>
         <ab>point of view they cannot compre</ab>
         <ab>hend-' " </ab>
         <ab>She had meant to say more, but </ab>
         <ab>the man caught \ip the suggestion she </ab>
         <ab>put forward, and raced off again with </ab>
         <ab>it as his cue. </ab>
         <ab>"Yes, that is it," he cried, "they </ab>
         <ab>do not comprehend. They are hide</ab>
         <ab>bound, business-bound, soinething-in</ab>
         <ab>the-City-bound. They are not capa</ab>
         <ab>ble of comprehending—they never will </ab>
         <ab>be—and I'm sick to death of un-under</ab>
         <ab>standing. I've come to the limit. ' I </ab>
         <ab>can't put up with it any longer. I </ab>
         <ab>decided that this morning." </ab>
         <ab>"Yes?" </ab>
         <ab>"And so I came straight here—to </ab>
         <ab>you." </ab>
         <ab>"Yes?" </ab>
         <ab>"You understand—you always do, you always have, you always will." Ewins Carryl swung to the limit of the room and back again, facing her. "And you did" he finished. </ab>
         <ab>He stood for a moment looking, </ab>
         <ab>By W. Doug-las Newton </ab>
         <ab>transfixed by his great ideal, over her </ab>
         <ab>head. </ab>
         <ab>" So now we can tear ourselves free, go away from all this annoyance, and work. We will be married as you agree, and we will live our own lives our own way, and we will go away from this ignoble town and this stultifying suburb into the peace and serenity of the country. We will take a cottage, a tiny one " </ab>
         <ab>" A pretty one," urged Grace, catching his hand; "a pretty one under a hill, and with Sowers and trees and climbing green things about it; and little low rooms with leaded windows, and one of them'all for you and your experiments and. acids and balances and retorts—only it must be near the porch, for I want to sit in the porch and look out upon the world and sew and be near you. near you; it will be very sweet, Ewins." </ab>
         <ab>"It will be wonderful! " cried out her affianced. He stood to full height, and stretched his long arms in a gesture of exultance. " We should be able to do—there is the scholarship, three years still to go at forty pounds a year. Hekking is to give me all his oil analysis at a retainer of thirty-five pounds. I have already done any amount of technical writing, and, unfretted and unfettered, could do any amount more. We should have over a hundred pounds a year. for three years, and before that time is out my alkali researches should be finished. And, after that, </ab>
         <ab>fame, riches Oh, yes, it will be wonderful. ' It will need a little care, a little roughing, but you will not mind that " </ab>
         <ab>" Oh, my dearest! I mind? " broke in the girl. She looked at him; her face was wistful and tender with great love; there were happy tears in her eyes. </ab>
         <ab>"I knew you would not. Besides, a hundred pounds is a lot in the country. Wo will do—we will do, you see. It will be wonderful—you and I, freedom and the work." </ab>
         <ab>The girl made a quick gesture. She got to her feet and stood looking, out of the window, but she did not do this to observe the passers; she would </ab>
         <ab>33 </ab>
         <ab>Gaining- the Whole World </ab>
         <ab>have looked anywhere that might have hidden her face. </ab>
         <ab>"The work?" she said a little bitterly. "Always the work, Ewins. Is there nothing else?" </ab>
         <ab>TJie man broke off in the full flood of his exultance to look at the girl quickly. He had-the air of a man who was meeting some new and </ab>
         <ab>•curious phase of the feminine mind, an emotion of a species notoriously .meteoric. His agile mind sought, and partially at least found, the meaning of her petulance at once, and he strode to her side hurriedly and put his arm about her slim shoulders. </ab>
         <ab>"Of course, dear," he said in his hnak manner,* "there are plenty of things else. Only you and I and the work—well, the three seem inextricably commingled-—three, in one, you see. It is our life, and the work is to mean everything, you know, dear, to us, everything." </ab>
         <ab>• " So it seems," said the girl, but half won; "everything." "What else could there be?" said he. "There is love," spoke Grace softly. </ab>
         <ab>"Of course," answered" Ewins, " there is love/' And at his commonplace answer the girl turned to him impulsively, and looked up into his face with devouring, greedy eyes, the </ab>
         <ab>greedy, loving eyes of love. </ab>
         <ab>" Oh, you do love me, Ewins ?" she </ab>
         <ab>besought. " You do love me ?" She </ab>
         <ab>hid her face in his coat. "For," if </ab>
         <ab>you do not, I don't know what might </ab>
         <ab>happen. I love you so, dear—I love </ab>
         <ab>you so. Say you love me, Ewins.. </ab>
         <ab>Say it.:* </ab>
         <ab>" My dearest," cried her affianced in </ab>
         <ab>a shocked voice, "my dearest, I have </ab>
         <ab>asked you to be my wife." </ab>
         <ab>"But say it, say it," she insisted. "Please, . Ewins, please—please say it." </ab>
         <ab>A sudden flame stirred the man's Spare frame—a quick-come leap of fire-. </ab>
         <ab>"Grace," he cried thickly, "Grace, my girl—oh, I love you—-I love you!" He gripped her fiercely to his breast with that "painful strength that a woman adores. </ab>
         <ab>Grace's face, glowing with the colour of happiness, looked up into his. </ab>
         <ab>" Oh, you dear," she breathed, " oh, you dear! And we will always bo like this, always—you and I and love." </ab>
         <ab>"Yes," echoed Ewins, "always;— you and I and love," and he added, in an afterthought, "and the work." </ab>
         <ab>. CHAPTER II. THE GROWING RIFT. </ab>
         <ab>They went down to the cottage in three months—-married. It would have been three week» if. Ewins had had his way, for his consuming impatience sought to overbear even the discussion of such vital points as trousseau and adequate preparation. </ab>
         <ab>"My dear," he said once, "my dear, I don't think we will be married ever. Sour exploring of shops and purchasing of fripperies is eternal, interminable. The days you spend so seem to be endless." </ab>
         <ab>She turned a happy, rosy face to him : the woman who cannot bè happy over a trousseau is—is—-is-—isn't a woman. </ab>
         <ab>" Oh, my-dear boy," she chided him, yet happy in his impatience, "these things take time. There is a lot to do, and a lot to get, and a lot to prepare. You wouldn't have me come to you unprepared." </ab>
         <ab>"Yes, I would," he jerked. "I'd have you come just as you are; and, as for time—time—why, I'd marry you to-morrow if you'd agree." </ab>
         <ab>Grace bent over and pinched his cheek softly. </ab>
         <ab>• "Ah," she cried, "but you're a greedy person, in. much too much a hurry." </ab>
         <ab>"I am," he cried. "Good Lord, I am. I'm absolutely aching for it.want to get to work—God " </ab>
         <ab>The cottage was at Walton-on-the-Naze. It stood up, four-square to the wind and the sea, just outside that </ab>
         <ab>34 </ab>
         <ab>tiny, cosy place on the cliff-path to Frinton. The cliff dropped away from the doorstep in a long sweep to the water-edge. The railway ran behind it. Thei'e were fields all round and about, away to Frinton one side, away to Walton the other, and behind, over the rail-line stretching flat and wide and free for miles, to a long, low range of hills that possibly was Harwich. It was a dear spot, and quiet and lonely. A man could be at ease and at freedom here, and could work unfretted and uninterrupted. </ab>
         <ab>And Ewins worked. </ab>
