Reaching back to the apocryphal wanderings of Pythagoras, the artform of music has been indelibly tied to concepts of nature and the natural, principally that …
Motivated by questions posed to the new media artist, concerning the difficulties with coming up with an innovative artistic style in interactive media performance, this …
“Construction” intersects chance probabilities, experimental performance, and theoretical research through navigations of immersive environments. These navigations center around the Light Box, a new interface that …
Abstract of Diacousticon: Curation, Audience, and the Listening Machine by Stephan M. Moore, Ph.D., Brown University, May 2015. This thesis provides a thorough discussion of …
Fear of Flight is a one-hour multimedia stage production that investigates the intersection of surround audiovisual composition and live performance to draw meaningful conclusions about …
Abstract of Liminal/subLiminal: The Streetlight as Infra-ordinary Sound Art Object, by Sharol Lyn Goeringer, Ph.D., Brown University, May 2011Combining creative practice with theoretical inquiry, this …
This dissertation describes four associated musical compositions and represents an effort to advance electroacoustic musical compositional practices by examining and innovating two key technologies: listening …
Lossy Recollections is a set of five film and video pieces that investigate frictions produced when the past encounters forms and methods of documentation, and …
This document, the written portion of my dissertation project, is a companion to the interactive multimedia performance work Unless (2009), which featured movement artist Emily …
This dissertation chronicles the development of Ming Mecca, an experimental modular synthesizer and videogame console designed and engineered by the author. Modular synthesizers are a …
“Schaulust: A Study in Light and Sound” is an investigation into the development of a new audiovisual performance platform called Schaulust. This platform pairs custom …
“Simon and the Animating Interface” entangles instrument design, experimental performance and theoretical research with an electronic toy named Simon. Central to the exploration is the …
This dissertation project consists of an album of three pieces based on mystical processes and shimmering intonation systems, a series of scores, and a codex …
Abstract of “Terms of Addition: Compositions and Strategies for Electro-Acoustic Chamber Ensemble” by Bevin L. Kelley, PhD., Brown University, May 2014 “Terms of Addition: Compositions …
This project is a performance piece and accompanying dissertation paper based on a Rhode Island murder story from 1990. The piece is an evening-length performance …
The Fault of Epimetheus: The Performance and Orchestration of Gestural Computer Music Instruments explores the practice, design, and musical application of a genre of new …
“The Flickering Body” describes the creation of three multimedia performances — Dawn Chorus, Loup-garou, and Red Dot. These pieces share a common interest in uncanny …
Abstract of Traditional Terrain by Luke N. Moldof, Ph.D, Brown University May 2019 Traditional Terrain is a multi-media project exploring overlaps and symbiosis in locational …
“we’ve all, we’ve done” is a multisensory, multidisciplinary, sound art installation that is a research creation project that presents personal and historical archival materials about …
