At the beginning of this example, from a flute demonstration by the Vonania Flute and Drum Ensemble, William Alban Ayipaga, the group's leader, announces that …
On this track, the gullu parts for a Kasena musical style known as nunonga are featured in the following order: gungonga, small gulbala, large gulbala, …
Koetting attended, and documented, the musical performances of groups from diverse areas of the country, at the Legon festival held in 1974. Additional music from …
The Koetting Collection represents a significant amount of music performed for Kasena chiefs; many of such examples are performed by musical groups that are associated …
This song was recorded during a demonstration in 1975. In his dissertation, Koetting notes the potential value in organizing musical demonstrations with various groups and …
According to Koetting's notebooks, for this demonstration session, the Kayoro Baliu group included musicians Abadii Akilah, Atogebakwaga Atiyem, Abambazanga Abouee, Azaagaa Ayikuu, Wommoyee Pwaliga, Adambah …
A significant amount of the music performances Koetting documented were organized demonstrations held specifically to teach, understand, and write about Kasena music.
In an article resulting from dissertation field research documented within this audio reel tapes collection, Koetting explains that although the two versions of Sara muru …
The Kayoro Baliu group performed and demonstrated numerous Kasena pieces, including Sila mo sila mo we, for Koetting during recording sessions at the Kayoro chief's …
This performance-demonstration by the Kayoro Ro group presents the usual Kasena instrumental combination of two kori, three wui, and a gungonga. According to Koetting, although …
Koetting recorded this demonstration by musicians from the Mayoro/Nima group in May 1974. The Kasem lyrics mean "the rattle is hanging at a certain place".
The Vonania musicians demonstrate wui tunings on three different sets of instruments. Koetting identifies a wui maker [of all three sets?] on the recording.
This file includes one of numerous flute tuning demonstrations that highlights the varying, and most commonly played, wubala and wunia musical pitches and melodies.
In January 1975, Koetting recorded several musical groups that are closely associated with local Kasena chiefs in the towns of Kayoro, Mayoro, and Pungu. Many …
