<mods:mods xmlns:mods="http://www.loc.gov/mods/v3" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" ID="x" xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/mods/v3/mods-3-6.xsd">

    <mods:titleInfo lang="eng">
        <mods:title>Grupo Galpão's ‘A rua da amargura’: the script, the stage and the screen</mods:title>
    </mods:titleInfo>
    <mods:titleInfo lang="por">
        <mods:title>A rua da amargura' do Grupo Galpão: o roteiro, o palco e a tela</mods:title>
    </mods:titleInfo>

    <mods:name type="personal">
        <mods:namePart>Alves, Junia C. M.</mods:namePart>
        <mods:affiliation>Unicentro Newton Paiva</mods:affiliation>
        <mods:role>
            <mods:roleTerm type="text" authority="marcrelator">author</mods:roleTerm>
        </mods:role>
    </mods:name>
    <mods:name type="personal">
        <mods:namePart>Noe, Marcia</mods:namePart>
        <mods:affiliation>The University of Tennessee Chattanooga</mods:affiliation>
        <mods:role>
            <mods:roleTerm type="text" authority="marcrelator">author</mods:roleTerm>
        </mods:role>
    </mods:name>

    <mods:typeOfResource>text</mods:typeOfResource>
    <mods:genre authority="aat">articles</mods:genre>
    <mods:originInfo>
        <mods:dateIssued>2001</mods:dateIssued>
        <mods:dateIssued keyDate="yes" encoding="w3cdtf">2001-12</mods:dateIssued>
    </mods:originInfo>
    <mods:language usage="primary">
        <mods:languageTerm type="code" authority="iso639-2b">eng</mods:languageTerm>
    </mods:language>
    <mods:language>
        <mods:languageTerm type="code" authority="iso639-2b">por</mods:languageTerm>
    </mods:language>
    <mods:physicalDescription>
        <mods:extent>pp. 45-66</mods:extent>
        <mods:digitalOrigin>born digital</mods:digitalOrigin>
    </mods:physicalDescription>
    <mods:abstract lang="eng">It is clear from Grupo Galpão’s interpretations of the ‘A rua da amargura’ that what most matters for the group and its director is not the story itself, but the form in which the story is told . Thus, in both the stage and screen versions of ‘Rua,’ Grupo Galpão reverses the Aristotelian hierarchy of theatre elements, de-emphasizing character, plot and thought, and foregrounding diction, spectacle and music. The circus elements and the Brazilian songs and dances make the shows into vigorous and popular visions of Jesus' drama, and as the actors perform his passion, both spectacles intermingle songs and rituals, skillfully incorporating the Bible and the ‘folias.’ Spontaneous religion, circus elements, music and dance amicably cohabit the same space without questioning one another's validity.</mods:abstract>
    <mods:abstract lang="por">Fica claro nas interpretações do Grupo Galpão sobre "A rua da amargura" que o que mais importa para o grupo e o seu diretor não é a história em si, mas a forma em que a história é contada. Assim, tanto nas versões no palco e na tela de 'Rua', o Grupo Galpão inverte a hierarquia aristotélica dos elementos teatrais, deixando de enfatizar o caráter, o enredo e o pensamento e destacando a dicção, o espetáculo e a música. Os elementos circenses e as canções e danças brasileiras transformam os espetáculos em visões vigorosas e populares do drama de Jesus, e, como os atores realizam sua paixão, ambos os espetáculos misturam canções e rituais, incorporando habilmente a Bíblia e as 'folias'. A religião espontânea, elementos do circo, música e dança coabitam amigavelmente o mesmo espaço, sem questionar a validade um do outro.</mods:abstract>

    <mods:part>
        <mods:detail type="volume">
            <mods:number>14</mods:number>
            <mods:caption>vol.</mods:caption>
        </mods:detail>
        <mods:detail type="issue">
            <mods:number>26</mods:number>
            <mods:caption>no.</mods:caption>
        </mods:detail>
        <mods:extent unit="page">
            <mods:start>45</mods:start>
            <mods:end>66</mods:end>
        </mods:extent>
    </mods:part>

    <mods:subject authority="lcsh">
        <mods:topic>Theater</mods:topic>
        <mods:geographic>Brazil</mods:geographic>
        <mods:temporal>20th century</mods:temporal>
    </mods:subject>
    <mods:subject authority="lcsh">
        <mods:topic>Stage adaptations</mods:topic>
    </mods:subject>
    <mods:subject authority="lcsh">
        <mods:name type="corporate">
            <mods:namePart>Grupo Galpão</mods:namePart>
        </mods:name>
    </mods:subject>
    <mods:subject authority="lcsh">
        <mods:name type="personal">
            <mods:namePart>Garrido, Eduardo</mods:namePart>
            <mods:namePart type="date">1842-1912</mods:namePart>
        </mods:name>
    </mods:subject>
    <mods:subject authority="lcsh">
        <mods:name type="personal">
            <mods:namePart>Jesus Christ</mods:namePart>
        </mods:name>
        <mods:topic>In literature</mods:topic>
    </mods:subject>
    <mods:subject authority="lcsh">
        <mods:name type="personal">
            <mods:namePart>Jesus Christ</mods:namePart>
        </mods:name>
        <mods:topic>Passion</mods:topic>
    </mods:subject>
    <mods:subject authority="lcsh">
        <mods:topic>Religion in literature</mods:topic>
    </mods:subject>
    <mods:subject authority="lcsh">
        <mods:topic>Circus</mods:topic>
    </mods:subject>

    <mods:relatedItem type="host">
        <mods:titleInfo lang="eng">
            <mods:title>BRASIL/BRAZIL</mods:title>
            <mods:partNumber>vol. 14, no. 26</mods:partNumber>
        </mods:titleInfo>
    </mods:relatedItem>
    <mods:relatedItem type="host">
        <mods:titleInfo lang="por">
            <mods:title>BRASIL/BRAZIL</mods:title>
            <mods:partNumber>vol. 14, n.º 26</mods:partNumber>
        </mods:titleInfo>
    </mods:relatedItem>

<mods:identifier xmlns:xlink="http://www.w3.org/1999/xlink" type="doi">10.26300/1v4d-aw79</mods:identifier></mods:mods>