Reaching back to the apocryphal wanderings of Pythagoras, the artform of music has been indelibly tied to concepts of nature and the natural, principally that …
Motivated by questions posed to the new media artist, concerning the difficulties with coming up with an innovative artistic style in interactive media performance, this …
In this project I develop a critical framework for engaging with the role of vocality in different singular and collective scenes of subjectivation and resistance. …
“Construction” intersects chance probabilities, experimental performance, and theoretical research through navigations of immersive environments. These navigations center around the Light Box, a new interface that …
Abstract of Diacousticon: Curation, Audience, and the Listening Machine by Stephan M. Moore, Ph.D., Brown University, May 2015. This thesis provides a thorough discussion of …
This paper is a companion piece to a multi-media performance titled Essential Tremors. The paper and Essential Tremors are formed out of shared research, language, …
Fear of Flight is a one-hour multimedia stage production that investigates the intersection of surround audiovisual composition and live performance to draw meaningful conclusions about …
This thesis details the conception and implementation of G’d(w)n’s castle, a real-time digital video system for the performance of liquid light-inspired animations. The motivations behind …
Abstract of Liminal/subLiminal: The Streetlight as Infra-ordinary Sound Art Object, by Sharol Lyn Goeringer, Ph.D., Brown University, May 2011Combining creative practice with theoretical inquiry, this …
This dissertation describes four associated musical compositions and represents an effort to advance electroacoustic musical compositional practices by examining and innovating two key technologies: listening …