- Title Information
- Title
- Scribner's Magazine
- Part Number
- Vol. 71 , No. 2
- Name:
Personal
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- Bridges, Robert
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Text (marcrelator)
- editor
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- periodicals
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Code (MARC Country Code)
- nyu
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Text
- New York
- Publisher
- Charles Scribner's Sons
- Date Issued
(encoding="w3cdtf", keyDate="yes")
- 1922-02
- Physical Description
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- 214 p.; 24.1 x 16.5 cm.
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- Modernist Journals Project
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- Front Advertisements
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- Title
- 'Time to Learn to Play My Fiddle'
- Name:
Personal
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- Barlow, Perry
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Text (marcrelator)
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- 130
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- Europe at Work
- Part Number
- I
- partName
- France at Work
- Name:
Personal
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- Williams, Whiting
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Text (marcrelator)
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- Author as worker in French steel plant
- Name:
Personal
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- Williams, Whiting
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- Breakfast with the miners
- Note
- The hats made of heavy fibre for the protection of the head are being less and
less used.
- Name:
Personal
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- Williams, Whiting
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Text (marcrelator)
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- Typical coal-miners with whom the author worked in the mine town at the edge
of the devastated region
- Note
- Because it was so near the front-line trenches, work had often to be abandoned by
day and carried on at night so that its smoke would not attract the near-by
enemy.
- Name:
Personal
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- Author after an eight-hour term in a coal-mine ...
- Note
- ... 2,000 feet deep, five or six miles from the destroyed mines at Lens
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Personal
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- Title
- family—most of it—at the estaminet in Douai, north France
- Note
- 'This one-eyed fellow,' my hero of the bayonets, is at the right.
- Name:
Personal
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- Untiring and thankful to be busy, but unhappy and perplexed—so the author
found most of the workers in the mines and factories of France
- Note
- These were a few of his fellow workers near Lens.
- Name:
Personal
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- Unloading the local supply of red wine from the tank-cars
- Name:
Personal
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- Above-ground, or 'outside,' workers at a coal-mine in St. Etienne ...
- Note
- ... one of the old manufacturing and mining districts of south middle
France
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Personal
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- Youngsters doing their bit in the hard-working manufacturing district of St.
Denis, outside the walls of Paris
- Name:
Personal
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- Typical workers in the small factory-studios inside the walls of Paris, where
the world's most artistic furniture and most precise machinery is made
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Personal
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Text (marcrelator)
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- A
- Title
- street scene in France's most important steel and artillery town, Le
Creusot
- Note
- In many of the most important manufacturing towns there are frequently reminders
of France's interest in agriculture and of the conservatism of France's
agriculturists.
- Name:
Personal
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- Workers leaving the steel plant where the author worked at Douai
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Personal
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- typical blast-furnace at Longwy, in the iron country of France, near the
boundaries of Alsace-Lorraine and Luxembourg
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Personal
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- Rolling a big slab into armor-plate at the Schneider plant in Le
Creusot
- Note
- Following the conference on limitation of armament, these may need to change their
production programme almost as much as the Krupp establishment, a visit to which
will be described in later articles.
- Name:
Personal
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- Williams, Whiting
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Text (marcrelator)
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- Starting the pork cutlets to the Paris table from the farming towns
- Name:
Personal
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- Everybody works in St. Etienne, the centre of some of France's oldest
industries
- Note
- But the margin between outgo and income is not wide now and was not before the
war.
- Name:
Personal
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- Williams, Whiting
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- Street laborers fixing the pavement in the heart of Paris, near the
Opera
- Name:
Personal
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- Leaves from My Autobiography
- Part Number
- IV
- partName
- Fifty-Six Years with the New York Central Railroad
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Personal
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- Depew, Chauncey M.
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- America and I
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- Yezierska, Anzia
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- Ripe Peach
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- Spears, Raymond S.
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- Marking the years far apart, he made an 'x,' underneath, for each job that he
had held
- Name:
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- 'What? The son of me own sister? What on earth! Why didn't you look me
up?'
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- Hay-wire, fish-line, old canvas, and the like, had made an effective harness
for the squealing and indignant pig outlaw
- Name:
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- Town of Don Pablo the Crafty
- Name:
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- Peixotto, Ernest
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- Its Alcazar bristling with barbacan and battlement
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- Peixotto, Ernest
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- Framing a niche of blue in each of its countless arches
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- peasants bartered and gossiped
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- ancient monastery of El Parral
- Name:
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- Peixotto, Ernest
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- cobbler and maker of hats
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- Peixotto, Ernest
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- church of Vera Cruz stands alone
- Name:
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- Peixotto, Ernest
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- city piles up grandly from this side too
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- Peixotto, Ernest
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- 'To Every Man a Penny'
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Personal
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- Harper, Isabel Westcott
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- Eilean Earraid
- Subtitle
- The Beloved Isle of Robert Louis Stevenson
- Name:
Personal
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- Buell, Llewellyn M.
