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Inventors and Manipulators: Photography as Intellectual Property in Nineteenth-Century New York
Description:
Ownership of photographic depictions was as contentious in the nineteenth century as it is today. In 1852, a photography journal queried: “Why is it that …
Year:
2014
Contributor:
Harris, Mazie McKenna (creator)
Nickel, Douglas (Director)
Kriz, K. (Reader)
Roberts, Jennifer (Reader)
Brown University. History of Art and Architecture (sponsor)
Genre:
theses
Subject:
American art
nineteenth-century visual culture
counterfeiting
intellectual property law
backdrops
John Adams Whipple
Langenheim Brothers
Titian Ramsay Peale II
James A. Cutting
Napoleon Sarony
Photography
Art, American
Counterfeits and counterfeiting
Intellectual property
Patents
Copyright
Whipple, John Adams > 1822-1891
Cutting, James Ambrose > 1814-1867
Sarony, Napoleon > 1821-1896
United States
Collection:
History of Art and Architecture
Theses and Dissertations
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