         <ab>There was a room that looked out over the sea, and that was looked into most of the day by the sun, so that it was light and bright and fit always for labour. Here he had his tubes and his retorts, his shelves &lt; f bottled chemicals, glittering and shining in the light, his books and his writing-materials, his laboratory sink and his "stink-cupboard," his batteries and cells, and all the rest of the complex and curious paraphernalia of chemistry tools. And in this room and among these instruments he would labour, going to them at the earliest hours of the day, leaving them at the latest hour of the night, engrossed and wrapped and obsessed by them and their cult to the extinction of all other worldly considerations. Meals sometimes lured him out, but not always. Only sheer, human exhaustion could bring him, heavy footed and staggering, from the laboratory to the dull, animal-like refreshment of sleep. </ab>
         <ab>And Grace, as she had dreamed, sat in the porch of this house and looked out upon that swinging, lyric, moving world that was the sea. There were no flowers or climbing things about the cottage, and but one or two trees, and the porch was not near Ewins as he worked, for he worked on the first floor; but she had to sit somewhere, and in the porch and overlooking the sea was very pleasant—and it was also part of her dream, so she sat in the porch. </ab>
         <ab>She had not always sat there. When they had first come here she had sat, with her husband, in the long, airy laboratory—the porch, </ab>
         <ab>y W. Douglas Newton </ab>
         <ab>although she desired it, was so far away. She had sat at the window so that she could look upon both Ewins and the sea, and she had had a little table put there to hold her sewing and her letter-writing materials and her books. When household duties were done here she would come and, sitting at the window, would watch her husband at his work or the sea at its tumbling. She was happy in the intimate proximity, and glowing with the deep, shy thought that the stimulus of her presence was an undoubted factor in the progress of "the work." </ab>
         <ab>She lived many happy days in thin way—-and, indeed, it was not until many weeks after marriage that she realised her glowing dreams were bvt glowing dreams—that she, far from stimulating the progress of the work, merely hindered it. </ab>
         <ab>The certainty of this came to her abruptly. She wanted to be with Ewins so much herself that it seemed but natural that he must want to be with her. After all, they were lovers who had only just been married. But soon she came to. see that this was not the case. Ewins did not want her in the room with him when he was working. It was a beautiful fancy, no doubt, on her own part, but it was purely on her own part. Ewins fidgeted when she came into the room; he was irritable and uneasy while she was in the room; he was exceedingly glad to see her go. </ab>
         <ab>At first it had been unbelievable, ungraspable. She could not conceive for a moment that this might be a permanent state of his mind— rather, say, a passing fancy, an attack of nerves. So she was passive under that first outbreak of fidgety irritation, as a sweet and serene woman knows how to be. She feigned riot to see the tiny outburst of spleen, and test-tube crumbling, and the book banging, that sprang into being at the advent of herself into the laboratory and while she continued to stay there. But in the end she saw the truth, and, bowing to its inevitableness, she took her scanty belongings from the place and established herself in the porch. . </ab>
         <ab>Gaining: the Whole World </ab>
         <ab>Ewins acquiesced in this decision with a ready affability that was, in itself, stabbing in its unconsideration. He stood and watched her as she collected the trifles, and his attitude was ' one of non-committal irritation, a mood that was ready to assume the </ab>
         <ab>-	 censorious at a moment's notice. " I am going to take my things down to the porch," she said to disarm criticism, and also with a faint longing that he might be perturbed at her going. "That's right," he said; "I have wondered why you had not done so previously. Before we were married I remember you were anxious to sit in the porch—overlooking the world." Grace' bit her lip as he spoke. She could have cried out at this additional pain, and from the fact that she had brought it upon herself. What he remembered was true enough, but the pain lay in the fact that he had remembered only that. She had spoken of other lovable things in connection with the porch that she would he had remembered better. She bent her glossy head over her business of removal, striving to screen emotions she felt certain were depicted too tellingly upon her face, and when she </ab>
         <ab>spoke again she carefully avoided that point. </ab>
         <ab>" I have just discovered the porch," </ab>
         <ab>she said with an affectation of light</ab>
         <ab>ness. "It is a delightful spot, with </ab>
         <ab>glorious views." </ab>
         <ab>**And better air," interjected her husband. He had knelt down, before a desk and was trimming a Bunsen lamp. "The air of this room isn't the sweetest. So many chemicals about and experiments going on make' it decidedly stuffy." </ab>
         <ab>"Oh, but I don't mind it," said. Grace quickly. Ewins CarryI stood up and blew ' out a match. </ab>
         <ab>"It does you no good," he said. "You'll be better in the porch; it'e&gt; much fitter and nicer." </ab>
         <ab>"I shall miss my share of the work," Grace murmured softly. </ab>
         <ab>Ewins "made a gesture of quick impatience. He had something decisive - to say on that matter, it appeared, but he checked himself and said again: </ab>
         <ab>"The porch will be much more fitted. It is more natural to you* sex. You mustn't be cooped up. Your birthright is air—the light and the fine views and the air. Come now, I will help you with your table. You will start your reign as the queen of the porch." He came across and helped her with the little table. "And hurry—I have some special, work on hand; I want to get into it." </ab>
         <ab>And Grace bit her lip again and grew silent as they took the things downstairs. It had affronted her not a little to observe the facile manner in which her husband had utilised the suggestion of her health's good to gain his end. She knew too little of the sex as yet. to realise that a man always gets what he wants by urging that it is for someone else's—his womankind's—good. </ab>
         <ab>CHAPTER III. A WOMAN ALONE. </ab>
         <ab>So through the first year of "the work" Grace was no longer an occupant of the workroom or a stimulant to her husband's labour. She was no longer "of " the work. Ewins had no use for her, or the work had no need of her. She had merely to keep house for him, to stand between him —his work, that is—and the galling, irritating pettinesses of life. . Be was to absorb himself in his work, and she was to stand by and see to it that no intrusive or disturbing grits oi worry should get into the delicate mechanism of his labours and cause stoppage and confusion among the active, whirring cogs of thought. </ab>
         <ab>Grace " recognised these things,, quelling any bitternesses that might arise at such reflections. She told herself that this undoubtedly was her part in'the glories of "the work,*' and" that, wh ile Ewins did his allotted portion, it was hers to minister to his </ab>
         <ab>36 </ab>
         <ab>wants and to be careful that the burning flame of his enthusiasm was not damped by inadequacy of corporal treatment or sustenance. So she performed the duties of her household with the exquisite circumspection of a good housewife. She fought her thoughts and loneliness with the most excellent of weapons—good hard work. Her home was a model and an epitome of consummate wifeliness. </ab>
