Title Information (lang="por")
Title
Pessoa bancando os beats ... e o crédito dissipado da revolução surrealista
Title Information (lang="eng")
Title
Banking on Pessoa... the Beats and the lost credits of the Surrealist revolution
Name: Personal (orcid) (authorityURI="http://id.loc.gov/vocabulary/identifiers/orcid.html", valueURI="https://orcid.org/0000-0002-6775-307X")
Name Part
Vale de Gato, Margarida
affiliation
Universidade de Lisboa
Role
Role Term: Text (marcrelator)
Author
Type of Resource (primo) (authorityURI="https://knowledge.exlibrisgroup.com/Primo/Product_Documentation/020Primo_VE/Primo_VE_(English)/100Loading_Records_from_External_Sources_into_Primo_VE/Configuring_Normalization_Rules_for_External_Resources_(Primo_VE)#Supported_Resource_Types_in_Primo_VE")
articles
Genre (aat) (authorityURI="https://www.getty.edu/research/tools/vocabularies/aat/index.html", valueURI="http://vocab.getty.edu/page/aat/300048715")
articles
Origin Information
Date Issued
December 2024
Date Issued (keyDate="yes", encoding="w3cdtf")
2024-12
Language (usage="primary")
Language Term: Code (iso639)
por
Language Term: Text
Portuguese
Physical Description
Extent (unit="pages")
21
digitalOrigin
born digital
Abstract (lang="eng")
This essay examines three texts from the late 1980s that present parodies and recontextuali-zations of Fernando Pessoa: Allen Ginsberg's “Salutations to Fernando Pessoa” (1988), Lawrence Ferlinghetti's Love in the Days of Rage (1988), and Mário Cesariny's O Virgem Negra (1989). The comparison brings the American beat generation closer to Portuguese surrealism-abjectionism, revealing shared themes and literary mechanisms in the treatment of Pessoa's “cadavre exquis.” The three authors juxtapose their own ambitions for poetic-political revolution against the hazardous accumulation of Pessoa's national prestige and the ethnocentric implications of expansive literary projects. To escape the monolithism of cultural co-optation, they weave an intertextual network largely imitative of Pessoa's styles, which short-circuits yet expands as these styles are reconfigured in new contexts of meaning.
Abstract (lang="por")
Este ensaio analisa três textos do final da década de 1980 que nos apresentam paródias e recontextualizações de Fernando Pessoa: “Salutations to Fernando Pessoa” (1988) de Allen Ginsberg, Love in the Days of Rage (1988) de Lawrence Ferlinghetti, e O Virgem Negra (1989) de Mário Cesariny. A comparação aproxima a geração beat norte-americana do surrealismo-abjecionismo português, revelando temas e mecanismos literários comuns no tratamento do “cadáver esquisito” pessoano. Os três autores contrapõem as suas próprias ambições de revolução poético-política à acumulação perniciosa do prestígio nacional adquirido por Pessoa e às implicações etnocêntricas de projetos literários expansivos. Para escaparem ao monolitismo das apropriações culturais, entretecem uma rede intertextual, predominantemente imitativa dos estilos de Pessoa, que se curto-circuitam mas também se ampliam ao reconstituírem novos contextos de significação.
Subject
Name: Personal (naf) (authorityURI="http://id.loc.gov/authorities/names", valueURI="http://id.loc.gov/authorities/names/n50016857")
Name Part
Pessoa, Fernando
Name Part: Date
1888-1935
Subject
Name: Personal (naf) (authorityURI="http://id.loc.gov/authorities/names", valueURI="http://id.loc.gov/authorities/names/n79109040")
Name Part
Ginsberg, Allen
Name Part: Date
1926-1997
Subject
Name: Personal (naf) (authorityURI="http://id.loc.gov/authorities/names", valueURI="http://id.loc.gov/authorities/names/n80023557")
Name Part
Ferlinghetti, Lawrence
Subject
Name: Personal (naf) (authorityURI="http://id.loc.gov/authorities/names", valueURI="http://id.loc.gov/authorities/names/n84121453")
Name Part
Cesariny, Mário
Subject
Topic (LCSH) (authorityURI="http://id.loc.gov/authorities/subjects", valueURI="http://id.loc.gov/authorities/subjects/sh88007452")
Beats (Persons)
Subject
Topic (Local) (lang="eng")
Surrealism-abjectionism
Subject
Topic (Local) (lang="por")
Geração beat
Subject
Topic (Local) (lang="por")
Surrealismo-abjecionismo
Related Item: Host
Title Information (lang="eng")
Title
Pessoa Plural
Part Number
Issue 26
Related Item: Host
Title Information (lang="por")
Title
Pessoa Plural
Part Number
No. 26
Part
Part Detail: issue
Part Number
26
Part Caption
no.
Extent (unit="page")
Start
266
End
286
Access Condition: use and reproduction (href="https://creativecommons.org/licenses/by-sa/4.0/")
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Identifier: DOI
10.26300/dyp5-wn76