Kein Kino: Autonomous Film after Adorno

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Overview

Title
Kein Kino: Autonomous Film after Adorno
Contributors
Taylor, Miles H (Creator)
Rosen, Philip (advisor)
Koch, Gertrud (reader)
Brown University (sponsor)
Doi
10.26300/vr0t-4276
Copyright Date
2018
Abstract
This thesis works to clarify what an Adornean conception of Autonomous Cinema might look like through incorporating other theorists such as Aldous Huxley and Fredric Jameson. Through an analysis of films by Wim Wenders, Werner Herzog, and Paolo Sorrentino, the essay examines questions of film aesthetics in post-modernity, and insists on the importance of a non-didactic form of cognitive mapping.
Keywords
Adorno, Theodor W., 1903-1969
Film
Aesthetics
German Cinema
Notes
Senior thesis (AB)--Brown University, 2018
Concentration: Modern Culture and Media and English
Extent
50 p.
Access Conditions
© Copyright 2018 Miles H Taylor. This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International license

Citation

Taylor, Miles H., "Kein Kino: Autonomous Film after Adorno" (2018). Modern Culture and Media Theses and Dissertations. Brown Digital Repository. Brown University Library. https://doi.org/10.26300/vr0t-4276

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