         <ab>But, even in this, Ewins was blind to her acts for his comfort. He did not have occasion to notice her excellence, for he passed all his days in the laboratory; indeed, he merely ventured out for meals, sleep, and a daily walk—taken much against the grain on the count of health—over the fields to Frinton, St. Osyth's, or the Naze. He merely found that the wheels of life ran smoothly oiled, and he did not trouble to reason why. He would grunt out- a few preoccupied words at the hurried meals, or as he passed her sitting in the porch." Little more. He had not time or thought for praise or approval pr commendation. And that is a thing which hurts. A "well done" now and then is a blessed thing—even to the willing mind. </ab>
         <ab>In the life of extreme loneliness that Grace led, such negligence weighed heavily upon her spirit. When the household work was finished for tire day, and she could go to the porch and sit there looking out over the sea, a great dreariness at the emptiness of her life beat in upon her and pressed her soul to earth. Everything—her life, her hopes, her desires—reflected the great emptiness of her heart, and there were times when she would ask herself why Ewins had married her at all, until one day it came to her that a wife might be a cheaper, more settled investment than a housekeeper. </ab>
         <ab>After that she had never asked herself the question; the answer was too horrid. But she formulated in her mind the definite truism that Ewins had married her—that he had found her more worthy than any other woman, and the mere fact of his doing this—of asking her to be his wife—proved his love, and with this </ab>
         <ab>By W. DOUG-las NEWTON </ab>
         <ab>pathetic article of faith she was content to live. After all, when the work · was done—the work that he was doing for her quite as much as himself —then she would come into her own. </ab>
         <ab>So they lived on for a year, and into the next year, pacing their monotonous round—sleeping, waking, eating, working, dreaming, sleeping; sleeping, working, dreaming, sleeping —until life was a tedium. </ab>
         <ab>And then, after they had been at Walton seventeen months and Ewins's first book had been published,, Arthur Eyres came into their lives.. </ab>
         <ab>Ewins Carryl brought Arthur Eyres to the house one day after one of his daily walks, the visitor walking with him, a big, warm man, walking firmly on his feet, like destiny. </ab>
         <ab>Ewins trotted at his side, exhibiting the greatest affability, and when he came to the gate that opened on to the path leading porchward he called out, waving his hand gaily to Grace : </ab>
         <ab>" Here is a good fellow come all the way from Colchester in his automobile to see me, Grace," he cried, and he bustled Arthur Eyres up the flagged path. "He has been moved by ' Alkaloid Reagents ' "—Ewins's book was " Alkaloid Reagents "—" and he has come to tell me so in person. His name is Mr. Arthur Eyres. Mr. Eyres is no mean chemic himself. You have read some of his articles no </ab>
         <ab>doubt in thè News. No " And then he added, as though in afterthought : " Oh, Mr. Eyres, this is my wife, Grace." </ab>
         <ab>• Arthur Eyres looked up in surprise. He glanced at the young, sweet, and tranquilly beautiful woman before him, and conti'asted her with the untidy, laboratory-obsessed, self-centred Ewins Carryl. He looked at the singular loneliness of the house, and he permitted himself the indiscretion of an incredulous query. </ab>
         <ab>"Your wife?" "Oh, yes, my wife. Don't I look married, old and sober enough to </ab>
         <ab>37 </ab>
         <ab>Gaining: the Whole World </ab>
         <ab>have a wife ?" He laughed in a good-humoured way, as though to say, "I am rather pleased than offended," and : .continued: "Grace, can you get us something to. eat? Mr. Eyres has motored all the way down from Col. Chester. Oh, I said that before, I remember—still, he is hungry. That is the tru.th I meant to convey. I </ab>
         <ab>. rescued him from a group of stupid people who were trying to tell him where I lived, and where there was </ab>
         <ab>i a place to.get food, since the season hasn't thought of starting yet. Two questions were more than the inhabitants could answer sanely at once. Mr. Eyres' state was horrible, and -—well, you get us some food quickly, my dear." </ab>
         <ab>He turned his back upon his wife, , dismissing her from his thoughts at ones. He spoke enthusiastically to </ab>
         <ab>• Eyres. "And after we will go upstairs to the laboratory. I have some curious and interesting experiments in empyreuma to put before you—exceedingly interesting experiments, and quite new ideas. I think you will find them surprisingly new. . They and others—oh, many others—are to go into the new book. That new book is to he a great event—a splendid event. It will surprise even .those who found ' Alkaloid Reagents ' particularly good. It will surprise even the big people. It will make me. That is what I am aiming for above all things, and the book will assuredly make me; it will "place me at the top. I am not overconfident-—oh, no—but I know, that I have a good thing; I know the power that is here." </ab>
         <ab>He thumped his chest and glared at his visitor with inspired eyes. </ab>
         <ab>That night he took the trouble to come out and sit in the porch with Grace and to talk a good deal. Mr. Eyres was, it appeared, really a somewhat important sort of person. </ab>
         <ab>"He's rather an influential F.R.S., but in a worldly way. He's not </ab>
         <ab>-actually a chemist, not in the true sense, being little better than a clever dilettante; but he is a man superabundantly rich, who yet finds time </ab>
         <ab>for careful—an d, as I say, clever-</ab>
         <ab>laboratory research. He is a rich </ab>
         <ab>man who is also a serious—at least, </ab>
         <ab>on occasion—student. It is a very </ab>
         <ab>good thing that a rich man should </ab>
         <ab>be so, for chemists are not always rich </ab>
         <ab>men. He has made himself thoroughly </ab>
         <ab>useful to the council in many ways. </ab>
         <ab>They are beholden to him; he is, in </ab>
         <ab>fact, an influence, you see. I'm not </ab>
         <ab>a time-server, of course, but one can't </ab>
         <ab>be wholly blind to the uses of in</ab>
         <ab>fluence in this world. Eyres should </ab>
         <ab>be useful; he appears to have taken </ab>
         <ab>to me; we must be amiable to him— </ab>
         <ab>I and you." </ab>
         <ab>"I? " gasped Grace. "Yes; he does not seem to be vitally interested in the work, and I am, though he said it was very pleasant to know of a brother chemist so near his home. He gave me to understand'that he would often drive over in hifr car—a mixed pleasure. He is under the impression that we are lonely here. Absurd, isn't it? " </ab>
         <ab>Grace could only smile at him in a vague, non-committal way. She had not the heart to tell him the truth. Ewins, of course, noticed nothing; he went on speaking. </ab>
         <ab>"He said that he thought you might be a little lonely; asked' me if that, was not so. Of course, I told hihiftthe truth." </ab>
         <ab>"Did you?" </ab>
         <ab>" Naturally. I Baid that I was sure you were not; that you led a full life; you had your duties and your own preoccupations—looking out over the sea, for instance; you loved that, I told him—that you were as much wrapped up in the work as I; that I was always here. Still, I fancy he'll make that an excuse to come over, and it is as well to humour him. It is worth while cultivating him. He can do a lot for me and the work." He rose to return to the laboratory. " I daresay that you'll be able to find a way of keeping.him engaged so as I shall nof be interrupted unduly." </ab>
         <ab>Grace looked at her husband's departing back with astonished eyes. </ab>
         <ab>By W. Douglas Newton </ab>
         <ab>CHAPTER IV. </ab>
