Title Information
Title
Leftovers: A Critical Disability Ethic of Surviving, Healing, and Gathering
Type of Resource (primo)
dissertations
Name: Personal
Name Part
Rasch, Hilary D
Role
Role Term: Text
creator
Name: Personal
Name Part
Quashie, Kevin
Role
Role Term: Text
Advisor
Name: Personal
Name Part
Kim, Daniel
Role
Role Term: Text
Reader
Name: Personal
Name Part
Gandhi, Leela
Role
Role Term: Text
Reader
Name: Corporate
Name Part
Brown University. Department of English
Role
Role Term: Text
sponsor
Origin Information
Copyright Date
2023
Physical Description
Extent
vii, 208 p.
digitalOrigin
born digital
Note: thesis
Thesis (Ph. D.)--Brown University, 2023
Genre (aat)
theses
Abstract
My dissertation, Leftovers: The Arts of Survival, Healing, and Gathering in the Afterfuture, attends to works by contemporary, primarily disabled, activist-artists in North America, including those from the feminist anti-violence movement, AIDS activism, prison abolition, and harm-reduction. The art that my project turns to reflects horizontal practices of (health)care, imbued with knowledge of crisis-response, therapeutics, self-help, and community accountability. These art-based care practices model “belonging-without-property,” a notion I root in disability justice, black and brown feminisms, marxisms, anarchisms, and performance studies. Refusing the hierarchies overdetermined by disposability and property that ableism arranges, I particularly embrace a critical disability lens that pays homage to critical race. Taking a critical disability approach helps me to understand how belonging-without-possession offers shelter from the “trash state,” or the systems and discourses that render beings and stuff unevenly disposable and contain them as property. My dissertation’s title, Leftovers, comes from Assata Shakur’s poem “Leftovers:” “After the bars and the gates and the degradation, what is left?” This leftover question directs my attention to the care practices of contemporary artists, as their work has been shaped both by the remains of 1970s radical black and decolonial activism and by its repression and institutionalization. The project’s chapters think about a critical disability ethic and aesthetic of belonging-without-possession through the rubrics of gathering, survival, healing, and accountability. Its chapters especially engage the work of dancer, photographer, and activist Kia LaBeija; poet and disability justice activist Leah Lakshmi Piepzna-Samarasinha, tattoo artist and oral historian Tamara Santibanez, among others.
Subject (fast) (authorityURI="http://id.worldcat.org/fast", valueURI="http://id.worldcat.org/fast/00822597")
Topic
Autobiography
Subject (fast) (authorityURI="http://id.worldcat.org/fast", valueURI="http://id.worldcat.org/fast/00807348")
Topic
American poetry
Subject
Topic
disability
Subject (fast) (authorityURI="http://id.worldcat.org/fast", valueURI="http://id.worldcat.org/fast/00894656")
Topic
Disability studies
Subject (fast) (authorityURI="http://id.worldcat.org/fast", valueURI="http://id.worldcat.org/fast/01061714")
Topic
Photography
Subject (fast) (authorityURI="http://id.worldcat.org/fast", valueURI="http://id.worldcat.org/fast/00911989")
Topic
English literature
Subject
Topic
Critical Race Studies
Subject
Topic
media and performance
Subject (fast) (authorityURI="http://id.worldcat.org/fast", valueURI="http://id.worldcat.org/fast/00860145")
Topic
Chronically ill
Subject
Topic
black feminist studies
Subject (fast) (authorityURI="http://id.worldcat.org/fast", valueURI="http://id.worldcat.org/fast/00818669")
Topic
Asian Americans--Study and teaching
Subject (fast) (authorityURI="http://id.worldcat.org/fast", valueURI="http://id.worldcat.org/fast/01143549")
Topic
Tattooing
Subject (fast) (authorityURI="http://id.worldcat.org/fast", valueURI="http://id.worldcat.org/fast/01941328")
Topic
Self-help publications
Language
Language Term (ISO639-2B)
English
Record Information
Record Content Source (marcorg)
RPB
Record Creation Date (encoding="iso8601")
20231121