“Hard-Wired Wonderland” is an audiovisual installation that explores a connection between the sonic, the visual, and space. This dissertation seeks to understand the process of …
This dissertation describes four associated musical compositions and represents an effort to advance electroacoustic musical compositional practices by examining and innovating two key technologies: listening …
This document, the written portion of my dissertation project, is a companion to the interactive multimedia performance work Unless (2009), which featured movement artist Emily …
“Schaulust: A Study in Light and Sound” is an investigation into the development of a new audiovisual performance platform called Schaulust. This platform pairs custom …
“Simon and the Animating Interface” entangles instrument design, experimental performance and theoretical research with an electronic toy named Simon. Central to the exploration is the …
SOAK is an intermedia performance suite that comprises three pieces – Soto, Soak, and Tsuchi. This is a ritualistic performance where I reexamine myself and …
Abstract of “Terms of Addition: Compositions and Strategies for Electro-Acoustic Chamber Ensemble” by Bevin L. Kelley, PhD., Brown University, May 2014 “Terms of Addition: Compositions …
The Fault of Epimetheus: The Performance and Orchestration of Gestural Computer Music Instruments explores the practice, design, and musical application of a genre of new …
“The Flickering Body” describes the creation of three multimedia performances — Dawn Chorus, Loup-garou, and Red Dot. These pieces share a common interest in uncanny …
This paper outlines a creative, practice-based approach to exploring the entanglements between people and information technologies, especially as it relates to the role of surveillance …