         <ab>WHEN PATE HAD SPOKEN. </ab>
         <ab>Arthur Eyres made good his word. </ab>
         <ab>He came over to the lonely house on </ab>
         <ab>Walton cliff frequently. As Ewins </ab>
         <ab>Carryl had said, the pursuit of serious </ab>
         <ab>chemical study was not a wholly ab</ab>
         <ab>sorbing preoccupation in him. </ab>
         <ab>He was well content to stay outside </ab>
         <ab>the laboratory if Ewins showed dis</ab>
         <ab>inclination, to have him in, so that </ab>
         <ab>Grace found it no great difficulty to </ab>
         <ab>keep him chatting in the porch by her </ab>
         <ab>side whilst her husband stayed aloft </ab>
         <ab>in undisturbed labour. </ab>
         <ab>Even, it seemed, the engaging </ab>
         <ab>dilettante was more than satisfied with </ab>
         <ab>this state of things, and came over </ab>
         <ab>from Colchester more often than not </ab>
         <ab>to share company with Grace Carryl </ab>
         <ab>rather than with the chemist and the </ab>
         <ab>absorptions of chemistry. He seemed </ab>
         <ab>to find peculiar satisfaction and de</ab>
         <ab>light in these uninterrupted inter</ab>
         <ab>courses with the soft and gentle little </ab>
         <ab>woman, and well able to manufacture </ab>
         <ab>sufficiently proper excuses for not dis</ab>
         <ab>turbing Ewins in order to indulge in </ab>
         <ab>them. </ab>
         <ab>He came to be quite a fixture in the porch, discussing, admirably and charmingly as a well-read cosmopolitan can, a thousand seen or read-of topics without the slightest touch of chemistry in them. Chemistiy, after all, was but a fraction of life to-, him, and not an important fraction. </ab>
         <ab>Ewins Carryl was not at all unpleased at this trait. </ab>
         <ab>"An incorrigible dilettante, you see, Grace," he would exclaim. "Chemistry is just a hobby with him. He likes to dabble and experience some of the sensation of erudition it imparts. But really he is far happier talking commonplace with you. He thinks I am a little dull, of course." </ab>
         <ab>Ewins chuckled, and Grace looked at him in some surprise. " A little dull?" she exclaimed. "How?" </ab>
         <ab>Her husband chuckled again. </ab>
         <ab>"He is under the impression that I think the attraction of me—the . chemist and the aura of chemistiy about this house—is the sole magnet that draws him here. He does hot fancy for a moment that I am not at all deceived; that I understand quite that it is these pleasant, gossipy moments with you that our shallow young friend values more than all the chemistiy in the world. He likes companionship, does Mr. Arthur, not chemistry." </ab>
         <ab>He rubbed his hands together and </ab>
         <ab>again chuckled. Grace looked at him </ab>
         <ab>with eyes in which astonishment, the </ab>
         <ab>sudden light of a revelation, horror, </ab>
         <ab>and mystification at this clever man's </ab>
         <ab>dulness commingled indescribably. </ab>
         <ab>Being a woman, she had seen, if </ab>
         <ab>only vaguely, all of what Ewins </ab>
         <ab>Carryl only partially saw, and she </ab>
         <ab>was wondering who, after all, de</ab>
         <ab>ceived her husband most—Arthur </ab>
         <ab>Eyres or Ewins Carryl. </ab>
         <ab>But the revelation that the careless-spoken word had brought out of mere vagueness, the revelation of Arthur Eyres's real state of mind towards her, suddenly burst upon her mind with a forcible power. Her whole sex abruptly rose up in arms at the threat of unspeakable danger. Ewins was still saying: "It is your chatter he enjoys, not my erudition," and he was rubbing his hands at the cleverness of his own discovery. </ab>
         <ab>"I wish he would not come," said Grace slowly. </ab>
         <ab>The savant stopped in his promenade and his hand-rubbing. He chuckled afresh. </ab>
         <ab>"Ho! ho!" he grinned. "Don't you like his chatter then ? Don't you like our young friend? " </ab>
         <ab>And Grace said very quietly: ' </ab>
         <ab>"No." </ab>
         <ab>Ewins Canyl laughed outright. </ab>
         <ab>"What a blow to our young friend's </ab>
         <ab>vanity!" he laughed. "lie comes and sits with you, and exposes all the fine flowers of his mind, and—and you are bored." </ab>
         <ab>Grace looked up at him queerly. </ab>
         <ab>" Yes; and I wish . he would. not come. I do not want him to come. Don't you think, Ewins, that it would be better " </ab>
         <ab>"Oh, nonsense!" he interrupted. </ab>
         <ab>39 </ab>
         <ab>Gaining- the Whole World </ab>
         <ab>"Let him come. It gives him some </ab>
         <ab>satisfaction—and then he's so useful. </ab>
         <ab>He has already done a lot for me. I </ab>
         <ab>am rising, rising; he wilt be able to </ab>
         <ab>do so much more—a great deal. Let </ab>
         <ab>him come." </ab>
         <ab>" But I do not want, him to come," </ab>
         <ab>urged Grace. </ab>
         <ab>"Piffl Nonsense! " cried Ewins. </ab>
         <ab>"I do not want him to come here </ab>
         <ab>any more." </ab>
         <ab>Ewins Carryl looked at his wife with </ab>
         <ab>exasperation. </ab>
         <ab>"Don't be silly, Grace 1 " he cried. </ab>
         <ab>"I do not want him to come." </ab>
         <ab>Grace went to her husband and caught </ab>
         <ab>him impulsively, her fingers gripping </ab>
         <ab>his coat nervously. "Please, dear, it </ab>
         <ab>is not necessary lor him to come, and </ab>
         <ab>I do not like it. Can't we go along </ab>
         <ab>as before, without him? Is it necessary——" </ab>
         <ab>• Ewins Carryl disentangled himself with impatience; the stupid whims of women made, him angry. ~ Because she did not like this fellow, she was going to keep him away, upset everything. He was exceedingly angry. </ab>
         <ab>"You are exceedingly thoughtless, Grace I" he cried harshly. "You vex me! Really you make me very </ab>
         <ab>annoyed 1 Keep Eyres away? Truly you are selfish I Haven't you any thought for met Don't you oonsider that I, the work, have some oall upon you? Arthur Eyres is most useful—• I have told you often enough—he has helped me a good deal, and will- help me a great deal more. And you—yoa would upset all our projects of ad* vancement just because the whim takes you, just for a casual dislike of a companionable, good-natured, if rather stupid, fellow. I'm astonished at Grace, and vexed—yes, </ab>
         <ab>very vexed—I am really 1 Don't speak to me of this again; and don't be so ill-judged as to put Eyres's back up. He will be most useful to me with the people who count, especially during the next few months. You disappoint me, Grace." </ab>
         <ab>And Grace sank back in her chair and said no more, but a sense of unstemmable, fatalistic governance beat in upon her. </ab>
         <ab>It seemed impossible that a weak woman like herself should be able to fight the implacable ordering of destiny, when Fate, through the mouth of her husband, seemed to have spoken. </ab>
         <ab>CHAPTER V. THE CALL OP 10VE. </ab>
         <ab>As Ewins bowed to the deafening applause following his little speech of thanks and sat down, he was conscious of a definite sensation of disillusionment. All seemed so empty, wordy, and unsatisfying. </ab>
         <ab>Yet this was the culminating moment of his life, his labours, and his fortunes. </ab>
         <ab>Since the conversation with Grace recorded above, events had progressed with the immutable impulse of destiny. </ab>
         <ab>The work had gone on in almost ceaseless and feverish activity; Grace had continued to see Eyres, and Ewins and the work had reaped the reward that such intimacy with the rich, influential dilettante was bound to bring. Ewins Carryl's name and fame had grown in the eyes of those people who counted most in London, and Eyres, no less than the excellence of the chemist's work, had been the cause of this. </ab>
