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Thumbnail for VvAa. (1998). VEREDAS—Revista …

VvAa. (1998). VEREDAS—Revista da Associação Internacional de Lusitanistas, v. 1. Porto: Fund. Eng. Antonio de Almeida.

WASSERMAN, Renata M. (2007). Central at the Margin: Five Brazilian Women Writers. Lewisburg: Bucknell University Press.

Wee Circus

When the door opens

Where do we draw the boundaries of digital poetry?

WILLIS, Bruce Dean. Aesthetics of equilibrium: The vanguard poetics of Vicente Huidobro and Mário de Andrade. West Lafayette, Indiana: Purdue University Press.

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Items (881-899) out of 899 results

VvAa. (1998). VEREDAS—Revista da Associação Internacional de Lusitanistas, v. 1. Porto: Fund. Eng. Antonio de Almeida.

WASSERMAN, Renata M. (2007). Central at the Margin: Five Brazilian Women Writers. Lewisburg: Bucknell University Press.

Wee Circus

When the door opens

Where do we draw the boundaries of digital poetry?

WILLIS, Bruce Dean. Aesthetics of equilibrium: The vanguard poetics of Vicente Huidobro and Mário de Andrade. West Lafayette, Indiana: Purdue University Press.

Women and chickens without beggars: notes on 'Imitation of the Rose' by Clarice Lispector

Women in the shadows: the theme of the second wife in 'Encarnação', 'A intrusa,' and 'A sucessora'

World literature and the study of Paulo Coelho: effects in and beyond the Brazilian field

Writing the landscape: Brazil on the affective horizon of Agustina Bessa-Luís

XAVIER, Valêncio (1998). O mez da grippe e outros livros. São Paulo: Companhia das Letras.

ZILBERMAN, Regina (1994). A terra em que nasceste: imagens do Brasil na literatura. Porto Alegre: Ed. UFRGS.

ZILBERMAN, Regina (2012). Brás Cubas autor, Machado de Assis leitor. Ponta Grossa, PR: Editora UEPG.

ZILBERMAN, Regina; MOREIRA, Maria Eunice. (1998). O berço do cânone. Porto Alegre: Mercado Aberto.

Zulmira Ribeiro Tavares: Entre a subjetividade à sombra e o horizonte claro do social

ÂNGELO, Ivan (1986). A Face Horrível. Rio de Janeiro: Nova Fronteira.

‘Brazil on the move’: travel writing the Dos Passos way

‘Dolce vita’: sono-graphic figuration, tension and resolution in ‘Onde andará Dulce Veiga?’

‘Stella Manhattan’: a different subjectivity

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