- Title Information
- Title
- Kein Kino: Autonomous Film after Adorno
- Abstract
- This thesis works to clarify what an Adornean conception of Autonomous Cinema might look like through incorporating other theorists such as Aldous Huxley and Fredric Jameson. Through an analysis of films by Wim Wenders, Werner Herzog, and Paolo Sorrentino, the essay examines questions of film aesthetics in post-modernity, and insists on the importance of a non-didactic form of cognitive mapping.
- Name
- Name Part
- Taylor, Miles H
- Role
- Role Term (marcrelator)
(authorityURI="http://id.loc.gov/vocabulary/relators", valueURI="http://id.loc.gov/vocabulary/relators/cre")
- Creator
- Name:
Personal
- Name Part
- Rosen, Philip
- Role
- Role Term:
Text (marcrelator)
- advisor
- Name:
Personal
- Name Part
- Koch, Gertrud
- Role
- Role Term:
Text (marcrelator)
- reader
- Name:
Corporate
- Name Part
- Brown University
- Name Part
- Department of Modern Culture and Media
- Role
- Role Term:
Text (marcrelator)
- sponsor
- Origin Information
- Copyright Date
- 2018
- Physical Description
- Extent
- 50 p.
- digitalOrigin
- born digital
- Language
- Language Term:
Code (ISO639-2B)
- eng
- Note:
thesis
- Senior thesis (AB)--Brown University, 2018
- Note
(displayLabel="Concentration")
- Modern Culture and Media and English
- Subject (fast)
(authorityURI="http://id.worldcat.org/fast", valueURI="http://id.worldcat.org/fast/48481")
- Topic
- Adorno, Theodor W., 1903-1969
- Subject (Local)
- Topic
- Film
- Subject (Local)
- Topic
- Aesthetics
- Subject (Local)
- Topic
- German Cinema
- Type of Resource
- text
- Genre (aat)
- theses
- Identifier:
DOI
- 10.26300/vr0t-4276
- Access Condition:
rights statement
(href="http://rightsstatements.org/vocab/InC/1.0/")
- In Copyright
- Access Condition:
restriction on access
- Collection is open for research.