         <ab>' Eyres, in touch with all the big men, had kept Ewins's merits well to the fore, and'Ewins had followed up such advertisement with good work and excellent articles and-pamphlets. </ab>
         <ab>Then the book had come out, and the already-prepared public had received it with generous applause. That it was worthy of applause goes without saying. It was, indeed, a startling and epoch-making work in experiment and discovery. Ewins Carryl jumped at a bound into the front ranks of chemists. </ab>
         <ab>Honours came to him thiokly. Societies, • royal and endowed, showered praise and rewards and good feelings upon him. Lectures, were demanded, medals bestowed, </ab>
         <ab>40 </ab>
         <ab>money-grants voted. Finally lie must come up to town to be crowned by the attentions and the medal of the Royal Society itself, and to undertake the pleasant negotiations for a valuable lecturership in an old and classic university. </ab>
         <ab>He was at once an honoured, famous, and affluent man. The goal of ambition was reached. </ab>
         <ab>Only now he was disappointed. Here in the reception hall of the Royal Society, with that august body's address and medal in his hand, he was filled with a sense of disillusionment. All was empty and unsatisfying in his soul; the applause, the warm, praise, the hearty congratulations were valueless. </ab>
         <ab>He sat there, through all this good-fellowship and praise, only anxious to get out of it all and away; he had lost the savour of enjoyment. For some curious reason he experienced the feeling that, after all, he had been only weaving ropes of sand; that all this acclamation was but veneration, not for him, but for the work he had accomplished; that the man was ignored and the unsentient fruit of his mind only considered. </ab>
         <ab>He sat there heaped and hidden with the richness of his rewards—and very lonely. He saw but his intellect appraised- and applauded—and his humanity, his warm, yearning manhood ignored. </ab>
         <ab>He saw all these things with poignant agony, and he yearned to be quit of this cold and intellectual temple. His warm humanity woke in this atmosphere that had naught to. do with humanity, and cried to be free and away. He realised that in a most human life it was the tender, human intercourses of natural life and affection that counted most; that in this life we lead, sooner or later, it is the heart and not the intellect that is to give the most joy and comfort. Here was he realising that later, perhaps, than sooner. </ab>
         <ab>He wanted warm love and tenderness for his manhood—not the chilly praise of his machine-like intellect. </ab>
         <ab>And he was realising with a singular vividity that the only .way, the </ab>
         <ab>By W . Doug-las Newton </ab>
         <ab>only just manner in which he could obtain that love and tenderness and comfort, was through her who, before all earthly things, had a right to administer that love and comfort—• his wife. </ab>
         <ab>The thought went through him like a sword of pain, and, under the sting of it, he could not be contented until he had torn himself away from this house of unsatisfying coldness to go to his comfort—his wife. </ab>
         <ab>She was at "Walton waiting for him. He had asked her to come up to town to witness his triumph, but she would not; she preferred to stay quietly at) home. </ab>
         <ab>She had been a little strange of late—Grace—so that he had not pressed the matter; she might have been annoyed, petulant, disagreeable. He wished he had pressed the matter now. It would have been an excellent thing to run off post-haste toiler and tell her all these thoughts he-had been thinking during the meeting; to tell her that it was thought of her that had been uppermost all through that orgie of his victoiy—not the victory—that in spite of all his} honours, the honour of being her husband was the one that moved him most. He would have dearly loved to do this. It would be fitting. Still, he caught the last train to Walton, cutting a learned conversazione to hurry off to her. </ab>
         <ab>All the way in the train his thoughts dwelt ever lovingly upon these points—how he had gained the whole world and found her, in spite of all, the sweetest reward in it. He would tell her all this, and tell her,* too, that now he would make reparation for those three years of neglect. </ab>
         <ab>He saw very keenly now that those three years had been ones of neglect. He cursed his vile selfishness, but he did not allow it to blind him. Ho had neglected her cruelly, but—but now he would make up. He had now come to his senses, and he would amply, richly make up. </ab>
         <ab>He sat back in the carriage of the; whirling train and allowed his soul to be harrowed with the exquisite poignancy of his awakened love for </ab>
         <ab>4i </ab>
         <ab>Gaining the Whole World 4. -i </ab>
         <ab>Grace. He did love her now, won</ab>
         <ab>drously, mightily. He had loved</ab>
         <ab>her always, but this devil-sent, hate</ab>
         <ab>fuL selfish absorption had blinded</ab>
         <ab>him. This ugly gluttony for empty</ab>
         <ab>glories had led him astray. Well, he</ab>
         <ab>knew their worth now. He knew</ab>
         <ab>how to" appreciate the just values of</ab>
         <ab>life now. He knew just how he stood</ab>
         <ab>to Grace, dear Grace, who had been</ab>
         <ab>so loving, so unselfish, and so patient.</ab>
         <ab>Well—well, by God's help, he would</ab>
         <ab>make it up to Grace now! By all that</ab>
         <ab>was lovely and holy he would show her</ab>
         <ab>that it was worth while loving. All</ab>
         <ab>the penned, dammed-up love of three</ab>
         <ab>years rose swamping through his soul,</ab>
         <ab>He was alive, throbbing, bursting</ab>
         <ab>with love.</ab>
         <ab>He leaped from the train and fromthe station, and* ran round to the left,taking the cliff path. He had to run, the spur of his great love was pricking him on. He must run—run!</ab>
         <ab>He ran past the few prim villas ·and the budding plots and on to theopen cliff and to home. Love was tingling and dancing hot-foot in his veins; speed was too slow to take him to Grace—he ran and ran. </ab>
         <ab>He dashed by the lightning-smitten tree and the decrepit cowhouse that stood by his home, and. through the gate and up the path to the door.His senses were singing. He hadcome home, really home—and for thefirst time.</ab>
         <ab>He . flung opeh the door andshouted aloud in the sheer excess ofntt joy.</ab>
         <ab>" Grace !" he shouted. " Gz-ace I Grace! Grace/ It is I come home  —I, your husband—really your hus band—and ' come home! Grace 1 </ab>
         <ab>Grace/" </ab>
         <ab> But nobody answered him. </ab>
         <ab> The house was dead and empty and  silent to his impassioned call. No body answered him—there' was no body there to answer-him I · </ab>
         <ab> Grace had gone! </ab>
         <ab> There was a little note on. the table  —a tiny, tender little note reflecting  all her sweet womanhood. It told  him everything. Sue had gone with  the man he had brought into the  house; the man he had thrust upon  his wife; the man whom he nad  forced her to use for his own adyance ment—Arthur Eyres. She had gone  from him because she was tired of  emptiness and loneliness and lack of  love, and Arthur Eyres had given her  what the woman in her yearned for-^ fullness of life, love. </ab>
         <ab> So she had gone, «V,v« u*™ : ^.u. </ab>
         <ab>"You have gained the whole world," she wrote.- " You have everything that you want. I have nothing —not even love—and a woman so wants love. It is her life. You will be happy in your honour; have kindly thoughts of me; I did so want </ab>
