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Le Quattro Volte’s non-anthropocentric approach also appears to draw much from what Scott MacDonald calls “ecocinema,” a tradition of experimental films and videos that strives to redirect attention to the physical environment.148 Describing the creators of ecocinema as the modern day heirs to Thoreau, MacDonald sees these films and videos as offering an alternative to “conventional media spectatorship” via a “retraining of perception” (109).