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<mods:titleInfo lang="por"> <mods:nonSort> A </mods:nonSort>
<mods:title>modernidade enquanto retorno ao passado: A revista Athena como arrière-garde </mods:title>
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<mods:titleInfo lang="eng">
<mods:title>Modernity as a return to the past: The Athena magazine as arrière-garde</mods:title>
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<mods:namePart>Defenu, Carlotta </mods:namePart>
<mods:affiliation>Universidade Nova de Lisboa</mods:affiliation>
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<mods:originInfo>
<mods:dateIssued>December 2024</mods:dateIssued>
<mods:dateIssued keyDate="yes" encoding="w3cdtf">2024-12</mods:dateIssued>
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<mods:languageTerm type="text">Portuguese</mods:languageTerm>
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<mods:physicalDescription>
<mods:extent unit="pages">18</mods:extent>
<mods:digitalOrigin>born digital</mods:digitalOrigin>
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<mods:abstract lang="eng">The purpose of this contribution is to reflect on the classicism of the magazine Athena, in two main areas: the aesthetic and formal characteristics of the contributions published there by the heteronyms Ricardo Reis and Alberto Caeiro, and the poetics and conception of art that the magazine aims to convey, already expressed in the opening note written by Fernando Pessoa and published in the first issue of the magazine in 1924. In reflecting on the classicist spirit of the magazine, the article seeks to situate this Pessoan project within the broader con¬text of the concept of arrière-garde, in contrast to the avant-garde spirit of the preceding magazine, Orpheu.</mods:abstract>
<mods:abstract lang="por">O propósito deste contributo é refletir sobre o classicismo da revista Athena, em dois níveis principais: o das características estéticas e formais dos contributos aí publicados pelos hete-rónimos Ricardo Reis e Alberto Caeiro, e o da poética e da conceção da arte que a revista pretende veicular, expressas já na nota de abertura escrita por Fernando Pessoa e publicada no primeiro número da revista, em 1924. Ao refletir sobre o espírito classicista da revista, o artigo propõe enquadrar este projeto pessoano no âmbito mais vasto do conceito de arrière-garde, em contraposição com o espírito vanguardista da revista precedente: Orpheu.</mods:abstract>
<mods:subject> <mods:name type="personal" authority="naf" authorityURI="http://id.loc.gov/authorities/names" valueURI="http://id.loc.gov/authorities/names/n50016857"><mods:namePart>Pessoa, Fernando</mods:namePart> <mods:namePart type="date">1888-1935 </mods:namePart> </mods:name> </mods:subject>
<mods:subject> <mods:topic authority="local" lang="por">Athena: Revista de Arte</mods:topic> </mods:subject>
<mods:subject> <mods:topic authority="local" lang="eng">Arrière-garde</mods:topic> </mods:subject>
<mods:subject> <mods:topic authority="lcsh" authorityURI="http://id.loc.gov/authorities/subjects" valueURI="http://id.loc.gov/authorities/subjects/sh85010494">Avant-garde (Aesthetics)</mods:topic></mods:subject>
<mods:subject> <mods:topic authority="lcsh" authorityURI="http://id.loc.gov/authorities/subjects" valueURI="http://id.loc.gov/authorities/subjects/sh85026714">Classicism</mods:topic></mods:subject>
<mods:subject> <mods:topic authority="local" lang="por">Arrière-garde</mods:topic> </mods:subject>
<mods:subject> <mods:topic authority="local" lang="por">Vanguarda</mods:topic> </mods:subject>
<mods:subject> <mods:topic authority="local" lang="por">Classicismo</mods:topic> </mods:subject>
<mods:relatedItem type="host">
<mods:titleInfo lang="eng">
<mods:title>Pessoa Plural</mods:title>
<mods:partNumber>Issue 26</mods:partNumber>
</mods:titleInfo>
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<mods:titleInfo lang="por">
<mods:title>Pessoa Plural</mods:title>
<mods:partNumber>No. 26</mods:partNumber>
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<mods:part>
<mods:detail type="issue">
<mods:number>26</mods:number>
<mods:caption>no.</mods:caption>
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<mods:extent unit="page">
<mods:start>32</mods:start>
<mods:end>49</mods:end>
</mods:extent>
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<mods:identifier xmlns:xlink="http://www.w3.org/1999/xlink" type="doi">10.26300/zxn9-z633</mods:identifier></mods:mods>