         <ab>love ns</ab>
         <ab>love, Ewins." </ab>
         <ab>» ™ </ab>
         <ab> Ewins Carryl sat down upon the  nearest chair. He was a crushed  man. He had gained the whole  world, Grace wrote; yes, but he had  suffered the loss—and the loss - out weighed the gain. </ab>
         <ab>" THE END. </ab>
         <ab>AN OLD-WORLD NEW YEAR. </ab>
         <ab>On the first day of tins month [January] will, be given many more gifts than will be kindly received or gratefully rewarded. Children, to their inexpressible joy, will be drest in their best bibs and aprons, and may be seen handed along streets, some bearing Kentish pippins, others oranges stuck with cloves, in order to crave a blessing of their godfathers and godmothers.—'* MERRY OBSERVATIONS ON EVERY MONTH" (Published in Queen Anne's Reign). </ab>
         <ab>One New Year's Eve. </ab>
         <ab>By Elliott O'DonnelL </ab>
         <ab>/ wonder how many of you have read Mr. O'Donnell's volumes of ghostly lore ? He has published a good many of them, the latest being quite the creepiest collection of weird anecdotes that I have ever read. And he assures me all the experiences which he records are absolutely true, a fart which makes me marvel greatly at his courage. </ab>
         <ab><!--Page image found here.-->
i Y friends the Ministers in-</ab>
         <ab>I variably invite one at a </ab>
         <ab>moment's notice. Last </ab>
         <ab>year, for example, they </ab>
         <ab>sent me an invitation to spend the New Year with them, and I received it on December 29th—a hopelessly short notice for a busy man like me. I accepted solely because I have a special regard for the Ministers, who, where I am concerned, are specially privileged. If they were to. telegraph for me to join them in Yokohama I should cheerfully comply (so long as they paid my fare). </ab>
         <ab>Munster was one of my earliest public-school chums; indeed, we " took to one another" the moment our eyes met, and, in spite of periodical quarrels, have remained bosom friends ever since. </ab>
         <ab>Mrs. Munster is intellectual and pretty, and more beside—she is thoroughly genuine and kind-hearted. She nursed me through a bad attack of pneumonia, and insisted on helping me in monetary matters when I was desperately hard up; hence I am under everlasting obligations to Mrs. Munster, and would do a very great deal to show my gratitude. </ab>
         <ab>If the Munsters have a fault—if fault you can call it—it is that they are extremely matter-of-fact—the exact opposite to me. There is not a tittle of imagination, romance, or mysticism in their nature; they ridicule—or rather they did ridicule—the very idea of ghosts. That is why they took a house that had long been reputed "haunted." It was a fine old country place and the rent was small, which is a matter of consideration to most people in these days of pauperising Budgets. </ab>
         <ab>Worcestershire is a delightful county, with its sweeping meadows and stately elms, its ivy-clad churchec and crumbling mansions, the latter pregnant with historic associations. Indeed, all that is characteristic of ideal, rural England is to be found in Worcestershire. </ab>
         <ab>Of course, most people would say this county is at its best in summer, but I prefer it in the winter—on a winter's evening, when the dales and hills, white with snow, glimmer in the moonlight, and through the diamond panes of some mediaeval mansion— typical of Worcestershire—comes the welcome radiance of roaring Yuletide logs. I love to feel the keen north wind bite my cheeks, and to listen to its far-distant murmurings swelling into a mighty roar as it rushes through quaking spinneys and hurls itself with frantic fury against the quivering walls. </ab>
         <ab>It was just such, a night as this when' I left London and, after a quick run in one of the delightfully cosy Midland carriages, arrived at Worcester. There I was met by the Munsters' motor and whirled away in luxury through winding lanes and along broad and undulating roads. Their house, which is close to Powick, is a fine specimen of Elizabethan architecture. At an angle of the massive wall enclosing the outer grounds frowns a huge, ponderous gate, riveted and studded with iron bolts and surmounted with jagged, iron spikes. On our approach this gate, worked by mechanism (invisible from without), slowly swung open, and, on our passing through, closed with a sonorous clash. A run of a hundred or so yards then brought us within sight of the house—a long, rambling, lichen-covered building of many gables and countless chimneys, fronted by a vast lawn that was, in its turn, terminated </ab>
         <ab>43 </ab>
         <ab>One New-Year's Eve </ab>
         <ab>by a spinney of gigantic oaks and </ab>
         <ab>elms. </ab>
         <ab>As we rolled up to the entrance the </ab>
         <ab>front door opened and Minister came </ab>
         <ab>out to greet me. </ab>
         <ab>"We have a man staying with us, </ab>
         <ab>O'Donnell," he said, as he led me into </ab>
         <ab>the study, "who is a fearful ass, and, </ab>
         <ab>between ourselves, I want to play him </ab>
         <ab>a practical joke. I met him in town </ab>
         <ab>at a literary club, where he poses as a </ab>
         <ab>' star * —one of those dreadful crea</ab>
         <ab>tures who invariably spread them</ab>
         <ab>selves out in front of the fire and </ab>
         <ab>monopolise all the conversation! As </ab>
         <ab>he is a tenth orfifteenth cousin of my </ab>
         <ab>wife's, however, I felt constrained to </ab>
         <ab>invite him down here—indeed, he al</ab>
         <ab>most made me do so. He arrived </ab>
         <ab>four weeks ago with a veritable moun-: </ab>
         <ab>tain of luggage, and, in spite of the most brutal hints on our part to go, is here still, and here, as far as I can see, he intends to remain ad infinitum." </ab>
         <ab>, "What's his name? " I inquired. </ab>
         <ab>"Melton Redvers," Munster replied. </ab>
         <ab>"What, the writer of those love shockers—those Emma Jane's tit-bits in the Piccadilly Magazine? " </ab>
         <ab>" The very same, and he is reputed to be making at least ten thousand a year from them I" </ab>
         <ab>"And you want to get rid of him By a practical joke? " Munster nodded. </ab>
         <ab>r</ab>
         <ab>" Of the nature t ' I inquired.. </ab>
         <ab>Munster laughed: </ab>
         <ab>"Oh, we want you to decide that," he said. "We are depending entirely </ab>
         <ab>on your resourceful faculty, which has never failed us yet." </ab>
         <ab>"You must not count on me too much," I said rather drily, "as I fear what little brain I have has almost entirely dried up under the strain of the last few months' work. · However, I will do my best, and when I've seen Redvers perhaps I shall get an inspiration/' </ab>
         <ab>At dinner I sat opposite Redvers, and so had an excellent opportunity of , studying him. He bragged incessantly about his work-—how he held the record for quick writing, which is quite conceivable, as'his stuff is such abject twaddle; how he could give So-and-so points in his own particular. </ab>
         <ab>line, which was practically every line as there was nothing apparently he had not written about; and how So-and-so and So-and-so was no good at all—a perfect ass; indeed, if there was one thing above all others in which Redvers excelled it was in running other people down, a privilege he claimed presumably on the grounds of being a "star." </ab>
         <ab>After dinner, when the ladies had </ab>
         <ab>retired, I drew Redvers into conversa</ab>
         <ab>tion, and from a close observation of </ab>
         <ab>the man's eyes and general demeanour </ab>
         <ab>deduced that he was naturally a </ab>