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- Iona from Earraid, as David Balfour saw it
- Name:
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- Buell, Llewellyn M.
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- Map of Iona, Earraid, and the Ross of Mull
- Note
- In 'The Merry Men' Earraid is called Aros; Earraid Sound, Aros Bay; Mull,
Grisapol; Traigh Gheal, Sandag Bay; Ben More, Ben Kyaw.
- Name:
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- Buell, Llewellyn M.
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- Ruins of the Darnaway farmhouse
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- Buell, Llewellyn M.
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- coast in a storm
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- Buell, Llewellyn M.
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- 'Sandag Bay' from above
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- Scene of the wrecks in 'The Merry Men' and the place where David Balfour in
'Kidnapped' was washed ashore.
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Personal
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- Buell, Llewellyn M.
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- David Balfour on the Island of Earraid
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- From the special edition of 'Kidnapped.' Illustrated by N.C. Wyeth.
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- Wyeth, N. C.
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- 'These great granite rocks ... go down together in troops into the sea, like
cattle on a summer's day.'—'The Merry Men'
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Personal
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- Buell, Llewellyn M.
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- channel between Earraid and Mull at low tide
- Note
- The black band on the rocks shows mean high-water line, about six feet
high.
- Name:
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- Buell, Llewellyn M.
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- 'Aros Bay,' 'Ben Kyaw' in the distance, Northern Lights colony in the
foreground
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- Buell, Llewellyn M.
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- farmhouse on Earraid, said to have been there 'since Noah was a baaby,' Iona
in the distance
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- Buell, Llewellyn M.
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- Peril of Labor
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- Laughlin, J. Laurence
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- What Shall I Believe?
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- Spaulding, Edward G.
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- Love-Vine
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- 'Please! Everything is here'
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- Berger, W. M.
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- I had to carry her ashore
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- Berger, W. M.
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- 'Love-vine!' I announced. 'Kills everything it comes in contact with'
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- 'What!' I cried, and I did not recognize the voice as my own
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- Classic Pattern
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- Dunbar, Olivia Howard
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- 'You would think that with the house actually bursting with children, some of
the rest of us might replace Maribelle a little,' Leota threw in
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- She stood waiting hopefully for the sign that he should make
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- Litle, Arthur
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- Poking Fun at Grammar
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- Ward, C. H.
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Constituent
- Title Information
- Title
- Empty Bottles
- Name:
Personal
- Name Part
- Gilkyson, T. Walter
- Role
- Role Term:
Text (marcrelator)
- creator
- Genre (aat)
- fiction
- Part
- Extent
(unit="pages")
- Start
- 234
- End
- 245
- Related Item:
Constituent
- Title Information
- Non Sort
- The
- Title
- Present Hour
- Name:
Personal
- Name Part
- Sherwood, Margaret
- Role
- Role Term:
Text (marcrelator)
- creator
- Genre (aat)
- poetry
- Part
- Extent
(unit="pages")
- Start
- 246
- End
- 247
- Related Item:
Constituent
- Title Information
- Non Sort
- The
- Title
- Point of View
- Table of Contents
- Mr. Rose, of Barnes -- Our Pet Superstitons -- The Pursuit of
Happiness
- Note
- article unsigned
- Genre (aat)
- articles
- Part
- Extent
(unit="pages")
- Start
- 247
- End
- 250
- Related Item:
Constituent
- Title Information
- Non Sort
- The
- Title
- Field of Art
- partName
- On the Making of Bronzes
- Name:
Personal
- Name Part
- Eberle, Louise
- Role
- Role Term:
Text (marcrelator)
- creator
- Genre (aat)
- articles
- Part
- Extent
(unit="pages")
- Start
- 251
- End
- 256
- Related Item:
Constituent
- Title Information
- Title
- Original model and enlargement of 'Alexander Hamilton'
- Name:
Personal
- Name Part
- Fraser, James Earle
- Role
- Role Term:
Text (marcrelator)
- creator
- Genre (aat)
- images
- Part
- Extent
(unit="pages")
- Start
- 251
- End
- 251
- Related Item:
Constituent
- Title Information
- Non Sort
- 'The
- Title
- Spirit of Life'
- Name:
Personal
- Name Part
- French, Daniel Chester
- Role
- Role Term:
Text (marcrelator)
- creator
- Genre (aat)
- images
- Part
- Extent
(unit="pages")
- Start
- 252
- End
- 252
- Related Item:
Constituent
- Title Information
- Title
- 'Gittel'—a bronze cast made by the 'lost wax' process
- Name:
Personal
- Name Part
- Eberle, A. St. Leger
- Role
- Role Term:
Text (marcrelator)
- creator
- Genre (aat)
- images
- Part
- Extent
(unit="pages")
- Start
- 252
- End
- 252
- Related Item:
Constituent
- Title Information
- Title
- Painting the melted wax into the oiled piece mould
- Note
- The front and back parts of the mould are then tied together, and enough of a
stiffer wax is poured in to form a hollow mould of the figure.
