“Construction” intersects chance probabilities, experimental performance, and theoretical research through navigations of immersive environments. These navigations center around the Light Box, a new interface that …
Abstract of Defamiliarizing the Cart: Art as Interventionist Practice in the Age of Cyberdelic Consumerism, by Martim S. Galvão, Degree A.M., Brown University, May 2017. …
“Hard-Wired Wonderland” is an audiovisual installation that explores a connection between the sonic, the visual, and space. This dissertation seeks to understand the process of …
Oscillator Pond is a sound installation project developed as part of an environment art-science conference program, Atmospheres. The work introduced a randomized soundscape into a …
“Schaulust: A Study in Light and Sound” is an investigation into the development of a new audiovisual performance platform called Schaulust. This platform pairs custom …
This essay is a thorough documentation of the live music performance "Pulsations [Bitumen]" realized under the author's artist moniker 'Marcel Zaes' in 2018. The author …
“Simon and the Animating Interface” entangles instrument design, experimental performance and theoretical research with an electronic toy named Simon. Central to the exploration is the …
SOAK is an intermedia performance suite that comprises three pieces – Soto, Soak, and Tsuchi. This is a ritualistic performance where I reexamine myself and …
Abstract of “Terms of Addition: Compositions and Strategies for Electro-Acoustic Chamber Ensemble” by Bevin L. Kelley, PhD., Brown University, May 2014 “Terms of Addition: Compositions …
“we’ve all, we’ve done” is a multisensory, multidisciplinary, sound art installation that is a research creation project that presents personal and historical archival materials about …
Mechanically produced time grids have been present in music-making at least since the advent of the metronome, and much of today’s popular music is rhythmically …