         <ab>coward and that he could very easily </ab>
         <ab>be frightened. </ab>
         <ab>He knew the house bore the reputa</ab>
         <ab>tion of being haunted. Supposing I </ab>
         <ab>was to assume the role of ghost. </ab>
         <ab>Would~,that'scare him away? I rather </ab>
         <ab>thought it would. </ab>
         <ab>I was' deliberating thus when we rejoined the ladies in the drawing-room, and as Redvers as usual sought to monopolise the attention of everyone present, I was fortunately able to indulge my preoccupation with impunity all right. For my part, I did not think that the house was haunted.. As a rule, I can detect the presence of the Unknown in- a house at once by a Something, both in the atmosphere and in the shadows; here there'was nothing. </ab>
         <ab>The house being Elizabethan naturally suggested an Elizabethan ghost; and Munster, thinking this a capital idea, said that if I would undertake to put all my vast knowledge of ghosts into practice and dress up as one, he would undertake to get me a suitable costume. </ab>
         <ab>Now, although I have—as my recent articles in a Sunday paper show—over and over again come in contact with materialised phenomena I had never impersonated one, nor should I have dreamed of doing such a thing in order to delude a psychic, as in my opinion no one who has ever seen a genuine spirit would be deceived by a sham one. With Redvers, however, who scoffed at ghosts and was a perfect ignoramus where the superphysical was concerned, I felt absolutely safe—I was sure I could take him in. </ab>
         <ab>44 </ab>
         <ab>Consequently, I arranged with Minister that he and I should take part in a ghostly drama, presumably the re-enaction of a crime perpetrated in Elizabethan days, exactly on the stroke of midnight—an hour, by the way, when real ghosts seldom appear. Mrs. Minister was to make a terrific crash with a croquet mallet at the panel of Redvers' door, upon which Munster, pursued by me, was to come flying down the corridor. J was to chase him round Redvers' room, which was to be illuminated from without by limelight, Mrs. Munster working the apparatus, and the death scene emphasised by the most bloodcurdling groans', was to take place in the passage. We did not for an instant expect Redvers would make any attempt to follow us, but, and in the event of his doing so, we had a place of concealment all ready at hand. Munster ordered the clothes from a well-known theatrical wig-maker in Bedford Street, and we rehearsed our parts—even to the banging of the door—most carefully when Redvers was out of the house, the servants of necessity being "in the know." </ab>
         <ab>Everyone kept the secret most ad</ab>
         <ab>mirably, and not the slightest sus</ab>
         <ab>picion of what was in store for him </ab>
         <ab>could have entered Redvers' head. </ab>
         <ab>Meanwhile, he had been making himself more and more objectionable. He seemed to regard the house entirely as his own, and appeared to be labouring under the delusion that it was a great condescension on his part to be there. He was invariably late for meals; behaved in the most autocratic way in the library, demanding silence whenever it pleased him to work, and talking "nineteen to the dozen " whenever he saw anyone else bus}r; whilst he bored Mrs. Munster to death with repetitionary anecdotes of his life and passages out of his "penny dreadful" pot-boilers. He was, in every sense of the word, odious —unpopular even with the servants. The eventful night came, and after dinner, by mutual agreement between </ab>
         <ab>the Ministers and me, we began to talk "ghosts," vying with one another in tales most calculated to harrow the feelings of Redvers and reduce him to </ab>
         <ab>By Elliott O'Donnell </ab>
         <ab>a thoroughly " nervy" condition be</ab>
         <ab>fore retiring to bed. </ab>
         <ab>I cannot exactly remember what </ab>
         <ab>stoiy I related, but I know it was one </ab>
         <ab>of my most thrilling, and that I nar</ab>
         <ab>rated it with all the earnestness and </ab>
         <ab>melodramatic intensity that I could </ab>
         <ab>assume. </ab>
         <ab>At first Redvers laughed satirically, </ab>
         <ab>then in his usual manner he attempted </ab>
         <ab>to "break in " with one or two of his </ab>
         <ab>accustomary anecdotes; then, 'per</ab>
         <ab>ceiving his failure in this, he lapsed </ab>
         <ab>into a sullen and contemptuous </ab>
         <ab>silence, emphasised now and then by </ab>
         <ab>loud yawns; and, finally, when it was </ab>
         <ab>barely eleven, he signified his in</ab>
         <ab>tention of going to bed. An hour </ab>
         <ab>later, in breathless silence, the Mun</ab>
         <ab>sters and I crawled along the corridor </ab>
         <ab>to our allotted places. </ab>
         <ab>It wanted two minutes to twelve. </ab>
         <ab>Mrs. Munster was»fingering the mallet and we anxiously awaiting the signal to commence, when something went wrong with the limelight apparatus and we were plunged in pitch darkness, and on Munster lighting a candle, that, too, mysteriously went out. I then felt for the first time in that house the presence of the superphysical. Something—something at present absolutely enigmatical—but 'something that was unmistakably, hypernatural—was now with us, and I wondered if it had come to watch our </ab>
         <ab>feeble attempts at mimicry. </ab>
         <ab>I have said that the Munsters did not believe in ghosts, but I think I omitted to mention the fact that they had absolutely no idea as to what form the alleged haunting of their house was supposed to take. Neither had I. </ab>
         <ab>FREE TOILET SOAP. </ab>
         <ab>The proprietors of the well-known Oat;ne toilet preparations are giving away for a limited period tablets of Oatine toilet soap absolutely free. They are doing this to introduce and popularise this well-known toilet soap, which possesses many special qualities. </ab>
         <ab>Being manufactured from the purest materials, it contains no alkaline properties, and, as in aU the Oatine preparations, the base from which it is made is the healing essence of the finest oats, long recognised as an excellent complexion specific. Besides the tablet of Oatine toilet soap, the Oatine Company send a dainty toilet outfit containing a trial size of seven different Oatine preparations, together with a full size 2d. Shampoo Powder. Readers sending 3d. in stamps (id. stamps preferred), to the Oatme Company, 30615, Oatine Buildings, Mermaid-court, London, S.E., to p.iy the cost of postage and packing, will receive these articles by return. </ab>
         <ab>One New-Year's Eve </ab>
         <ab>Consequently, my first thought on feeling the sudden proximity of the 
oceu.lt was, what will it
 bo like? </ab>
         <ab>For some seconds after the candle went out there was a significant silence, and then Mrs. Munster called eut, in a low voice : • </ab>
         <ab>"Fred, I feel so queer 1 Can you </ab>
         <ab>come'to me for a moment ? " </ab>
         <ab>'-'"I'm coming!" Munster replied, </ab>
         <ab>his voice shaking. " I must go to </ab>
         <ab>her," he whispered, "though, to tell </ab>
         <ab>you the truth, I don't know how I </ab>
         <ab>shall get there as I feel uncommonly </ab>
         <ab>strange. My teeth are chattering." </ab>
         <ab>He left me, and I heard him groping his way towards her in the darkness. The clock then struck twelve—big,- hollow, booming notes that seemed to well up from the very bowels of the earth. </ab>