- Genre (aat)
- images
- Part
- Extent
(unit="pages")
- Start
- 253
- End
- 253
- Related Item:
Constituent
- Title Information
- Non Sort
- The
- Title
- piece mould partly taken off the finished wax
- Note
- Another wax and the plaster shell from which the mould was made are beside it.
Note the 'dowels' by which the pieces of the mould are made to lock together.
- Genre (aat)
- images
- Part
- Extent
(unit="pages")
- Start
- 253
- End
- 253
- Related Item:
Constituent
- Title Information
- Non Sort
- The
- Title
- artist's finished model (in plastiline), which is to be cast in plaster of
paris
- Genre (aat)
- images
- Part
- Extent
(unit="pages")
- Start
- 254
- End
- 254
- Related Item:
Constituent
- Title Information
- Title
- Pouring the glue (or gelatine) into the shell and around the head which is
inside
- Genre (aat)
- images
- Part
- Extent
(unit="pages")
- Start
- 254
- End
- 254
- Related Item:
Constituent
- Title Information
- Non Sort
- The
- Title
- shell open, showing the gelatine, which has set
- Note
- The original model has been removed and the space it occupied filled with plaster
of paris and water.
- Genre (aat)
- images
- Part
- Extent
(unit="pages")
- Start
- 254
- End
- 254
- Related Item:
Constituent
- Title Information
- Non Sort
- The
- Title
- plaster has set, and the gelatine mould is being pulled off
- Genre (aat)
- images
- Part
- Extent
(unit="pages")
- Start
- 254
- End
- 254
- Related Item:
Constituent
- Title Information
- Title
- Armature of laths being made for enlargement of statue
- Genre (aat)
- images
- Part
- Extent
(unit="pages")
- Start
- 255
- End
- 255
- Related Item:
Constituent
- Title Information
- Title
- Armature partly filled in with plaster of paris, and showing the nails whose
heads give the exact outline of the final statue
- Genre (aat)
- images
- Part
- Extent
(unit="pages")
- Start
- 255
- End
- 255
- Related Item:
Constituent
- Title Information
- Non Sort
- The
- Title
- plaster enlargement complete, showing also the original from which it was
made
- Note
- photograph unsigned
- Genre (aat)
- images
- Part
- Extent
(unit="pages")
- Start
- 255
- End
- 255
- Related Item:
Constituent
- Title Information
- Title
- 'Armature,' or skeleton, with figure partly set up in clay
- Genre (aat)
- images
- Part
- Extent
(unit="pages")
- Start
- 255
- End
- 255
- Related Item:
Constituent
- Title Information
- Title
- Joseph Choate
- Name:
Personal
- Name Part
- Adams, Herbert
- Role
- Role Term:
Text (marcrelator)
- creator
- Genre (aat)
- images
- Part
- Extent
(unit="pages")
- Start
- 256
- End
- 256
- Related Item:
Constituent
- Title Information
- Non Sort
- The
- Title
- Financial Situation
- partName
- The Economic Conference
- Table of Contents
- The Rise of Foreign Exchange -- Speculation in Exchange Rates --
International Merchants and the Market -- Economic Influences at Work -- The Proposal of
a Conference -- Questions for Deliberation -- As to "Stabilizing" Exchange -- Debts
between the Governments -- Question of "Cancellation" -- Europe's Depreciated Currencies
-- International Paper Issues -- The Devaluation Plan -- Germany and the
Reparations
- Name:
Personal
- Name Part
- Noyes, Alexander Dana
- Role
- Role Term:
Text (marcrelator)
- creator
- Genre (aat)
- articles
- Part
- Extent
(unit="pages")
- Start
- 257
- End
- adv56
- Related Item:
Constituent
- Title Information
- Title
- Back Advertisements
- Genre (aat)
- advertisements
- Part
- Extent
(unit="pages")
- Start
- adv42
- End
- F
- Identifier:
METSID
- 1261496135390625
- Access Condition:
rights statement
(href="http://rightsstatements.org/vocab/NoC-US/1.0/")
- No Copyright - United States
- Access Condition:
restriction on access
- Collection is open for research.