Camera Work: A Photographic Quarterly No. 9

Table of Contents

  • Publisher's Page: 1-1
  • List of Plates by Clarence H. White and Eduard J. Steichen. I-VI: 3-3
  • The Orchard. Plate I (White, Clarence H.): 5-5
  • Illustration to 'Beneath the Wrinkle'. Plate II (White, Clarence H.): 7-7
  • Illustration to 'Eben Holden'. Plate III (White, Clarence H.): 9-9
  • Boy with Camera Work. Plate IV (White, Clarence H.): 11-11
  • The Beatty Children. Plate V (White, Clarence H.): 13-13
  • Portrait of Clarence H. White. Plate VI (Steichen, Eduard J.): 15-15
  • The Philosophy of Photographic Values (Rood, Roland): 17-22
  • Eva Watson-Schütze (Keiley, Joseph T.): 23-26
  • List of Photographs by Eva Watson-Schütze. I-IV: 27-27
  • Head of a Young Girl. Photograph I (Watson-Schütze, Eva): 29-29
  • Portrait Study. Photograph II (Watson-Schütze, Eva): 31-31
  • The Rose. Photograph III (Watson-Schütze, Eva): 33-33
  • Storm. Photograph IV (Watson-Schütze, Eva): 35-35
  • The Photographic Salon, London, 1904: As Seen through English Eyes (Evans, Frederick H.): 37-47
  • To Our Subscribers (The Editors): 47-47
  • Clarence H. White: An Appreciation (Beatty, John W.): 48-49
  • The 'First American Salon at New York' (Stieglitz, Alfred): 50-52
  • Uncle 'Rastus on the Origins of Trouble (Kerfoot, J. B.): 53-54
  • Our Illustrations: 55-55
  • To Artists: 55-55
  • The Photo-Secession: Founded February 17, 1902: 56-57
  • Sebastian Melmouth: Extracts: 58-58
  • Advertisements: adv1-adv24

Citation

"Camera Work: A Photographic Quarterly No. 9 " (1905). Modernist Journals Project. Brown Digital Repository. Brown University Library. https://repository.library.brown.edu/studio/item/bdr:563522/

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  • Modernist Journals Project Thumbnail

    A digital research collection focusing on Modernist journals and magazines, together with essays, introductions, and biographical sketches.

    The Modernist Journals Project publishes fully searchable online editions of the English-language journals and magazines that were important in shaping the modes of ...

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