         <ab>A deep, a preternaturally deep, hush followed, and then -a door in some far out-of-the-way part of the house slammed. This was succeeded by the sounds of hurrying footsteps—the light tapping of a woman's high heels aud the heavy dumping of a man's boots. Up the stairs they came, accompanied by a lurid glow of light. At first a head—a mass of rippling yellow hair—then a forehead, low and white, and then two big, staring china-blue eyes,- ablaze with all the terror of a cruel and ghastly death. </ab>
         <ab>The woman—or rather girl, for she could not have been more-than twenty —was clad in a rich gown of silk brocade, a stomacher blazing with diamonds and other precious" stones, anaV a-surcoat of blue.velvet bordered with ermine. Her slender and swanlike-neck was encircled with a carcanet of gold set with emeralds, from whioh a single and almost..priceless emerald depended. On her feet, which were tiny, were a pair of very high-heeled white satin shoes ornamented with scintillating golden buckles. A more strikingly beautiful and richer costume I had never seen. At the sight of her pursuer my blood froze. ' He was a hideous creature. Standing fully six-foot-six, his big, brutal body was surmounted with a huge head crowned with a mass of lohg.coarse black hair that fell in un</ab>
         <ab>' combed ringlets over his forehead and about his ears. </ab>
         <ab>His features were large and ill-shaped, his brows black and bushy, and his eyes—dreadful. In their slitlike recesses, illuminated with a phosphorescent glow, I read all the worst passions that can defile a man. He was attired in a very much mud-bespattered suit of buff-coloured cloth, and carried in one of his hands a knotted stick. </ab>
         <ab>It was difficult atfirst to understand why he did not catch the fugitive at </ab>
         <ab>' once until I noticed that one of his legs was dripping with blood and that he ran with an effort. Panting and gasping, his very breath full of pent-up oaths, he hurled himself past mo, and. I watched him. racing down the cor</ab>
         <ab>. ridor after his victim. </ab>
         <ab>Seizing hold of the handle of Red-vers' door she darted in, the ruffian staggering after her. There was a muffled curse, the sound of a falling body, a loud crash, and the figure of the girl reappeared, a glittering stiletto in one of her hands, on the tapering fingers of which a dozen precious stones flashed fire. As I stared at her in fascinated horror our eyes met. Her pupils were glassy and expressionless, though her lips smiled. Gliding noiselessly forward she approached the Munsters, who . stood rooted to the ground with fright. </ab>
         <ab>~ When about a yard from them she suddenly melted into air, and we saw her no more, the entire tragedy being but the work of a few. seconds. Though it was absolutely real in the grimness of .its details, yet there, was a something in the Iuridness of the accompanying light, as well as in the movements and facial expressions, that excluded the natural and pronounced the superphysical. Moreover, the icy coldness and sickly fear were totally unlike any symptoms that the material produces. The house was now perfectly still with a stillness that was quite usual for that time of night, and although I listened very intently I could catch no sounds. Convinced now that the demonstrations were over, and that it was in all probability the purport of our presence there that </ab>
         <ab>had called them into existence, our rehearsal of a pseudo tragedy had, so to speak, awakened the echoes of a real one—one that had taken place in centuries long past, and which had undoubtedly given rise to the rumour that the house was haunted. Convinced, then, now that the real ghosts had gone, I moved from my post to join the mock ones, who were still huddled together by Redvers' door. </ab>
         <ab>Never, never shall I forget their almost comical look of terror, and although I was still very shaky myself— as, indeed, I always am after seeing an apparition—I could not help laughing. Their eyes positively rolled to and fro in their heads, like billiard balls, whilst the knocking of their palsied limbs kept time with the chattering of their teeth. </ab>
         <ab>"Wasn't it aw-aw-au'/tt?/" -Mrs. Munster gasped. "F-Fr-Fred andnearly died with—with iv-frigM!. Do go and see how Mr. Redvers is. Poor man, he must have had a dreadful time! " </ab>
         <ab>Fully expecting to find our victim reduced to a state of utter imbecility, if not actually dead, we entered his room, quaking with fearful anticipations. Judge, then, of our astonishment—our unmitigated, unparalleled astonishment—'-when before us in the bed, sleeping as serenely and soundly as if there wasn't a ghost within a million miles, lay Redvers, an expression of intense satisfaction all over his detestable features. Recognising that it was a clear case of "the biter bit," we left him there in peace. R.I.P. </ab>
            </div>
            <div type="articles">
         <ab>CONCERNING </ab>
         <ab>OURSELVES </ab>
         <ab>[Letters in connection with this page should be addressed " The Editor," WEEKLY TALE-TELLER, sand 3, Hind Court, Fleet Street, London, and should have the words "Concerning Ourselves" on the </ab>
         <ab>corner of the envelope.] </ab>
         <ab><!--Page image found here.-->
HAPPY NEW TEAR TO ALL! THAT IS MY GREETING TO EACH WHO SCANS THIS PAGE, AND IT IS MEANT TO RING WITH DOUBLE HEARTINESS TO THOSE OF YOU WHO HAVE LEARNT TO LOOK ON OUR TALE-TELLER AS A FRIEND. INDEED ON SECOND THOUGHTS I WILL ADD TO THE OLD-WORLD WISH AND GIVE YOU A TOAST TO DRINK WITH A "THREE TIMES THREE," AS YOU WOULD DRINK TO " ANLD LANG SYNE." HERE IT IS: </ab>
         <ab>" WHEN THIS NEW YEAR IS OLD MAY YOU STILL READ THIS .PAGE—MAY I STILL WRITE IT— AND MAY TALE-TELEEB HAVE TREBLED ITS PRESENT CIRCULATION.." </ab>
         <ab>I SUPPOSE WE ALL MAKE GOOD RESOLUTIONS AT THE BEGINNING OF THE YEAR, MOST OF THEM UNFORTUNATELY DESTINED TO BE FORGOTTEN, SOME . OF THEM BECOMING PAVING-STONES ALONG THE DOWNWARD PATH, AND JUSB A FEW BEING ADHERED TO BRAVELY. IT IS A GLOOMY AND PESSIMISTIC SENTENCE TO WRITE FOR THE NEW LEAR, BUT, AFTER ALL, THOUGH WE RING BELLS AND DRINK HEALTHS AND WELCOME THE FIRST FOOT, A NEW YEAR'S BIRTH, LIKE ANY OTHER LANDMARK OF TIME, HAS A SOLEMNITY AND- A SADNESS OF ITS OWN WHICH SOMEWHAT JARS ON GAIETY. ONE IS AFRAID TO LOOK FORWARD, OFTEN ONE IS LOTH TO LOOK BEHIND, AND SO—WELL, WE HIDE WHATEVER ACHE LIES AT THE BACK OF OUR MINDS AND WISH EACH OTHER A HAPPY NEW YEAR WITH SUCH CERTAINTY THAT THERE SEEMS NO ROOM TO DOUBT ITS ABSOLUTE IOY. </ab>
         <ab>NOT SO MANY YEARS AGO THERE WERE PLENTY OF QUAINT OLD CUSTOMS USED TO USHER IN THE NEW YEAR. HERE IN LONDON THEY ARE UNCOMMON, BUT I WONDER IF THEY ARE OBSERVED ELSEWHERE—PERHAPS SOME OF MY FRIENDS IN REMOTE COUNTRY DISTRICTS WILL WRITE TO TELL ME. </ab>
         <ab>" FIRST FOOTING " I KNOW IS OBSERVED MORE OR LESS SERIOUSLY IN MANY PLACES, BUT ARE. THE OTHER OLD CUSTOMS KEPT UP ANYWHERE ? FOR INSTANCE, DO MEN RISE EARLY TO SEE THE DAWN ? BECAUSE IF ON JANUARY 1ST THE RISING SUN IS USHERED IN WITH RED CLOUDS IT DENOTES MANY ROBBERIES WITHIN THE YEAR, AND STRIFE AND DEBATES AMONG THE GREAT ONES OF THE LAND. WE ESCHEW POLITICS HERE IN TALE-TELLER, BUT IN VIEW OF THE RECENT ELECTION AND ITS RESULTS I AM OBLIGED TO ADD THAT REALLY NEW YEAR'S DAY, 1911, OUGHT TO DAWN RED. LAM WRITING THIS SOME TIME BEFORE THE EVENT, SO WHETHER IT WILL DO SO OR NOT REMAINS AT. THE MOMENT TO BE PROVED. ·•'&lt;.'• . </ab>
         <ab>ONE OF MY VERY EARLY NEW YEAR MEMORIES CONCERNS AN OLD SUPERSTITION. THEFIRST OF JANUARY THAT YEAR—NEVER MIND THE EXACT DATE/INDEED I COULD NOT TELL IT IF I WOULD— WAS USHERED IN BY A GREAT STORM WHICH SWEPT ALL THE EASTERN COAST, AND BEFORE THA DAWN HAD BROKEN THE BOOM OF A WARN-IN"GUN CAME OUT OF THE DARKNE33 TELLING OF « </ab>
            </div>
            <div type="advertisements">
               <!--Page image found here.--><!--Page image found here.-->
         <ab>ITS NEVER TOO LATE </ab>
         <ab>TO TAKE Beecham's Pills</ab>
            </div>
         </div>
      </body>
   </text>
</TEI>