Title Information (lang="por")
Non Sort
O
Title
uso irônico da citação em quatro filmes pessoanos
Title Information (lang="eng")
Non Sort
The
Title
ironic use of quotation in four Pessoa-inspired films
Name: Personal (orcid) (authorityURI="http://id.loc.gov/vocabulary/identifiers/orcid.html", valueURI="https://orcid.org/0000-0001-6880-7503")
Name Part
Mello, Marcelo Cordeiro de
Role
Role Term: Text (marcrelator)
Author
Type of Resource (primo) (authorityURI="https://knowledge.exlibrisgroup.com/Primo/Product_Documentation/020Primo_VE/Primo_VE_(English)/100Loading_Records_from_External_Sources_into_Primo_VE/Configuring_Normalization_Rules_for_External_Resources_(Primo_VE)#Supported_Resource_Types_in_Primo_VE")
articles
Genre (aat) (authorityURI="https://www.getty.edu/research/tools/vocabularies/aat/index.html", valueURI="http://vocab.getty.edu/page/aat/300048715")
articles
Origin Information
Date Issued
December 2025
Date Issued (keyDate="yes", encoding="w3cdtf")
2025-12
Language (usage="primary")
Language Term: Code (iso639)
por
Language Term: Text
Portuguese
Physical Description
Extent (unit="pages")
17
digitalOrigin
born digital
Abstract (lang="por")
Este texto analisa quatro filmes que dialogam intertextualmente com a obra poética de Fer-nando Pessoa de forma irônica, e não por meio de adaptações fiéis. Os filmes O Guardador de Rebanhos (1999), O Encoberto (1975), Desassossego de Pessoa (2002) e A Metafísica dos Chocolates (1967) utilizam alegoria, voz off e estruturas ensaísticas para confrontar os textos pessoanos com imagens contrastantes. A proposta aqui é encontrar nexos entre os filmes e, ao mesmo tempo, investigar de que forma se relacionam com o texto pessoano e como criam uma relação dialógica com o espectador.
Abstract (lang="eng")
This text analyzes four films that engage intertextually and ironically with the poetic work of Fernando Pessoa, rather than through faithful adaptations. The films O Guardador de Rebanhos (1999), O Encoberto (1975), Desassossego de Pessoa (2002), and A Metafísica dos Chocolates (1967) employ allegory, voice-over, and essayistic structures to confront Pessoa’s texts with contrasting images. The aim is to identify connections among the films while examining how they relate to Pessoa’s writings and how they establish a dialogical relationship with the spectator.
Subject
Name: Personal (naf) (authorityURI="http://id.loc.gov/authorities/names", valueURI="http://id.loc.gov/authorities/names/n50016857")
Name Part
Pessoa, Fernando
Name Part: Date
1888-1935
Subject
Topic (LCSH) (authorityURI="http://id.loc.gov/authorities/subjects", valueURI="http://id.loc.gov/authorities/subjects/sh88005212")
Intertextuality
Subject
Topic (LCSH) (authorityURI="http://id.loc.gov/authorities/subjects", valueURI="http://id.loc.gov/authorities/subjects/sh85068254")
Irony
Subject
Topic (LCSH) (authorityURI="http://id.loc.gov/authorities/subjects", valueURI="http://id.loc.gov/authorities/subjects/sh85088084")
Cinema
Subject
Topic (LCSH) (authorityURI="http://id.loc.gov/authorities/subjects", valueURI="http://id.loc.gov/authorities/subjects/sh99002116")
Adaptation
Subject
Topic (Local) (lang="por")
Intertextualidade
Subject
Topic (Local) (lang="por")
Ironia
Subject
Topic (Local) (lang="por")
Cinema
Subject
Topic (Local) (lang="por")
Adaptação
Related Item: Host
Title Information (lang="eng")
Title
Pessoa Plural
Part Number
Issue 28
Related Item: Host
Title Information (lang="por")
Title
Pessoa Plural
Part Number
No. 28
Part
Part Detail: issue
Part Number
28
Part Caption
no.
Extent (unit="page")
Start
248
End
264
Access Condition: use and reproduction (href="https://creativecommons.org/licenses/by-sa/4.0/")
Use and reproduction of this resource are governed by the terms and conditions of the Creative Commons "Attribution-ShareAlike" License.
Identifier: DOI
10.26300/kdb1-ee91